Photograph of two children on a donkey. In the background a vegetable garden, picket fence and buildings at Braeside can be seen. (See also #2001.001.161, #2001.001.173 & #2001.001.174. Identifications by Doreen Thompson.)
Photograph of two children on a donkey. In the background a vegetable garden, picket fence and buildings at Braeside can be seen. (See also #2001.001.161, #2001.001.173 & #2001.001.174. Identifications by Doreen Thompson.)
Photograph of four young women, Margaret Copland, Violet Stoney, Muriel Cunliffe (teacher at the Whaletown school) and Joyce Allen, seated on a bench against the front of the freight shed on the Whaletown wharf. Posters advertising the Vancouver exhibition and a dentist can be clearly read on the side of the freight shed.
Photograph of four young women, Margaret Copland, Violet Stoney, Muriel Cunliffe (teacher at the Whaletown school) and Joyce Allen, seated on a bench against the front of the freight shed on the Whaletown wharf. Posters advertising the Vancouver exhibition and a dentist can be clearly read on the side of the freight shed.
Series consists of one photograph album containing 329 black and white photographs with captions, dating from 1922 to 1924. The photographs depict Dorothy Huck, friends and family, on Cortes and in Saskatchewan. There are also some commercial photographs of the Rocky Mountains.
Edges of the cover are frayed; the first five, the eighth and the last four pages are broken along the fold and are loose. The photographs are glued onto the black cardboard pages and show signs of rippling, creasing, dirt and wear but most of the images are very clear. Some of the pictures are loose or missing.
Scope and Content
Series consists of one photograph album containing 329 black and white photographs with captions, dating from 1922 to 1924. The photographs depict Dorothy Huck, friends and family, on Cortes and in Saskatchewan. There are also some commercial photographs of the Rocky Mountains.
Series consists of original drawings, watercolours and pastels created by residents of Cortes or Read Island, and a series of pen and ink drawings meant to illustrate Douglas' book, "Silence Is My Homeland".
Series consists of original drawings, watercolours and pastels created by residents of Cortes or Read Island, and a series of pen and ink drawings meant to illustrate Douglas' book, "Silence Is My Homeland".
Series consists of prints, slides and negatives of photographs taken by Douglas or collected by her. There are 1,145 photograph prints, 358 slides and ca. 560 negatives. Photographs dated before 1948 are duplicates of photos in the Gilean Douglas Fonds at University of British Columbia Library Rare Books and Special Collections; photographs of Cortes Island and Channel Rock are held by the Cortes Island Archives.
ca. 2,352 photographic records (1147 prints : b&w and col. - ca. 560 negatives : b&w and col. negatives ; 35 mm and 14 x 11 cm or smaller - 645 slides : col. slides ; 35 mm)
Scope and Content
Series consists of prints, slides and negatives of photographs taken by Douglas or collected by her. There are 1,145 photograph prints, 358 slides and ca. 560 negatives. Photographs dated before 1948 are duplicates of photos in the Gilean Douglas Fonds at University of British Columbia Library Rare Books and Special Collections; photographs of Cortes Island and Channel Rock are held by the Cortes Island Archives.
Fonds consists of two photograph albums containing 479 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict family, friends and scenes from Cortes Island, especially the area known as Green Valley; some photographs show school friends and family from Vancouver and Saskatchewan. Titles in quotation marks are Dorothy Huck's photograph captions. Other information used in photograph descriptions comes from the "Green Valley", "Carrington Bay/Coulter Bay" and "Whaletown to 1930" albums created for CIMAS in 1999 by Doreen Huck Thompson, a grand-niece of Dorothy Huck. Unless otherwise noted, the location of all photos is Cortes Island.
Dorothy Mary Huck Whalley (June 30, 1904 - Nov. 17, 1983) was the oldest of five children born to Mabel Wells Huck and William Edward Huck. Her siblings were Wilfred Harold (Harry), John Edward (Jack), Margaret Ethel and William Frances (Billie). Shortly after the Huck family arrived on Cortes in 1915, William E. Huck enlisted in the Army. He was killed in France in 1916, leaving Mabel with five children to bring up on her own. Her brother, Harold John (Jack) Wells was invalided home from World War I in 1917 and moved to Cortes, where he boarded with Mabel.
The Huck homestead, referred to as Hell's Half Acre or Billy Goat Hill, was in the NE 1/4 of Section 40, in Green Valley, the area around what is now known as Blue Jay Lake. Neighbours included the Barrett, Middleton, Tait and Tiber families. Dorothy was sent to Vancouver for schooling, and then returned to Cortes to attend the new Squirrel Cove school in 1916. In 1920 the Huck family moved to the Robertson property, Burnside, in Whaletown. Dorothy, having outgrown the local school system, went to Moose Jaw, Sk. where she finished high school and then attended a secretarial school run by her aunt and uncle. She married Joe Whalley and lived in Saskatchewan for many years before returning to live in Vancouver and White Rock. Dorothy died in White Rock on Nov. 17, 1983.
Custodial History
The albums were created by Dorothy Huck Whalley and given to her daughter Dorothy Whalley Livingstone. Dorothy Livingstone passed the albums on to her cousin, Karen Lee (daughter of Margaret Huck Mann), who donated them to the Cortes Island Museum & Archives Society.
Scope and Content
Fonds consists of two photograph albums containing 479 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict family, friends and scenes from Cortes Island, especially the area known as Green Valley; some photographs show school friends and family from Vancouver and Saskatchewan. Titles in quotation marks are Dorothy Huck's photograph captions. Other information used in photograph descriptions comes from the "Green Valley", "Carrington Bay/Coulter Bay" and "Whaletown to 1930" albums created for CIMAS in 1999 by Doreen Huck Thompson, a grand-niece of Dorothy Huck. Unless otherwise noted, the location of all photos is Cortes Island.
Geographic Access
Cortes Island
Squirrel Cove
Carrington Bay
Saskatchewan
Related Material
"Green Valley", "Carrington Bay/Coulter Bay" and "Whaletown to 1930" albums created by Doreen Huck Thompson.
Series consists of one photograph album containing 150 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict Dorothy Huck, her family and friends, and scenes from Cortes Island, especially the Green Valley area. There are also some photographs from Vancouver and Moose Jaw, Sk. where Dorothy attended school.
1 photograph album, 18.5 x 14 x 4.5 cm, containing 150 black and white photographs.
Physical Condition
Cover is worn; spine is damaged and has been repaired with orange tape and cellophane tape. Photographs are glued onto the black paper pages and show signs of wear such as dirt or wrinkling but are generally very clear. Some photographs are missing and a few have been cut.
Scope and Content
Series consists of one photograph album containing 150 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict Dorothy Huck, her family and friends, and scenes from Cortes Island, especially the Green Valley area. There are also some photographs from Vancouver and Moose Jaw, Sk. where Dorothy attended school.
Fonds consists of photographs of Cortes Island people and events, and one file of textual records, which includes a 13 verse poem by Mabel Christensen, "Picnic", about Cortes Island Day.
Peggy Newsham (1907-1999) was born in Belfast, Ireland. At the age of 16, she emigrated to Vancouver, Canada. In 1937, Peggy met Doll (Jeffery) Hansen and together they traveled on the Union Steamship to Cortes Island. She worked for Alice Robertson at Burnside in Whaletown, helping with the gardening, livestock and household chores. Peggy moved to Manson's Landing in the late 1960s, where she was active in the Community Club and took part in many social activities. She was crowned "Queen of Cortes" by acclamation at Cortes Day in 1979. There is a memorial to Peggy in the garden of the Cortes Island Museum.
Custodial History
Donated by Dennis Newsham and Frances Guthrie.
Scope and Content
Fonds consists of photographs of Cortes Island people and events, and one file of textual records, which includes a 13 verse poem by Mabel Christensen, "Picnic", about Cortes Island Day.
Collection consists of five cartoons by Ken Slater. There are three large coloured pen and ink cartoons drawn as Christmas cards for Gary and Velma Bergman, who owned the Whaletown store, and two pencil drawings by Ken Slater.
Ken Slater (1905-1970) was a long-time resident of Cortes Island, a commercial fisherman and boat builder who was also an accomplished carver and cartoonist. His boatworks was located on the site now occupied by the Whaletown Post Office. Ken built the "Sylva Jane", launched in 1946, for Reg and Sylvia Walsh. He also built a model of the ship, which is in the collection of the Cortes Museum. Ken moved to Cortes Bay in 1962. His cartoons, artwork and wood carvings were displayed and sold at many island affairs.
Custodial History
The three coloured cartoons were given to Mark Appleyard by Gary and Velma Bergman for donation to CIMAS [ca. 2015]. Provenance of the two pencil drawings is unknown. There is no accession record; an arbitrary FIC (Found In Collection) number has been given based on the date of processing.
Scope and Content
Collection consists of five cartoons by Ken Slater. There are three large coloured pen and ink cartoons drawn as Christmas cards for Gary and Velma Bergman, who owned the Whaletown store, and two pencil drawings by Ken Slater.
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts Velma in the store, and the inside depicts a scene on the fish scow on the Whaletown wharf. Signed "Ness and Ken".
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts Velma in the store, and the inside depicts a scene on the fish scow on the Whaletown wharf. Signed "Ness and Ken".
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts a spindly Christmas tree with a seagull on the top (Gary Bergman always fed bacon scraps to the seagulls on Friday "meat days"). The inside depicts the inside of the store with Velma at the cash register.
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts a spindly Christmas tree with a seagull on the top (Gary Bergman always fed bacon scraps to the seagulls on Friday "meat days"). The inside depicts the inside of the store with Velma at the cash register.
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts a collection of record albums; the inside shows a scene on the Whaletown dock.
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts a collection of record albums; the inside shows a scene on the Whaletown dock.
File contains two cartoon portraits, pencil on construction paper. One is of Frankie Petrie, age 13; the other is labelled "The Beauty of Whaletown - Barbara Slater".
File contains two cartoon portraits, pencil on construction paper. One is of Frankie Petrie, age 13; the other is labelled "The Beauty of Whaletown - Barbara Slater".