Looking north from Green Mountain over Carrington Lagoon and Carrington Bay (tidal falls in between) across 5 miles of water to Read Island, with a slew of islands to the north.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
"Jan making a run to Whaletown. Read Island on left, Von Donop behind her head several miles away. Floater coats with beaver tails worn hanging down were de rigeur!"
"Jan making a run to Whaletown. Read Island on left, Von Donop behind her head several miles away. Floater coats with beaver tails worn hanging down were de rigeur!"
File contains scanned copies of photographs donated by Jim Palmer for the Carrington Bay exhibit in 2009, depicting the community living in Carrington Bay in the 1970s and 1980s.
Jim Palmer and Jan Gemmel lived in a house on the west side of the log jam between Carrington Lagoon and Carrington Bay. Jim built the house at the property of John and Anna Gregg in Manson's Landing and relocated it onto pilings in Carrington Bay. Jim and Jan later fabricated steel pontoons for it. In 1985 the house was moved onto the floats and towed into Gorge Harbour by Bob Thompson with his boat "Sutil Chief".
File contains scanned copies of photographs donated by Jim Palmer for the Carrington Bay exhibit in 2009, depicting the community living in Carrington Bay in the 1970s and 1980s.
Jim Palmer and Jan Gemmel lived in a house on the west side of the log jam between Carrington Lagoon and Carrington Bay. Jim built the house at the property of John and Anna Gregg in Manson's Landing and relocated it onto pilings in Carrington Bay. Jim and Jan later fabricated steel pontoons for it. In 1985 the house was moved onto the floats and towed into Gorge Harbour by Bob Thompson with his boat "Sutil Chief".
Binder contains interviews, stories and pictures from Ginny and Bruce Ellingsen, the Lambert family, Dolly (Jeffery) Hansen and Maryann McCoy, with additional historic photographs of Smelt Bay from the early to the late 1900s at the back. It was created as part of the Memories of Manson's Landing Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories and pictures from Ginny and Bruce Ellingsen, the Lambert family, Dolly (Jeffery) Hansen and Maryann McCoy, with additional historic photographs of Smelt Bay from the early to the late 1900s at the back. It was created as part of the Memories of Manson's Landing Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories and pictures from Etta (McKay) Byers, Bert and Penny Hansen, Peggy Pyner, Frank Hayes, Vida (Trousdale) Hodgson, Bob Milton, Lorne Musclow, and Elton Anderson.
It was created as part of the Memories of Manson's Landing Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories and pictures from Etta (McKay) Byers, Bert and Penny Hansen, Peggy Pyner, Frank Hayes, Vida (Trousdale) Hodgson, Bob Milton, Lorne Musclow, and Elton Anderson.
It was created as part of the Memories of Manson's Landing Exhibit, curated and mounted by Doreen Thompson.
Memories of Mansons Landing 2005 – Central Area – Bridge Hill and Smelt Bay Hill
Binder contains interviews, stories and pictures from Mary and Bill Block, Larry Borland, May (Freeman) Ellingsen, Wilf Freeman, the Froud family, Robbie Graham, Bill Guthrie, Gloria Morrisette, Jean (Reford) MacDonald and Beth (Martin) Slater.
It was created as part of the Memories of Manson's Landing Exhibit, curated and mounted by Doreen Thompson.
Memories of Mansons Landing 2005 – Central Area – Bridge Hill and Smelt Bay Hill
Binder contains interviews, stories and pictures from Mary and Bill Block, Larry Borland, May (Freeman) Ellingsen, Wilf Freeman, the Froud family, Robbie Graham, Bill Guthrie, Gloria Morrisette, Jean (Reford) MacDonald and Beth (Martin) Slater.
It was created as part of the Memories of Manson's Landing Exhibit, curated and mounted by Doreen Thompson.
Mark Appleyard makes an oar as Emily looks on. Wendy Knudsen, Mark & Emily lived aboard the sailboat Cytherea. Zuk’s boat Devotion in background (Whaletown dock)
Info on Carrington Bay history and early settler homesteaders from late 1800s onward; scans from Whaletown to 1930 album; scan of location for Department of Energy, Mines and Resources, 1945; park brochure; clippings about Carrington from 1982-2014; excerpt from interview with Clarence and Etta Byers, 2001; notes from exhibit curation (labels, photo captions, etc); excerpts rom June Cameron's Destination Cortez; topographic map of Green Mountain; emails about exhibit; printed photographs for exhibit. Keywords: drowing, Island Timberland, Coulter Bay, stream keepers
Info on Carrington Bay history and early settler homesteaders from late 1800s onward; scans from Whaletown to 1930 album; scan of location for Department of Energy, Mines and Resources, 1945; park brochure; clippings about Carrington from 1982-2014; excerpt from interview with Clarence and Etta Byers, 2001; notes from exhibit curation (labels, photo captions, etc); excerpts rom June Cameron's Destination Cortez; topographic map of Green Mountain; emails about exhibit; printed photographs for exhibit. Keywords: drowing, Island Timberland, Coulter Bay, stream keepers
File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Additional information:
re photo on p 79: "Dell Tooker with Stephen Williams (son of Trefor Williams). The Titus’s were gone by 1960 when the photo was taken. This horse was “Lady” and belonged to Bert Hansen. He kindly loaned her to us sometimes which was so appreciated." (from Tari Tooker Chiasson, 5/2021)
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Additional information:
re photo on p 79: "Dell Tooker with Stephen Williams (son of Trefor Williams). The Titus’s were gone by 1960 when the photo was taken. This horse was “Lady” and belonged to Bert Hansen. He kindly loaned her to us sometimes which was so appreciated." (from Tari Tooker Chiasson, 5/2021)