Photograph is a print taken from the same negative as photograph 2004.001.043 (Florence McKay fonds). The legend of "Seal Boy" is handwritten in Salish (? check language) on the back, with a typed English translation taped on.
Photograph is a print taken from the same negative as photograph 2004.001.043 (Florence McKay fonds). The legend of "Seal Boy" is handwritten in Salish (? check language) on the back, with a typed English translation taped on.
John Manson in front of black seal shape on surface of rock. The back of the photograph has a typed explanation of the legend of the Seal Boy, as follows:
"According to Indian legend, an Indian boy who persisted in going in swimming in spite of his mother's repeated warnings, was turned into a seal visible here as the black rock formation I am looking at. Summer, 1946."
"Ankity tillicum wawa, Ikt wake kloosh Sliamin tenasman quansum tickie klatawa cupa chuck. Yaka mama wawa, 'Klush halo!' Tenasman delate sahalie tumtum, halo iskum okok wawa. Wight wawa yaka mama, 'Spose halo kopate kloness elkie mica clap hias cull.' Pe nawitka yaka chaco delate klahowyum, chako kohkwa Siwash cusho mitlite cupa okok klale tone. Nika nanitch alta. Waum Illahee, 1946."
John Manson in front of black seal shape on surface of rock. The back of the photograph has a typed explanation of the legend of the Seal Boy, as follows:
"According to Indian legend, an Indian boy who persisted in going in swimming in spite of his mother's repeated warnings, was turned into a seal visible here as the black rock formation I am looking at. Summer, 1946."
"Ankity tillicum wawa, Ikt wake kloosh Sliamin tenasman quansum tickie klatawa cupa chuck. Yaka mama wawa, 'Klush halo!' Tenasman delate sahalie tumtum, halo iskum okok wawa. Wight wawa yaka mama, 'Spose halo kopate kloness elkie mica clap hias cull.' Pe nawitka yaka chaco delate klahowyum, chako kohkwa Siwash cusho mitlite cupa okok klale tone. Nika nanitch alta. Waum Illahee, 1946."
Photograph of a dock with a ramp leading to a building with a sign "Store" on the front, just above the high tide line. Captioned "Where the trip ends".
Photograph of a dock with a ramp leading to a building with a sign "Store" on the front, just above the high tide line. Captioned "Where the trip ends".
Photograph originally labelled "Canon Alan Greene (R) at Whaletownon Cortez Island. With him is the Rev Douglas Kendall". The photograph was taken at the dedication of St. John the Baptist Church in Whaletown.
Photograph originally labelled "Canon Alan Greene (R) at Whaletownon Cortez Island. With him is the Rev Douglas Kendall". The photograph was taken at the dedication of St. John the Baptist Church in Whaletown.
Photograph of a woman beside the fish scow at the Whaletown dock, holding a large salmon. (ID - Nesta Slater?). With the series of Slater photographs is a paper typed by Gilean Douglas offering other fishing pictures of the "Dorr's" (the name she used for the Slaters in her magazine articles).
Photograph of a woman beside the fish scow at the Whaletown dock, holding a large salmon. (ID - Nesta Slater?). With the series of Slater photographs is a paper typed by Gilean Douglas offering other fishing pictures of the "Dorr's" (the name she used for the Slaters in her magazine articles).
John Manson and son Jack with friends who were visiting at Sunny Brae farm.
L to R: Abner Conant, Mrs. A. (Catherine) Conant, John Manson and son Jack Manson
Abner Conant grew up and went to school on Hernando Island.
This photograph was donated to May Ellingsen by Abner and Catherine Conant.
Scope and Content
John Manson and son Jack with friends who were visiting at Sunny Brae farm.
L to R: Abner Conant, Mrs. A. (Catherine) Conant, John Manson and son Jack Manson
Abner Conant grew up and went to school on Hernando Island.
Photograph shows the church of St. John the Baptist in Whaletown. An old car is parked in front of the picket fence of the Rectory, at the left. Note there are no hydro or telephone poles or lines. This is a postcard printed in the 1990s, from a photograph taken by Doug Alderson, Jalmar Olson's son-in-law and Judy Alderson's father.
Photograph shows the church of St. John the Baptist in Whaletown. An old car is parked in front of the picket fence of the Rectory, at the left. Note there are no hydro or telephone poles or lines. This is a postcard printed in the 1990s, from a photograph taken by Doug Alderson, Jalmar Olson's son-in-law and Judy Alderson's father.
Photograph of a wood shingled house with attached sheds. A child is standing on the porch, next to a washing machine. Coulours on the print are yellowed.
Photograph of a wood shingled house with attached sheds. A child is standing on the porch, next to a washing machine. Coulours on the print are yellowed.
.jpg?width=1200&404=no-img.jpg&watermark=wmk)
.jpg?width=1200&404=no-img.jpg&watermark=wmk)
.jpg?width=1200&404=no-img.jpg&watermark=wmk)
.jpg?width=180&404=no-img.jpg)
.jpg?width=1200&404=no-img.jpg&watermark=wmk)
.jpg?width=1200&404=no-img.jpg&watermark=wmk)
.jpg?width=180&404=no-img.jpg)
.jpg?width=1200&404=no-img.jpg&watermark=wmk)
.jpg?width=1200&404=no-img.jpg&watermark=wmk)
.jpg?width=180&404=no-img.jpg)
.jpg?width=1200&404=no-img.jpg&watermark=wmk)
.jpg?width=1200&404=no-img.jpg&watermark=wmk)
.jpg?width=180&404=no-img.jpg)
