File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts Velma in the store, and the inside depicts a scene on the fish scow on the Whaletown wharf. Signed "Ness and Ken".
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts Velma in the store, and the inside depicts a scene on the fish scow on the Whaletown wharf. Signed "Ness and Ken".
File contains a draft, with edits, of a brochure for the Seniors' Building Complex. Also contains two (2) b&w photographic prints and one (1) ink drawing.
File contains a draft, with edits, of a brochure for the Seniors' Building Complex. Also contains two (2) b&w photographic prints and one (1) ink drawing.
File consists of thirty-nine pages of correspondence addressed to Mrs. Robertson of the Whaletown Women's Institute, and three envelopes, one containing a photograph of Doris McLean (nee. Lancaster).
39 pages of textual records
3 envelopes
1 photograph
Scope and Content
File consists of thirty-nine pages of correspondence addressed to Mrs. Robertson of the Whaletown Women's Institute, and three envelopes, one containing a photograph of Doris McLean (nee. Lancaster).
File consists of correspondence, including letters regarding the local CIWI leaving the provincial WI; a letter from Gilean Douglas outlining the history of the Whaletown Women's Institute; four photographs taken at Manson's Hall (need identification).
File consists of correspondence, including letters regarding the local CIWI leaving the provincial WI; a letter from Gilean Douglas outlining the history of the Whaletown Women's Institute; four photographs taken at Manson's Hall (need identification).
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "In this documentary a rag-tag team of Cortes wreckers demolish a giant warehouse in James Bay, Victoria. The remove 100-year old maple flooring, which is bound for Cortes, while the building falls down around them. They have to get the flooring out before the bulldozers arrive! Shot on 16 mm film."
Cast: Pierre deTrey, Stephen Foster, Al Murray, John Wasyliw
From the "Out of the Archives" program: "In this documentary a rag-tag team of Cortes wreckers demolish a giant warehouse in James Bay, Victoria. The remove 100-year old maple flooring, which is bound for Cortes, while the building falls down around them. They have to get the flooring out before the bulldozers arrive! Shot on 16 mm film."
Cast: Pierre deTrey, Stephen Foster, Al Murray, John Wasyliw
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "The diverse history of life on yet another island, Papua New Guinea, is revealed in this 40 minute feature documentary. Often wrongly portrayed as "primitive," George attempts to show that the Papuans are indeed modern in their culture and innovation as successfully brought them to the present. This documentary was shot in Mount Hagen, Papua New Guinea, in 1981. A hunting expedition is followed by rare candid footage of a celebratory "Sing-Sing". Permission to film these timeless momnts was acquired and gratefully acknowledged. Shot on Super 8 film with the assistance and perseverance of Isolde Rutheberg."
From the "Out of the Archives" program: "The diverse history of life on yet another island, Papua New Guinea, is revealed in this 40 minute feature documentary. Often wrongly portrayed as "primitive," George attempts to show that the Papuans are indeed modern in their culture and innovation as successfully brought them to the present. This documentary was shot in Mount Hagen, Papua New Guinea, in 1981. A hunting expedition is followed by rare candid footage of a celebratory "Sing-Sing". Permission to film these timeless momnts was acquired and gratefully acknowledged. Shot on Super 8 film with the assistance and perseverance of Isolde Rutheberg."
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
1 moving image : 13 minutes ; with background music
Scope and Content
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
