File contains genealogical information, photocopies of pictures, notes, and a CD labelled "Logan Family Photos" (2006.001.040 - stored in CD/DVD Album). Includes a photocopy of a World War I Diary of Dennis Walker.
File contains genealogical information, photocopies of pictures, notes, and a CD labelled "Logan Family Photos" (2006.001.040 - stored in CD/DVD Album). Includes a photocopy of a World War I Diary of Dennis Walker.
File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
"Granite and Fossils" is a compilation of informatioin about Cortes Island fossils created by Christian Gronau for the Cortes Island Museum in 2002 and updated in 2016 and 2023. It has been digitized as Volume 1 and Volume 2.
Christian Gronau studied palaeontology and geology in Germany. He came to Canada in 1972 and
worked in the mining sector in the N.W.T. (among other places), where he met Aileen.
Christian and Aileen (C&A) moved together to Cortes Island in 1978, where they lived for 34 years on a
water-access-only property, without hydro or telephone (Swamp’s Edge), supporting themselves as beach-
only shellfish farmers (Last Farm Oysters). Throughout, C&A have been avid naturalists, continuing this
tradition from their present home at the south-end of Cortes Island (Tanglebank).
Scope and Content
"Granite and Fossils" is a compilation of informatioin about Cortes Island fossils created by Christian Gronau for the Cortes Island Museum in 2002 and updated in 2016 and 2023. It has been digitized as Volume 1 and Volume 2.
This memoir, written by Captain Frederic (Fred) Vosper, contains family history, photographs, clippings and stories of Vosper's life on Cortes and in coastal British Columbia. It is reproduced here with the kind permission of Patricia Vosper.
Frederic (Fred) Vernon Vosper (1935-2016) was born in Vancouver BC and grew up on the coast, always around boats and water. Occupations included tug boat captain and owner, hard-hat salvage diver, and hand logger. Fred married Patricia in 1956, and they had six children. The Vospers lived in Cortes Bay from 1975 to 1982, and returned to Cortes in 1990, after Fred retired.
Custodial History
A copy of the book was donated to CIMAS in 2021 by Patricia Vosper, who gave permission for the book to be scanned and made available online.
Scope and Content
This memoir, written by Captain Frederic (Fred) Vosper, contains family history, photographs, clippings and stories of Vosper's life on Cortes and in coastal British Columbia. It is reproduced here with the kind permission of Patricia Vosper.
Files are organized into the following folders: Aquaculture; Director's Reports (published in the Discovery Islander and the Howling Wolf); Ferry Advisory Committee; Island Sea Farms; Letter of Support; Restructuring; SMT (Senior Management Team) Agendas and Notes; and Whaletown Creek. There are also files relating to RDCS restructuring, APC minutes, and other RDCS business. The CD is stored in the CD Album and there is a print-out of the directory file in Folder 7-31.
Files are organized into the following folders: Aquaculture; Director's Reports (published in the Discovery Islander and the Howling Wolf); Ferry Advisory Committee; Island Sea Farms; Letter of Support; Restructuring; SMT (Senior Management Team) Agendas and Notes; and Whaletown Creek. There are also files relating to RDCS restructuring, APC minutes, and other RDCS business. The CD is stored in the CD Album and there is a print-out of the directory file in Folder 7-31.
Files include APC Agenda and Minutes, Director's Reports (published in the Discovery Islander and the Howling Wolf) and a Gunflint/Hague Lake sampling report.
The CD is stored in the CD Album and there is a print-out of the directory file in Folder 7-31.
Files include APC Agenda and Minutes, Director's Reports (published in the Discovery Islander and the Howling Wolf) and a Gunflint/Hague Lake sampling report.
The CD is stored in the CD Album and there is a print-out of the directory file in Folder 7-31.
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "This extravaganza marked the peak of Cortes Cinema's (CC) exploits in madness. Inspired by Saturday being the day that Cortes's gravel roads were littered in paper garbage (it flew off the dump truck). The script was a collaboration of some of the most unstable minds at CC's arsenal. The plot is, like the scriptwriters' minds, simple, but the late Al Murray's acting as the Lone Ranger left eceryone in the dust. The film is a tribute to Al, the funniest man that stepped in front of the CC's lens. Shot on Super 8 on location at the Cortes Island Dump."
Cast: Al Murray, Pierre & Wendy deTrey, Jean Fontaine, Jim Palmer, Isolde Ruthenberg
Cameos: Gary Bergman, the Reverand Rollo Boas, Wlmer Ellingsen, Jo-Ann Green, Peggy (the Queen of Cortes) Newsham, George Sirk
From the "Out of the Archives" program: "This extravaganza marked the peak of Cortes Cinema's (CC) exploits in madness. Inspired by Saturday being the day that Cortes's gravel roads were littered in paper garbage (it flew off the dump truck). The script was a collaboration of some of the most unstable minds at CC's arsenal. The plot is, like the scriptwriters' minds, simple, but the late Al Murray's acting as the Lone Ranger left eceryone in the dust. The film is a tribute to Al, the funniest man that stepped in front of the CC's lens. Shot on Super 8 on location at the Cortes Island Dump."
Cast: Al Murray, Pierre & Wendy deTrey, Jean Fontaine, Jim Palmer, Isolde Ruthenberg
Cameos: Gary Bergman, the Reverand Rollo Boas, Wlmer Ellingsen, Jo-Ann Green, Peggy (the Queen of Cortes) Newsham, George Sirk
From the "Out of the Archives" program: "In this documentary a rag-tag team of Cortes wreckers demolish a giant warehouse in James Bay, Victoria. The remove 100-year old maple flooring, which is bound for Cortes, while the building falls down around them. They have to get the flooring out before the bulldozers arrive! Shot on 16 mm film."
Cast: Pierre deTrey, Stephen Foster, Al Murray, John Wasyliw
From the "Out of the Archives" program: "In this documentary a rag-tag team of Cortes wreckers demolish a giant warehouse in James Bay, Victoria. The remove 100-year old maple flooring, which is bound for Cortes, while the building falls down around them. They have to get the flooring out before the bulldozers arrive! Shot on 16 mm film."
Cast: Pierre deTrey, Stephen Foster, Al Murray, John Wasyliw
From the "Out of the Archives" program: "A play on the work "divot" - "a piece of turf cut out of the ground by a golf club in making a stroke." The golfer who does this, according to George, is a "divotee" and this silly game needed a large dose of extra silliness doused on it. The attempt to just shoot one hole takes George and his caddy more on a cross-country steeplechase that a casual day on the course. Puns abound and the Voice of Doom, played by John Gregg, gets it in the end Watch for it! Shot at Gorge Harbour on 16mm."
Cast: Jon Gregg, Leon, George and a horse
Stagehand/Props: Jim Palmer
Cinematography: John Gregg
From the "Out of the Archives" program: "A play on the work "divot" - "a piece of turf cut out of the ground by a golf club in making a stroke." The golfer who does this, according to George, is a "divotee" and this silly game needed a large dose of extra silliness doused on it. The attempt to just shoot one hole takes George and his caddy more on a cross-country steeplechase that a casual day on the course. Puns abound and the Voice of Doom, played by John Gregg, gets it in the end Watch for it! Shot at Gorge Harbour on 16mm."
Cast: Jon Gregg, Leon, George and a horse
Stagehand/Props: Jim Palmer
Cinematography: John Gregg
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "The diverse history of life on yet another island, Papua New Guinea, is revealed in this 40 minute feature documentary. Often wrongly portrayed as "primitive," George attempts to show that the Papuans are indeed modern in their culture and innovation as successfully brought them to the present. This documentary was shot in Mount Hagen, Papua New Guinea, in 1981. A hunting expedition is followed by rare candid footage of a celebratory "Sing-Sing". Permission to film these timeless momnts was acquired and gratefully acknowledged. Shot on Super 8 film with the assistance and perseverance of Isolde Rutheberg."
From the "Out of the Archives" program: "The diverse history of life on yet another island, Papua New Guinea, is revealed in this 40 minute feature documentary. Often wrongly portrayed as "primitive," George attempts to show that the Papuans are indeed modern in their culture and innovation as successfully brought them to the present. This documentary was shot in Mount Hagen, Papua New Guinea, in 1981. A hunting expedition is followed by rare candid footage of a celebratory "Sing-Sing". Permission to film these timeless momnts was acquired and gratefully acknowledged. Shot on Super 8 film with the assistance and perseverance of Isolde Rutheberg."
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
1 moving image : 13 minutes ; with background music
Scope and Content
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
