Item is an interview of Vernon Borden by Oonagh O'Connor. Borden talks about his childhood on Cortes in a homestead near Carrington Bay, school, community events and neighbors.There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Item is an interview of Vernon Borden by Oonagh O'Connor. Borden talks about his childhood on Cortes in a homestead near Carrington Bay, school, community events and neighbors.There is a short summary of the interview, written by May Ellingsen, in the cassette case.
This is the continuation (Part 3) of an interview of Etta and Clarence Byers by Oonagh O'Connor. Clarence talks about his family history; moving to Cortes Island, logging on Cortes in the Von Donop/Blue Jay Lake/Carrington Bay area; road-building; and the arrival of Japanese oysters to Cortes beaches in ca. 1938. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
This is the continuation (Part 3) of an interview of Etta and Clarence Byers by Oonagh O'Connor. Clarence talks about his family history; moving to Cortes Island, logging on Cortes in the Von Donop/Blue Jay Lake/Carrington Bay area; road-building; and the arrival of Japanese oysters to Cortes beaches in ca. 1938. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Photograph labelled on the back: "Rendezvous Patrol. Dr. B. Hall and Dr. R. Rose, the dentist, with their black bags, getting ready to go aboard the "Rendezvous". They are being taken to Whaletown for their monthly visit to the Mission clinic."
Photograph labelled on the back: "Rendezvous Patrol. Dr. B. Hall and Dr. R. Rose, the dentist, with their black bags, getting ready to go aboard the "Rendezvous". They are being taken to Whaletown for their monthly visit to the Mission clinic."
Photograph of the "John Antle" leaving port. An appended caption of the back of A says "The mission ship "Rendezvous" (skipper Rollo Boas) leaving Whaletown her home port." However, the back of B identifies the location as Heriot Bay, and the boat is the "John Antle".
2 photograph prints: b&w; 15.5 x 10.5 (A) and 9 x 6.5 (B)
Scope and Content
Photograph of the "John Antle" leaving port. An appended caption of the back of A says "The mission ship "Rendezvous" (skipper Rollo Boas) leaving Whaletown her home port." However, the back of B identifies the location as Heriot Bay, and the boat is the "John Antle".
Photograph of "George Parsons in his home bay on Quadra. Behind him is the house which is now at Campbell River." (Gilean Douglas' typed caption, taped to photo)
2 photograph prints: b&w; 9 x 6.5 cm and 17 x 12 cm
Scope and Content
Photograph of "George Parsons in his home bay on Quadra. Behind him is the house which is now at Campbell River." (Gilean Douglas' typed caption, taped to photo)
Photograph of forest with large fir trees. Photo was likely taken in Knight Inlet, as another print of the same photo was in an envelope with other photographs taken there.
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
3 photograph prints: b&w ; 10 x 15 cm, 16 x 21 cm & 20 x 25 cm
Scope and Content
Photograph of forest with large fir trees. Photo was likely taken in Knight Inlet, as another print of the same photo was in an envelope with other photographs taken there.
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".