Item is an interview of Vernon Borden by Oonagh O'Connor. Borden talks about his childhood on Cortes in a homestead near Carrington Bay, school, community events and neighbors.There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Item is an interview of Vernon Borden by Oonagh O'Connor. Borden talks about his childhood on Cortes in a homestead near Carrington Bay, school, community events and neighbors.There is a short summary of the interview, written by May Ellingsen, in the cassette case.
This is the continuation (Part 3) of an interview of Etta and Clarence Byers by Oonagh O'Connor. Clarence talks about his family history; moving to Cortes Island, logging on Cortes in the Von Donop/Blue Jay Lake/Carrington Bay area; road-building; and the arrival of Japanese oysters to Cortes beaches in ca. 1938. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
This is the continuation (Part 3) of an interview of Etta and Clarence Byers by Oonagh O'Connor. Clarence talks about his family history; moving to Cortes Island, logging on Cortes in the Von Donop/Blue Jay Lake/Carrington Bay area; road-building; and the arrival of Japanese oysters to Cortes beaches in ca. 1938. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Interview of Dennis Newsham and Ann Dewar by Bernice McGowan and Jill Milton. Frances Guthrie was also present. Dennis and Ann talk about their memories of growing up in Whaletown.
Interview of Dennis Newsham and Ann Dewar by Bernice McGowan and Jill Milton. Frances Guthrie was also present. Dennis and Ann talk about their memories of growing up in Whaletown.
Interview of Julia Rendall by Bernice McGowan and Jill Milton. Julia talks about moving to Canada from England; her experiences in BC and on Cortes Island including her involvement with Cortes ambulance service and aquaculture.
Interview of Julia Rendall by Bernice McGowan and Jill Milton. Julia talks about moving to Canada from England; her experiences in BC and on Cortes Island including her involvement with Cortes ambulance service and aquaculture.
Interview of Paul Kirmmse by Bernice McGowan, Jill Milton and Monika Hoffman. Paul talks about moving to Cortes in 1971; various experiences on the island; the formation of the Redlands land cooperative.
Interview of Paul Kirmmse by Bernice McGowan, Jill Milton and Monika Hoffman. Paul talks about moving to Cortes in 1971; various experiences on the island; the formation of the Redlands land cooperative.
CD contains recordings of a tribute to Gordon (Gordie) Carr (1921-2012) held at the Gorge Hall, and of The Gig that Never Was (old standards recorded at the home of Gordie Carr ca. 1988 with Art Monk on saxophone and clarinet, Gordie Carr on piano; George Lake added his part at his home in Edmonton, Alta. in 2001).
CD contains recordings of a tribute to Gordon (Gordie) Carr (1921-2012) held at the Gorge Hall, and of The Gig that Never Was (old standards recorded at the home of Gordie Carr ca. 1988 with Art Monk on saxophone and clarinet, Gordie Carr on piano; George Lake added his part at his home in Edmonton, Alta. in 2001).
CD of music: The Gig that Never Was (old standards recorded at the home of Gordie Carr ca. 1988 with Art Monk on saxophone and clarinet, Gordie Carr on piano; George Lake added his part at his home in Edmonton, Alta. in 2001); and a waltz medley by the Old Timers (Gordie Carr, piano; Elmer Ellingsen, accordion; Art Monk, alto saxophone; Dave Blinzinger, baritone or bass saxophone, Peter Gregg, drums).
CD of music: The Gig that Never Was (old standards recorded at the home of Gordie Carr ca. 1988 with Art Monk on saxophone and clarinet, Gordie Carr on piano; George Lake added his part at his home in Edmonton, Alta. in 2001); and a waltz medley by the Old Timers (Gordie Carr, piano; Elmer Ellingsen, accordion; Art Monk, alto saxophone; Dave Blinzinger, baritone or bass saxophone, Peter Gregg, drums).
One DVD with footage shot by George Sirk of a performance of the Cortes Theatre Group.
Copyright George Sirk; to be used for display and research purposes only.
Copied from George Sirk's VHS tapes with his permission to use the contents for display and research purposes.
Scope and Content
One DVD with footage shot by George Sirk of a performance of the Cortes Theatre Group.
Copyright George Sirk; to be used for display and research purposes only.