Files are organized into the following folders: Aquaculture; Director's Reports (published in the Discovery Islander and the Howling Wolf); Ferry Advisory Committee; Island Sea Farms; Letter of Support; Restructuring; SMT (Senior Management Team) Agendas and Notes; and Whaletown Creek. There are also files relating to RDCS restructuring, APC minutes, and other RDCS business. The CD is stored in the CD Album and there is a print-out of the directory file in Folder 7-31.
Files are organized into the following folders: Aquaculture; Director's Reports (published in the Discovery Islander and the Howling Wolf); Ferry Advisory Committee; Island Sea Farms; Letter of Support; Restructuring; SMT (Senior Management Team) Agendas and Notes; and Whaletown Creek. There are also files relating to RDCS restructuring, APC minutes, and other RDCS business. The CD is stored in the CD Album and there is a print-out of the directory file in Folder 7-31.
Files include APC Agenda and Minutes, Director's Reports (published in the Discovery Islander and the Howling Wolf) and a Gunflint/Hague Lake sampling report.
The CD is stored in the CD Album and there is a print-out of the directory file in Folder 7-31.
Files include APC Agenda and Minutes, Director's Reports (published in the Discovery Islander and the Howling Wolf) and a Gunflint/Hague Lake sampling report.
The CD is stored in the CD Album and there is a print-out of the directory file in Folder 7-31.
Fonds contains six oversize photograph albums, CDs, administrative documents, ephemera, newsletters, yearbooks, and articles created by Linnaea School. It is arranged in eight series: Administrative records; Creative projects; Linnaea Learner; Yearbooks; Publicity materials; School photo descriptions; Linnaea School photograph albums; and CDs. Electronic records include an overview of Linnaea; Linnaea philosophy and curriculum, and class and attendance lists.
Linnaea School was a small independent school located on Linnaea Farm, a land trust with 315 acres of forests, fields, organic gardens and lake-front which is governed by The Linnaea Farm Society, a registered non-profit. Linnaea School offered its holistic, community-based approach to education for 23 years, from 1987 until its closing in 2010.
The school was founded by Donna Bracewell in 1987. It expanded from a first-year enrollment of eleven students to take in close to half of the island's school-age children. Linnaea offered a program of creative, nature-based, alternative learning for Kindergarten to Grade 6. Strong academics were enhanced by farm classes, environmental and outdoor education, mentorship programmes, music classes and service projects. A notable project was the annual spring musical play. Bracewell left in June, 2009 to take a teaching position in Vietnam and the school closed a year later.
Custodial History
Records were donated to CIMAS on 22 October 2014 by a representative of Linnaea Education Centre/Linnaea Farm Society. An accrual of electronic records was donated by Donna Bracewell in 2019. A sticky note attached to the CD file box said they were brought to the Museum in 2017 by Miensje Vlaming.
Scope and Content
Fonds contains six oversize photograph albums, CDs, administrative documents, ephemera, newsletters, yearbooks, and articles created by Linnaea School. It is arranged in eight series: Administrative records; Creative projects; Linnaea Learner; Yearbooks; Publicity materials; School photo descriptions; Linnaea School photograph albums; and CDs. Electronic records include an overview of Linnaea; Linnaea philosophy and curriculum, and class and attendance lists.
This fonds contains textual records, photographs and other archival material relating to the history and functions of the Cortes Island Museum & Archives Society. It includes material created for exhibits and research on Cortes social and natural history.
This fonds contains textual records, photographs and other archival material relating to the history and functions of the Cortes Island Museum & Archives Society. It includes material created for exhibits and research on Cortes social and natural history.
This memoir, written by Captain Frederic (Fred) Vosper, contains family history, photographs, clippings and stories of Vosper's life on Cortes and in coastal British Columbia. It is reproduced here with the kind permission of Patricia Vosper.
Frederic (Fred) Vernon Vosper (1935-2016) was born in Vancouver BC and grew up on the coast, always around boats and water. Occupations included tug boat captain and owner, hard-hat salvage diver, and hand logger. Fred married Patricia in 1956, and they had six children. The Vospers lived in Cortes Bay from 1975 to 1982, and returned to Cortes in 1990, after Fred retired.
Custodial History
A copy of the book was donated to CIMAS in 2021 by Patricia Vosper, who gave permission for the book to be scanned and made available online.
Scope and Content
This memoir, written by Captain Frederic (Fred) Vosper, contains family history, photographs, clippings and stories of Vosper's life on Cortes and in coastal British Columbia. It is reproduced here with the kind permission of Patricia Vosper.
"Granite and Fossils" is a compilation of informatioin about Cortes Island fossils created by Christian Gronau for the Cortes Island Museum in 2002 and updated in 2016 and 2023. It has been digitized as Volume 1 and Volume 2.
Christian Gronau studied palaeontology and geology in Germany. He came to Canada in 1972 and
worked in the mining sector in the N.W.T. (among other places), where he met Aileen.
Christian and Aileen (C&A) moved together to Cortes Island in 1978, where they lived for 34 years on a
water-access-only property, without hydro or telephone (Swamp’s Edge), supporting themselves as beach-
only shellfish farmers (Last Farm Oysters). Throughout, C&A have been avid naturalists, continuing this
tradition from their present home at the south-end of Cortes Island (Tanglebank).
Scope and Content
"Granite and Fossils" is a compilation of informatioin about Cortes Island fossils created by Christian Gronau for the Cortes Island Museum in 2002 and updated in 2016 and 2023. It has been digitized as Volume 1 and Volume 2.
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "The diverse history of life on yet another island, Papua New Guinea, is revealed in this 40 minute feature documentary. Often wrongly portrayed as "primitive," George attempts to show that the Papuans are indeed modern in their culture and innovation as successfully brought them to the present. This documentary was shot in Mount Hagen, Papua New Guinea, in 1981. A hunting expedition is followed by rare candid footage of a celebratory "Sing-Sing". Permission to film these timeless momnts was acquired and gratefully acknowledged. Shot on Super 8 film with the assistance and perseverance of Isolde Rutheberg."
From the "Out of the Archives" program: "The diverse history of life on yet another island, Papua New Guinea, is revealed in this 40 minute feature documentary. Often wrongly portrayed as "primitive," George attempts to show that the Papuans are indeed modern in their culture and innovation as successfully brought them to the present. This documentary was shot in Mount Hagen, Papua New Guinea, in 1981. A hunting expedition is followed by rare candid footage of a celebratory "Sing-Sing". Permission to film these timeless momnts was acquired and gratefully acknowledged. Shot on Super 8 film with the assistance and perseverance of Isolde Rutheberg."
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
1 moving image : 13 minutes ; with background music
Scope and Content
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
From the "Out of the Archives" program: "First film shot on Super 8. The antics of some Gorge Harbout residents are madly depicted as the fruitlessly try to repair a flat tire at the Gorge Government dock. They are rescurd by none other than Yendor."
Cast: Gloria Jorg, Alex Nichols, Isolder Ruthenberg, Garth Walton and Yendor
Cinematography: George Sirk
From the "Out of the Archives" program: "First film shot on Super 8. The antics of some Gorge Harbout residents are madly depicted as the fruitlessly try to repair a flat tire at the Gorge Government dock. They are rescurd by none other than Yendor."
Cast: Gloria Jorg, Alex Nichols, Isolder Ruthenberg, Garth Walton and Yendor
Cinematography: George Sirk
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
