File contains a section map showing properties southeast of Gorge Harbour and title information on the property, later owned by Gilean Douglas, and known as Channel Rock.
To John Pool: 1930, Crown Grant of the W 1/2 of the SE 1/4 of Sec. 21 and fractional SW 1/4 of Sec. 21 and Crown Grant fo the fractional E 1/2 of fractional SE 1/4 of Sec. 21
File contains a section map showing properties southeast of Gorge Harbour and title information on the property, later owned by Gilean Douglas, and known as Channel Rock.
To John Pool: 1930, Crown Grant of the W 1/2 of the SE 1/4 of Sec. 21 and fractional SW 1/4 of Sec. 21 and Crown Grant fo the fractional E 1/2 of fractional SE 1/4 of Sec. 21
File contains a Key Map to the sections covered in Files 17-19; a list of the sections researched and two pages of notes.
It contains photocopies of Crown Grants and subsequent title changes for the following:
Charles Allen: 1908, Crown Grant for part of NE 1/4 of Sec. 21 lying north of Gorge Harbour (property known as Bute Ranch); 46 acres for $46.00
Bernard Robinson Allen: 1919, Crown Grant for NW 1/4 of Sec. 21; 162 acres for $247.00
Charles Allen: 1905, Crown Grant for SE 1/4 of Sec. 34
(Files 17 through 19 are from the same envelope.)
File contains a Key Map to the sections covered in Files 17-19; a list of the sections researched and two pages of notes.
It contains photocopies of Crown Grants and subsequent title changes for the following:
Charles Allen: 1908, Crown Grant for part of NE 1/4 of Sec. 21 lying north of Gorge Harbour (property known as Bute Ranch); 46 acres for $46.00
Bernard Robinson Allen: 1919, Crown Grant for NW 1/4 of Sec. 21; 162 acres for $247.00
Charles Allen: 1905, Crown Grant for SE 1/4 of Sec. 34
(Files 17 through 19 are from the same envelope.)
File contains information for the following properties:
Frederick James Smith: 1921, Crown Grant for SE 1/4 of Sec. 33; 160 acres for $1.00
Charles Allen: 1912, Crown Grant for SW 1/4 of Sec. 33; 160 acres for $160.
George Robson: 1907, Crown Grant for NW 1/4 of Sec. 21; $247.00 for 142 acres.
(Files 17 through 19 are from the same envelope.)
File contains information for the following properties:
Frederick James Smith: 1921, Crown Grant for SE 1/4 of Sec. 33; 160 acres for $1.00
Charles Allen: 1912, Crown Grant for SW 1/4 of Sec. 33; 160 acres for $160.
George Robson: 1907, Crown Grant for NW 1/4 of Sec. 21; $247.00 for 142 acres.
(Files 17 through 19 are from the same envelope.)
File contains a map and notes, and information on the following:
Mabel Huck: 1920, Crown Grant for NE 1/4 of Sec. 40; file shows the original grant, a tax sale forfeit in 1939, a regrant in 1957 with immediate sale to MacMillan/Bloedel.
William Barrett: 1916, Crown Grant for NW 1/4 of Sec. 40; $160 for 160 acres.
Herbert Benjamin Middleton: 1916, Crown Grant for SW 1/4 of Sec. 40, 168 acres for $168.00
August Teuber: 1904, Crown Grant for SE 14 of Sec. 40; 160 acres for $160.00.
File contains a map and notes, and information on the following:
Mabel Huck: 1920, Crown Grant for NE 1/4 of Sec. 40; file shows the original grant, a tax sale forfeit in 1939, a regrant in 1957 with immediate sale to MacMillan/Bloedel.
William Barrett: 1916, Crown Grant for NW 1/4 of Sec. 40; $160 for 160 acres.
Herbert Benjamin Middleton: 1916, Crown Grant for SW 1/4 of Sec. 40, 168 acres for $168.00
August Teuber: 1904, Crown Grant for SE 14 of Sec. 40; 160 acres for $160.00.
Photograph of Margaret and Billie Huck standing beside a team of horses hitched to a wagon. They are on a dirt road; the corner of a shake-roofed house is to the left. This is probably in Whaletown, near Burnside.
Photograph of Margaret and Billie Huck standing beside a team of horses hitched to a wagon. They are on a dirt road; the corner of a shake-roofed house is to the left. This is probably in Whaletown, near Burnside.
Photograph of Billie Huck, in shorts and barefoot, seated on the edge of a wooden box in a field. Split-rail fences and part of a building (probably Burnside) can be seen in the background.
Photograph of Billie Huck, in shorts and barefoot, seated on the edge of a wooden box in a field. Split-rail fences and part of a building (probably Burnside) can be seen in the background.
Photograph of Harold, John (Jack) and William (Billie) Huck standing in front of a fruit tree. Fences, fields and forested hills are in the background.
Photograph of Harold, John (Jack) and William (Billie) Huck standing in front of a fruit tree. Fences, fields and forested hills are in the background.
Photograph of seven people, all but one in bathing suits, standing on a dock made of two logs with a few boards nailed across them, in Carrington Lagoon.
Photograph of seven people, all but one in bathing suits, standing on a dock made of two logs with a few boards nailed across them, in Carrington Lagoon.
Photograph of Margaret Middleton and Bob Gruchy on the deck of the S. S. Cowichan. (This page has the caption "Easter Week, 1922, S. S. Cowichan" referring to four of the photos.)
Photograph of Margaret Middleton and Bob Gruchy on the deck of the S. S. Cowichan. (This page has the caption "Easter Week, 1922, S. S. Cowichan" referring to four of the photos.)
Photograph of Dorothy Huck and Bob Gruchy on the deck of a Union Steamship. (This page has the caption "Easter Week, 1922, S. S. Cowichan" referring to four of the photos.)
Photograph of Dorothy Huck and Bob Gruchy on the deck of a Union Steamship. (This page has the caption "Easter Week, 1922, S. S. Cowichan" referring to four of the photos.)
Photograph of four young women pulling a wooden rowboat onto the shore, Gorge Harbour. Left to right: Dorothy Huck, Joyce Allen, Marge (?) and Jean Cornell. Identification comes from a photograph from the collection of Meg Robertson Shaw in the "Whaletown to 1930" album created by Doreen Huck Thompson.
Photograph of four young women pulling a wooden rowboat onto the shore, Gorge Harbour. Left to right: Dorothy Huck, Joyce Allen, Marge (?) and Jean Cornell. Identification comes from a photograph from the collection of Meg Robertson Shaw in the "Whaletown to 1930" album created by Doreen Huck Thompson.
