Binder contains interviews, stories, clippings and photographs documenting the social history of the Green Valley/Bluejay Lake area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Green Valley/Bluejay Lake area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Additional information:
re photo on p 79: "Dell Tooker with Stephen Williams (son of Trefor Williams). The Titus’s were gone by 1960 when the photo was taken. This horse was “Lady” and belonged to Bert Hansen. He kindly loaned her to us sometimes which was so appreciated." (from Tari Tooker Chiasson, 5/2021)
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Additional information:
re photo on p 79: "Dell Tooker with Stephen Williams (son of Trefor Williams). The Titus’s were gone by 1960 when the photo was taken. This horse was “Lady” and belonged to Bert Hansen. He kindly loaned her to us sometimes which was so appreciated." (from Tari Tooker Chiasson, 5/2021)
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area from 1907-1930. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area from 1907-1930. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories and photographs documenting the social history of the Whaletown area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
Emails, posts in tideline, brainstorming ideas and notes for the Big Tree exhibit; posts about the medicinal and endangered agarikon mushroom and Paul Stamets; receipts and donations related to the exhibit; Big Tree postcards; contest tickets; exhibit activity book. Historical context for oldgrowth, Douglas Fir, and logging: scans from Whaletown album, 1922-1930; article on tree diseases in Forest and Mill, 1948; article about Douglas Fir in Maclean's Magazine, 1958
Emails, posts in tideline, brainstorming ideas and notes for the Big Tree exhibit; posts about the medicinal and endangered agarikon mushroom and Paul Stamets; receipts and donations related to the exhibit; Big Tree postcards; contest tickets; exhibit activity book. Historical context for oldgrowth, Douglas Fir, and logging: scans from Whaletown album, 1922-1930; article on tree diseases in Forest and Mill, 1948; article about Douglas Fir in Maclean's Magazine, 1958
Newspaper clippings and articles re: Bute Inlet hydro project; Plutonic Power; run-of-river projects; Friends of Bute; Bute history; exhibition; But Inlet boat tour. Emails re: art; grants; curation of exhibit; critique of Rob Wood and CIMAS by Klahoose member Ken Hanuse; request for Open Meadows Project song performance by Klahoose member Brenda Hansen; display cabinets; exhibit fees. Review of exhibit by Marcel Creurer; project proposal sent to the Vancouver Foundation; handwritten notes by Lynne Jordan and Judy WIlliams; invoices; records of financial contributions; promotional material; photographs
Newspaper clippings and articles re: Bute Inlet hydro project; Plutonic Power; run-of-river projects; Friends of Bute; Bute history; exhibition; But Inlet boat tour. Emails re: art; grants; curation of exhibit; critique of Rob Wood and CIMAS by Klahoose member Ken Hanuse; request for Open Meadows Project song performance by Klahoose member Brenda Hansen; display cabinets; exhibit fees. Review of exhibit by Marcel Creurer; project proposal sent to the Vancouver Foundation; handwritten notes by Lynne Jordan and Judy WIlliams; invoices; records of financial contributions; promotional material; photographs
