Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor at his home in Whaletown (Part 1 of 2). Topics covered include some family history; people and customs of the early days on the island; logging; fishing; hunting; cougars; Cortes in the 1950s and 1960s. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor at his home in Whaletown (Part 1 of 2). Topics covered include some family history; people and customs of the early days on the island; logging; fishing; hunting; cougars; Cortes in the 1950s and 1960s. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording consists of interviews with Fred Reedel and Frank Tooker, done to gather information for the "Windows on Whaletown" exhibit. (see also 1999.004.034, for Part 2)
Recording consists of interviews with Fred Reedel and Frank Tooker, done to gather information for the "Windows on Whaletown" exhibit. (see also 1999.004.034, for Part 2)
Recording consists of an interview with Frank Tooker, done to gather information for the "Windows on Whaletown" exhibit. (see also 1999.004.033, for Part 1)
Recording consists of an interview with Frank Tooker, done to gather information for the "Windows on Whaletown" exhibit. (see also 1999.004.033, for Part 1)
DVD with footage shot by George Sirk of Carlberg General Merchants before it closed in May, 1987.
Copyright George Sirk; to be used for display and research purposes only.
Copied from George Sirk's VHS tapes with his permission to use the contents for display and research purposes.
Scope and Content
DVD with footage shot by George Sirk of Carlberg General Merchants before it closed in May, 1987.
Copyright George Sirk; to be used for display and research purposes only.
Photograph shows women seated around a table in the schoolroom, with children to the side. At table, L to R: Joan Titus, Jessie Hammond, Muriel Whiting, Pat Robertson, Lynn Robertson, Kay Waring
Photograph shows women seated around a table in the schoolroom, with children to the side. At table, L to R: Joan Titus, Jessie Hammond, Muriel Whiting, Pat Robertson, Lynn Robertson, Kay Waring
Photograph of the art class at the Whaletown clinic. Duncan Robertson, who is modelling, in the foreground. Kay Waring is at far left and Don McDevitt at far right.
Photograph of the art class at the Whaletown clinic. Duncan Robertson, who is modelling, in the foreground. Kay Waring is at far left and Don McDevitt at far right.
Photograph of a First Aid class taught by Mary Weiler in the Whaletown clinic. Amy McKenzie is bending over a "patient"; Diane Hansen is at far left, with other women seated along the wall.
Photograph of a First Aid class taught by Mary Weiler in the Whaletown clinic. Amy McKenzie is bending over a "patient"; Diane Hansen is at far left, with other women seated along the wall.
Photograph of a First Aid class taught by Mary Weiler; there are two beds with "patients" being attended by women. Hazel McCoy and Diane Hansen are seated far left; other women are seated along the walls.
Photograph of a First Aid class taught by Mary Weiler; there are two beds with "patients" being attended by women. Hazel McCoy and Diane Hansen are seated far left; other women are seated along the walls.