Photograph of six women with logging equipment, beside a house; behind them is water and another island. The women are standing beside a log; holding crosscut saws, a maul and an axe.
Photograph of six women with logging equipment, beside a house; behind them is water and another island. The women are standing beside a log; holding crosscut saws, a maul and an axe.
Photograph of the "Viking" floating again after the tide has risen. Two other fish boats are moored alongside; Bill Ballantyne (L) and two other men are in a dinghy just in back of the rock.
1 photograph print and 1 negative: b&w; 12.5 x 9 cm
Scope and Content
Photograph of the "Viking" floating again after the tide has risen. Two other fish boats are moored alongside; Bill Ballantyne (L) and two other men are in a dinghy just in back of the rock.
Photograph of forest with large fir trees. Photo was likely taken in Knight Inlet, as another print of the same photo was in an envelope with other photographs taken there.
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
3 photograph prints: b&w ; 10 x 15 cm, 16 x 21 cm & 20 x 25 cm
Scope and Content
Photograph of forest with large fir trees. Photo was likely taken in Knight Inlet, as another print of the same photo was in an envelope with other photographs taken there.
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
Photograph of a woman beside the fish scow at the Whaletown dock, holding a large salmon. (ID - Nesta Slater?). With the series of Slater photographs is a paper typed by Gilean Douglas offering other fishing pictures of the "Dorr's" (the name she used for the Slaters in her magazine articles).
Photograph of a woman beside the fish scow at the Whaletown dock, holding a large salmon. (ID - Nesta Slater?). With the series of Slater photographs is a paper typed by Gilean Douglas offering other fishing pictures of the "Dorr's" (the name she used for the Slaters in her magazine articles).
Photograph of an injured logger on a stretcher, being loaded off of a logging camp launch onto the "Columbia". Photo c is in the oversize photo box and has Alan Greene's notations on the back. See #1999.001.958. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
3 photograph prints: b&w; a & b are 13 x 10 cm; c is 25.5 x 20.5 cm
Scope and Content
Photograph of an injured logger on a stretcher, being loaded off of a logging camp launch onto the "Columbia". Photo c is in the oversize photo box and has Alan Greene's notations on the back. See #1999.001.958. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
Photograph of Rev. Heber Greene sitting on the steps of a logging camp float house with three children. Greene's title is "Rev. Heber Greene and children at a logging camp with children's Sunday School papers."
Photograph of Rev. Heber Greene sitting on the steps of a logging camp float house with three children. Greene's title is "Rev. Heber Greene and children at a logging camp with children's Sunday School papers."
Photograph of a First Nations coastal village, with houses and outbuildings along the shore. There are fish boats and canoes in the water and pulled up on shore. A long house is in the middle, and a school building is back of the village on a hill, (ID)
Photograph of a First Nations coastal village, with houses and outbuildings along the shore. There are fish boats and canoes in the water and pulled up on shore. A long house is in the middle, and a school building is back of the village on a hill, (ID)
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".