Item is an interview of Vernon Borden by Oonagh O'Connor. Borden talks about his childhood on Cortes in a homestead near Carrington Bay, school, community events and neighbors.There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Item is an interview of Vernon Borden by Oonagh O'Connor. Borden talks about his childhood on Cortes in a homestead near Carrington Bay, school, community events and neighbors.There is a short summary of the interview, written by May Ellingsen, in the cassette case.
This is the continuation (Part 3) of an interview of Etta and Clarence Byers by Oonagh O'Connor. Clarence talks about his family history; moving to Cortes Island, logging on Cortes in the Von Donop/Blue Jay Lake/Carrington Bay area; road-building; and the arrival of Japanese oysters to Cortes beaches in ca. 1938. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
This is the continuation (Part 3) of an interview of Etta and Clarence Byers by Oonagh O'Connor. Clarence talks about his family history; moving to Cortes Island, logging on Cortes in the Von Donop/Blue Jay Lake/Carrington Bay area; road-building; and the arrival of Japanese oysters to Cortes beaches in ca. 1938. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Lottie McDevitt by Oonagh O'Connor. Topics covered include moving to Cortes in 1945 with her husband Don, the Manson's Landing school teacher (later teaching at Squirrel Cove, Whaletown and Ramsay Arm); life on the island; and island friends. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Lottie McDevitt by Oonagh O'Connor. Topics covered include moving to Cortes in 1945 with her husband Don, the Manson's Landing school teacher (later teaching at Squirrel Cove, Whaletown and Ramsay Arm); life on the island; and island friends. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of Rev. Rollo Boas (middle), Mr. and Mrs. J. Maunsell and four children, including a boy on a bicycle, standing in a field. St. James Church is in its clearing in the background; the road in front.
Photograph of Rev. Rollo Boas (middle), Mr. and Mrs. J. Maunsell and four children, including a boy on a bicycle, standing in a field. St. James Church is in its clearing in the background; the road in front.
Photograph of Manson's Landing wharf, with Cat and Kitten Islands in the bacckground. Their are two sheds at the end of the dock above the ramp, and an old car is parked beside them. (date?)
Photograph of Manson's Landing wharf, with Cat and Kitten Islands in the bacckground. Their are two sheds at the end of the dock above the ramp, and an old car is parked beside them. (date?)
Photograph of a couple standing in a garden. The man is holding a scythe, and behind them is a rail fence, a field, and a logged hillside. Possibly Folgams at Manson's Landing? (Needs ID)
Photograph of a couple standing in a garden. The man is holding a scythe, and behind them is a rail fence, a field, and a logged hillside. Possibly Folgams at Manson's Landing? (Needs ID)
Florence (L) and Flossie (R) Manson, twin daughters of Michael and Jane Manson, standing in front of the porch of the Mike Manson home at Manson's Landing. They went to Vancouver in 1915 to take up dressmaking and millinery lessons along with younger sister Gwen (not pictured).
Florence (L) and Flossie (R) Manson, twin daughters of Michael and Jane Manson, standing in front of the porch of the Mike Manson home at Manson's Landing. They went to Vancouver in 1915 to take up dressmaking and millinery lessons along with younger sister Gwen (not pictured).
Michael and Jane Manson seated in the centre of a large family group at their Golden Wedding Anniversary in front of the home they had built at Manson's Landing.
Back row, L to R: Percy Renwick holding his son, Fraser Campbell, Flossie Kenny, George Freeman, Hazel Herrewig, Dave Renwick (Jane's brother)
Middle row, L to R: Liz Renwick, Mrs Hurren, Mike Manson, Jane Manson, Mary Anne Renwick, Margaret Manson, Tom Renwick standing (Jane's brother)
Front row, L to R: Harold Smith, Hubert Smith, Gwen Campbell holding Calvin with Thelma just in front, Ethel Hurren, Eileen Kenny in foreground in front of flowers, Robina Freeman, Flo McKay with Hazel just in front
Michael and Jane Manson seated in the centre of a large family group at their Golden Wedding Anniversary in front of the home they had built at Manson's Landing.
Back row, L to R: Percy Renwick holding his son, Fraser Campbell, Flossie Kenny, George Freeman, Hazel Herrewig, Dave Renwick (Jane's brother)
Middle row, L to R: Liz Renwick, Mrs Hurren, Mike Manson, Jane Manson, Mary Anne Renwick, Margaret Manson, Tom Renwick standing (Jane's brother)
Front row, L to R: Harold Smith, Hubert Smith, Gwen Campbell holding Calvin with Thelma just in front, Ethel Hurren, Eileen Kenny in foreground in front of flowers, Robina Freeman, Flo McKay with Hazel just in front