Photograph of two men on floats made of logs chained together, with the buildings, tanks and other paraphernalia of a logging camp on the floats. Location is Seymour Inlet.
Photograph of two men on floats made of logs chained together, with the buildings, tanks and other paraphernalia of a logging camp on the floats. Location is Seymour Inlet.
Photograph of the booming ground at the mouth of the river in Knight Inlet. Captioned by Douglas: "Grizzlies and loggers like this country of lush meadows and evergreen woods, tall trees and swift rivers."
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
3 photograph prints: b&w ; 15 x 10 cm, 21.5 x 16.5 cm & 25 x 20 cm
Scope and Content
Photograph of the booming ground at the mouth of the river in Knight Inlet. Captioned by Douglas: "Grizzlies and loggers like this country of lush meadows and evergreen woods, tall trees and swift rivers."
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
Photograph of a log booming ground at the mouth of the river in Knight Inlet. Captioned by Douglas: "Booming on the Klina Klini River (Dot houses in the background) in country that loggers and grizzlies love." Another print is captioned "Mountain meadows and a log boom at the Dot Logging Camp on the Klinaklini River"
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
2 photograph prints: b&w ; 15 x 10 cm & 21.5 x 16.5 cm
Scope and Content
Photograph of a log booming ground at the mouth of the river in Knight Inlet. Captioned by Douglas: "Booming on the Klina Klini River (Dot houses in the background) in country that loggers and grizzlies love." Another print is captioned "Mountain meadows and a log boom at the Dot Logging Camp on the Klinaklini River"
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
Photograph of the Church Hall in Whaletown, which stood in front of the old cemetery at the corner of Carrington Bay and Harbour roads. It served the community as both church and a venue for social events for almost forty years. The original Whaletown school became its kitchen, and a sleeping place for tired children.
Photograph of the Church Hall in Whaletown, which stood in front of the old cemetery at the corner of Carrington Bay and Harbour roads. It served the community as both church and a venue for social events for almost forty years. The original Whaletown school became its kitchen, and a sleeping place for tired children.
Photograph of a row of floathouses in a coastal floating logging camp, probably in or near Seymour Inlet. There is a boat tied to the walkway that fronts the buildings. There is a pile of large fir rounds for firewood in front of one house; the house on the end has a container garden with flowers on the float in front.
Photograph of a row of floathouses in a coastal floating logging camp, probably in or near Seymour Inlet. There is a boat tied to the walkway that fronts the buildings. There is a pile of large fir rounds for firewood in front of one house; the house on the end has a container garden with flowers on the float in front.
Photograph of the Columbia Coast Mission hospital ship "Columbia" tied to a float house dock in Seymour Inlet, with people on the dock and on the ship.
Photograph of the Columbia Coast Mission hospital ship "Columbia" tied to a float house dock in Seymour Inlet, with people on the dock and on the ship.
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Fonds consists of two photograph albums containing 479 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict family, friends and scenes from Cortes Island, especially the area known as Green Valley; some photographs show school friends and family from Vancouver and Saskatchewan. Titles in quotation marks are Dorothy Huck's photograph captions. Other information used in photograph descriptions comes from the "Green Valley", "Carrington Bay/Coulter Bay" and "Whaletown to 1930" albums created for CIMAS in 1999 by Doreen Huck Thompson, a grand-niece of Dorothy Huck. Unless otherwise noted, the location of all photos is Cortes Island.
Dorothy Mary Huck Whalley (June 30, 1904 - Nov. 17, 1983) was the oldest of five children born to Mabel Wells Huck and William Edward Huck. Her siblings were Wilfred Harold (Harry), John Edward (Jack), Margaret Ethel and William Frances (Billie). Shortly after the Huck family arrived on Cortes in 1915, William E. Huck enlisted in the Army. He was killed in France in 1916, leaving Mabel with five children to bring up on her own. Her brother, Harold John (Jack) Wells was invalided home from World War I in 1917 and moved to Cortes, where he boarded with Mabel.
The Huck homestead, referred to as Hell's Half Acre or Billy Goat Hill, was in the NE 1/4 of Section 40, in Green Valley, the area around what is now known as Blue Jay Lake. Neighbours included the Barrett, Middleton, Tait and Tiber families. Dorothy was sent to Vancouver for schooling, and then returned to Cortes to attend the new Squirrel Cove school in 1916. In 1920 the Huck family moved to the Robertson property, Burnside, in Whaletown. Dorothy, having outgrown the local school system, went to Moose Jaw, Sk. where she finished high school and then attended a secretarial school run by her aunt and uncle. She married Joe Whalley and lived in Saskatchewan for many years before returning to live in Vancouver and White Rock. Dorothy died in White Rock on Nov. 17, 1983.
Custodial History
The albums were created by Dorothy Huck Whalley and given to her daughter Dorothy Whalley Livingstone. Dorothy Livingstone passed the albums on to her cousin, Karen Lee (daughter of Margaret Huck Mann), who donated them to the Cortes Island Museum & Archives Society.
Scope and Content
Fonds consists of two photograph albums containing 479 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict family, friends and scenes from Cortes Island, especially the area known as Green Valley; some photographs show school friends and family from Vancouver and Saskatchewan. Titles in quotation marks are Dorothy Huck's photograph captions. Other information used in photograph descriptions comes from the "Green Valley", "Carrington Bay/Coulter Bay" and "Whaletown to 1930" albums created for CIMAS in 1999 by Doreen Huck Thompson, a grand-niece of Dorothy Huck. Unless otherwise noted, the location of all photos is Cortes Island.
Geographic Access
Cortes Island
Squirrel Cove
Carrington Bay
Saskatchewan
Related Material
"Green Valley", "Carrington Bay/Coulter Bay" and "Whaletown to 1930" albums created by Doreen Huck Thompson.
Photograph of two men, one holding a child, and a woman on the deck of a float house. See also #1999.001.1084, where the people are identified as the Vandell family, Seymour Inlet.
Photograph of two men, one holding a child, and a woman on the deck of a float house. See also #1999.001.1084, where the people are identified as the Vandell family, Seymour Inlet.
