File contains a proposal to MacMillan Bloedel Ltd., regarding the acquisition by the Klahoose First Nation of certain properties located at Squirrel Cove, Cortes Island.
File contains a proposal to MacMillan Bloedel Ltd., regarding the acquisition by the Klahoose First Nation of certain properties located at Squirrel Cove, Cortes Island.
File contains text of the Memorandum of Understanding developed by Cortes Ecoforestry Society and Klahoose First Nation. Also includes twenty-nine (29) color photographic prints and eleven (11) color inkjet prints, which depict the signing of the MoU at Squirrel Cove and an Ecoforestry display at Smelt Bay. Photographs are stored in Photo Box #3.
File contains text of the Memorandum of Understanding developed by Cortes Ecoforestry Society and Klahoose First Nation. Also includes twenty-nine (29) color photographic prints and eleven (11) color inkjet prints, which depict the signing of the MoU at Squirrel Cove and an Ecoforestry display at Smelt Bay. Photographs are stored in Photo Box #3.
Photograph taken at a blockade to protest clear-cut logging by MacMillan Bloedel Ltd. near Squirrel Cove. The photo is taken from behind, and people are not identified.
Photograph taken at a blockade to protest clear-cut logging by MacMillan Bloedel Ltd. near Squirrel Cove. The photo is taken from behind, and people are not identified.
Signpost with directions to Squirrel Cove Store, Cortes Bay Marina, Lakeview Guest Ranch, Manson's Landing General Store, Graham's Confectionary, Cold Mountain Institute
Contact sheet of oyster harvest near Squirrel Cove. Shows Doug Morton, Dick Teames, Ian, Toby, Collin Hay, Laurensirk (Hay), and Jim Palmer. Back of photo indicates the oysters pictured are from "Frabjous Bay".
Contact sheet of oyster harvest near Squirrel Cove. Shows Doug Morton, Dick Teames, Ian, Toby, Collin Hay, Laurensirk (Hay), and Jim Palmer. Back of photo indicates the oysters pictured are from "Frabjous Bay".
Photograph of a white house with rock-walled terraces to its right. This was Amy and Scotty McKenzie's float house, moved from Von Donop Inlet in 1951. Amy was daughter of Ruth and Henry Byers, who lived in the “Grey House” west of the ferry landing. (The "Grey House" was later moved to Squirrel Cove next to the Store.) The McKenzie house was between the Grey House and the ferry landing; it was torn down ca. 1974. The terraces may still be seen in the small park next to the ferry landing.
Photograph of a white house with rock-walled terraces to its right. This was Amy and Scotty McKenzie's float house, moved from Von Donop Inlet in 1951. Amy was daughter of Ruth and Henry Byers, who lived in the “Grey House” west of the ferry landing. (The "Grey House" was later moved to Squirrel Cove next to the Store.) The McKenzie house was between the Grey House and the ferry landing; it was torn down ca. 1974. The terraces may still be seen in the small park next to the ferry landing.
Photograph of forest with large fir trees. Photo was likely taken in Knight Inlet, as another print of the same photo was in an envelope with other photographs taken there.
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
3 photograph prints: b&w ; 10 x 15 cm, 16 x 21 cm & 20 x 25 cm
Scope and Content
Photograph of forest with large fir trees. Photo was likely taken in Knight Inlet, as another print of the same photo was in an envelope with other photographs taken there.
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
