Fonds consists of two photograph albums containing 479 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict family, friends and scenes from Cortes Island, especially the area known as Green Valley; some photographs show school friends and family from Vancouver and Saskatchewan. Titles in quotation marks are Dorothy Huck's photograph captions. Other information used in photograph descriptions comes from the "Green Valley", "Carrington Bay/Coulter Bay" and "Whaletown to 1930" albums created for CIMAS in 1999 by Doreen Huck Thompson, a grand-niece of Dorothy Huck. Unless otherwise noted, the location of all photos is Cortes Island.
Dorothy Mary Huck Whalley (June 30, 1904 - Nov. 17, 1983) was the oldest of five children born to Mabel Wells Huck and William Edward Huck. Her siblings were Wilfred Harold (Harry), John Edward (Jack), Margaret Ethel and William Frances (Billie). Shortly after the Huck family arrived on Cortes in 1915, William E. Huck enlisted in the Army. He was killed in France in 1916, leaving Mabel with five children to bring up on her own. Her brother, Harold John (Jack) Wells was invalided home from World War I in 1917 and moved to Cortes, where he boarded with Mabel.
The Huck homestead, referred to as Hell's Half Acre or Billy Goat Hill, was in the NE 1/4 of Section 40, in Green Valley, the area around what is now known as Blue Jay Lake. Neighbours included the Barrett, Middleton, Tait and Tiber families. Dorothy was sent to Vancouver for schooling, and then returned to Cortes to attend the new Squirrel Cove school in 1916. In 1920 the Huck family moved to the Robertson property, Burnside, in Whaletown. Dorothy, having outgrown the local school system, went to Moose Jaw, Sk. where she finished high school and then attended a secretarial school run by her aunt and uncle. She married Joe Whalley and lived in Saskatchewan for many years before returning to live in Vancouver and White Rock. Dorothy died in White Rock on Nov. 17, 1983.
Custodial History
The albums were created by Dorothy Huck Whalley and given to her daughter Dorothy Whalley Livingstone. Dorothy Livingstone passed the albums on to her cousin, Karen Lee (daughter of Margaret Huck Mann), who donated them to the Cortes Island Museum & Archives Society.
Scope and Content
Fonds consists of two photograph albums containing 479 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict family, friends and scenes from Cortes Island, especially the area known as Green Valley; some photographs show school friends and family from Vancouver and Saskatchewan. Titles in quotation marks are Dorothy Huck's photograph captions. Other information used in photograph descriptions comes from the "Green Valley", "Carrington Bay/Coulter Bay" and "Whaletown to 1930" albums created for CIMAS in 1999 by Doreen Huck Thompson, a grand-niece of Dorothy Huck. Unless otherwise noted, the location of all photos is Cortes Island.
Geographic Access
Cortes Island
Squirrel Cove
Carrington Bay
Saskatchewan
Related Material
"Green Valley", "Carrington Bay/Coulter Bay" and "Whaletown to 1930" albums created by Doreen Huck Thompson.
Series consists of one photograph album containing 150 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict Dorothy Huck, her family and friends, and scenes from Cortes Island, especially the Green Valley area. There are also some photographs from Vancouver and Moose Jaw, Sk. where Dorothy attended school.
1 photograph album, 18.5 x 14 x 4.5 cm, containing 150 black and white photographs.
Physical Condition
Cover is worn; spine is damaged and has been repaired with orange tape and cellophane tape. Photographs are glued onto the black paper pages and show signs of wear such as dirt or wrinkling but are generally very clear. Some photographs are missing and a few have been cut.
Scope and Content
Series consists of one photograph album containing 150 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict Dorothy Huck, her family and friends, and scenes from Cortes Island, especially the Green Valley area. There are also some photographs from Vancouver and Moose Jaw, Sk. where Dorothy attended school.
Series consists of one photograph album containing 329 black and white photographs with captions, dating from 1922 to 1924. The photographs depict Dorothy Huck, friends and family, on Cortes and in Saskatchewan. There are also some commercial photographs of the Rocky Mountains.
Edges of the cover are frayed; the first five, the eighth and the last four pages are broken along the fold and are loose. The photographs are glued onto the black cardboard pages and show signs of rippling, creasing, dirt and wear but most of the images are very clear. Some of the pictures are loose or missing.
Scope and Content
Series consists of one photograph album containing 329 black and white photographs with captions, dating from 1922 to 1924. The photographs depict Dorothy Huck, friends and family, on Cortes and in Saskatchewan. There are also some commercial photographs of the Rocky Mountains.
Photograph of two children on a donkey. In the background a vegetable garden, picket fence and buildings at Braeside can be seen. (See also #2001.001.161, #2001.001.173 & #2001.001.174. Identifications by Doreen Thompson.)
Photograph of two children on a donkey. In the background a vegetable garden, picket fence and buildings at Braeside can be seen. (See also #2001.001.161, #2001.001.173 & #2001.001.174. Identifications by Doreen Thompson.)
Photograph of four young women, Margaret Copland, Violet Stoney, Muriel Cunliffe (teacher at the Whaletown school) and Joyce Allen, seated on a bench against the front of the freight shed on the Whaletown wharf. Posters advertising the Vancouver exhibition and a dentist can be clearly read on the side of the freight shed.
Photograph of four young women, Margaret Copland, Violet Stoney, Muriel Cunliffe (teacher at the Whaletown school) and Joyce Allen, seated on a bench against the front of the freight shed on the Whaletown wharf. Posters advertising the Vancouver exhibition and a dentist can be clearly read on the side of the freight shed.
Fonds consists of sixteen photographs depicting people and scenes, primarily of the Manson's Landing area. Identification was provided by Fred Brooks Jr. in an interview with Cathy Jenks.
Alethea and Frederick (Fred) James Brooks Sr. and their two sons, Frederick (Fred) Earl, Jr. and Bob, lived on Cortes Island from ca. 1941 to 1944, near Manson's Landing. Fred Sr. logged in Cortes Bay and employed two of the Hawkins boys, Bill and George.
Fred Jr. attended grades three to six at Cortes Island school before the family moved to Pender Harbour. Some of the names he recalls are: the Christiansen kids (Robert, Jim, and a sister), the Tibers on the west side of Cortes Island, and the Jefferys of Smelt Bay.
Custodial History
Fred Brooks Jr. gave the photographs to Cathy Brooks of Pender Harbour Living Heritage Society, who facilitated the donation by collecting the photographs, donation form and information from Brooks and sending the materials to CIMAS.
Scope and Content
Fonds consists of sixteen photographs depicting people and scenes, primarily of the Manson's Landing area. Identification was provided by Fred Brooks Jr. in an interview with Cathy Jenks.
Pender Harbour Living Heritage holds related material from the Brooks family: https://penderharbourheritage.pastperfectonline.com/bysearchterm?keyword=Brooks+family
Fonds consists of photographs and records of the Cortes Walking Group. Photographs depict walks and social activities and are arranged in two albums and one printed photo book. Textual records include two small notebooks with notes of walk routes, times and participants; membership lists; and accounts of activities with associated photographs, including a history of the Walking Group. A copy of the cerlox-bound "Listings of the Cortes Island Cemeteries" contains annotations up to 2020, mostly concerning the Mansons Landing cemetery.
The Cortes Walking Group was started in September of 2000 when Ann Dewar and Gail Ringwood decided to meet every Tuesday and Thursday at 9 AM to walk and put up a sign announcing their intention. The days were changed to the still-current schedule of Monday, Wednesday and Friday, and soon incorporated a visit to a coffee shop following the outings.
Walking Group activities are ongoing (2024). Walks leave from the parking lot at Manson's Hall at 9 AM sharp and are open to everyone. The route is decided just before the walks, which last anywhere from 45 minutes to 4 hours, but are usually one to two hours long.
Custodial History
The photo albums were mostly assembled by Gail Ringwood using photographs taken by Richard Trueman, Jurek and Gina Trzesicka and other group members. They were kept in the Pioneer Room at Manson's Hall and then at the Co-op Cafe. They were donated to the Museum by Sue Ellingsen and Myrna Kerr, members of the Walking Group, in 2022.
Scope and Content
Fonds consists of photographs and records of the Cortes Walking Group. Photographs depict walks and social activities and are arranged in two albums and one printed photo book. Textual records include two small notebooks with notes of walk routes, times and participants; membership lists; and accounts of activities with associated photographs, including a history of the Walking Group. A copy of the cerlox-bound "Listings of the Cortes Island Cemeteries" contains annotations up to 2020, mostly concerning the Mansons Landing cemetery.
Series consists of photographs depicting the members and activities of the Walking Group. The photos were originally kept in two photo albums with two photos per page. They have been rehoused in new albums with the same format as the originals; the written captions from the original albums are behind the photos.
Series consists of photographs depicting the members and activities of the Walking Group. The photos were originally kept in two photo albums with two photos per page. They have been rehoused in new albums with the same format as the originals; the written captions from the original albums are behind the photos.
