Photograph of Allan (last name?), Pete (Margaret Middleton), Chickie (real name?) and Henry (last name?) seated on a rock beside the dock in Whaletown. A Union Steamship is behind them and the wharf and freight shed are to the right.
Photograph of Allan (last name?), Pete (Margaret Middleton), Chickie (real name?) and Henry (last name?) seated on a rock beside the dock in Whaletown. A Union Steamship is behind them and the wharf and freight shed are to the right.
Photograph of an injured logger on a stretcher, being loaded off of a logging camp launch onto the "Columbia". Photo c is in the oversize photo box and has Alan Greene's notations on the back. See #1999.001.958. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
3 photograph prints: b&w; a & b are 13 x 10 cm; c is 25.5 x 20.5 cm
Scope and Content
Photograph of an injured logger on a stretcher, being loaded off of a logging camp launch onto the "Columbia". Photo c is in the oversize photo box and has Alan Greene's notations on the back. See #1999.001.958. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
Photograph of two men on floats made of logs chained together, with the buildings, tanks and other paraphernalia of a logging camp on the floats. Location is Seymour Inlet.
Photograph of two men on floats made of logs chained together, with the buildings, tanks and other paraphernalia of a logging camp on the floats. Location is Seymour Inlet.
Photograph of Kathleen Boas and her two daughters loading the "Rendezvous" at the Whaletown wharf. The Whaletown store is at upper left; the freight shed just to the right of the ramp, with the fuel shed to its right. Captioned "Boas family coming aboard with everything for the trip."
Photograph of Kathleen Boas and her two daughters loading the "Rendezvous" at the Whaletown wharf. The Whaletown store is at upper left; the freight shed just to the right of the ramp, with the fuel shed to its right. Captioned "Boas family coming aboard with everything for the trip."
Photograph of a row of floathouses in a coastal floating logging camp, probably in or near Seymour Inlet. There is a boat tied to the walkway that fronts the buildings. There is a pile of large fir rounds for firewood in front of one house; the house on the end has a container garden with flowers on the float in front.
Photograph of a row of floathouses in a coastal floating logging camp, probably in or near Seymour Inlet. There is a boat tied to the walkway that fronts the buildings. There is a pile of large fir rounds for firewood in front of one house; the house on the end has a container garden with flowers on the float in front.
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph of a crowd of people on the government dock at Manson's Landing, likely waiting for the arrival of a Union Steamship. They are standing in front of a building sided with vertical shake boards, with "Cortes Island" and "Telegraph Office" signs on its side. View is looking along the Spit.
Photograph of a crowd of people on the government dock at Manson's Landing, likely waiting for the arrival of a Union Steamship. They are standing in front of a building sided with vertical shake boards, with "Cortes Island" and "Telegraph Office" signs on its side. View is looking along the Spit.
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