Photograph of an injured logger on a stretcher, being loaded off of a logging camp launch onto the "Columbia". Photo c is in the oversize photo box and has Alan Greene's notations on the back. See #1999.001.958. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
3 photograph prints: b&w; a & b are 13 x 10 cm; c is 25.5 x 20.5 cm
Scope and Content
Photograph of an injured logger on a stretcher, being loaded off of a logging camp launch onto the "Columbia". Photo c is in the oversize photo box and has Alan Greene's notations on the back. See #1999.001.958. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
Photograph of Kathleen Boas and her two daughters loading the "Rendezvous" at the Whaletown wharf. The Whaletown store is at upper left; the freight shed just to the right of the ramp, with the fuel shed to its right. Captioned "Boas family coming aboard with everything for the trip."
Photograph of Kathleen Boas and her two daughters loading the "Rendezvous" at the Whaletown wharf. The Whaletown store is at upper left; the freight shed just to the right of the ramp, with the fuel shed to its right. Captioned "Boas family coming aboard with everything for the trip."
Photograph originally labelled "Canon Alan Greene (R) at Whaletownon Cortez Island. With him is the Rev Douglas Kendall". The photograph was taken at the dedication of St. John the Baptist Church in Whaletown.
Photograph originally labelled "Canon Alan Greene (R) at Whaletownon Cortez Island. With him is the Rev Douglas Kendall". The photograph was taken at the dedication of St. John the Baptist Church in Whaletown.
Photograph of the Clinic building in Whaletown, with the Rectory to the right and a picket fence at the edge of the dirt road in front of the buildings.
Photograph of the Clinic building in Whaletown, with the Rectory to the right and a picket fence at the edge of the dirt road in front of the buildings.
Photograph of The "Columbia" and the "John Antle" at the end of the wharf on Stuart Island, along with other boats. This is cropped from #1999.001.947.
Photograph of The "Columbia" and the "John Antle" at the end of the wharf on Stuart Island, along with other boats. This is cropped from #1999.001.947.
Photograph of the "Columbia" and the "John Antle" at the wharf on Stuart Island. Other boats are also tied up at the dock; there are buildings at the head of the wharf. See also #1999.001.938, which is a crop from this photo.
2 photograph prints: b&w; 12.5 x 10 cm and 25.5 x 12 cm
Scope and Content
Photograph of the "Columbia" and the "John Antle" at the wharf on Stuart Island. Other boats are also tied up at the dock; there are buildings at the head of the wharf. See also #1999.001.938, which is a crop from this photo.
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph of Dick Flanders and his grandchild Louise at Mamalillaculla, Village Island. They are standing beside a carved totem pole which is supporting cross beams.
Photograph of Dick Flanders and his grandchild Louise at Mamalillaculla, Village Island. They are standing beside a carved totem pole which is supporting cross beams.
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