Adam and Martha Thompson, Hazel Herrewig, Wilfred Freeman, Mrs. Niven, Mrs. Neen (Adam Thompson's sister), Margaret (sister of Jane) Manson, Wilfred Manson, Mike Manson, Jean Manson, John Manson, John Renwick, Mike Herrewig
"Note the 38.55 Winchester rifle leaning on porch rail beside Frank. This and the .56 were since referred to as the guns that "won the West". Frank holds a .22 Winchester that got many grouse and some deer. The 38.55 W. was Frank Tooker Sr's and now belongs to grandson Fred Reedel--a keepsake from early days on Cortes Island."
"Note the 38.55 Winchester rifle leaning on porch rail beside Frank. This and the .56 were since referred to as the guns that "won the West". Frank holds a .22 Winchester that got many grouse and some deer. The 38.55 W. was Frank Tooker Sr's and now belongs to grandson Fred Reedel--a keepsake from early days on Cortes Island."
Photograph of the Whaletown Brownie troop visiting George Freeman at his home at Sutil Point, "Seaview Ranch". (L to R): George Freeman, Alexandra Weiler, Heather MacLean, Brigid Weiler, Sheril Mathews; Jean Mathews on hassock and Sara Weiler on bench. (Same as #2007.001.334)
Photograph of the Whaletown Brownie troop visiting George Freeman at his home at Sutil Point, "Seaview Ranch". (L to R): George Freeman, Alexandra Weiler, Heather MacLean, Brigid Weiler, Sheril Mathews; Jean Mathews on hassock and Sara Weiler on bench. (Same as #2007.001.334)
Photograph of the Whaletown Brownie troop visiting George Freeman at his home at Sutil Point, "Seaview Ranch".
(L to R): George Freeman, Jean Mathews on hassock, Sheril Mathews, Brigid Weiler, Heather Maclean, Alexandra (Johnny) Weiler, and Sara Weiler on bench.
Photograph of the Whaletown Brownie troop visiting George Freeman at his home at Sutil Point, "Seaview Ranch".
(L to R): George Freeman, Jean Mathews on hassock, Sheril Mathews, Brigid Weiler, Heather Maclean, Alexandra (Johnny) Weiler, and Sara Weiler on bench.
Photograph of a cougar looming large in front of the Manson's Landing school. Captioned "This was shot at the had of the Manson's Lagoon and brought up to the school for the children to see".
Photograph of a cougar looming large in front of the Manson's Landing school. Captioned "This was shot at the had of the Manson's Lagoon and brought up to the school for the children to see".
Recording consists of oral history interviews of Doreen (Huck) Thompson and Wilfed Freeman by Oonagh O'Connor. Topics covered in Thompson's interview include Huck family history on Cortes; medical emergencies; gardening; fishing; hunting; logging. Topics covered in Freeman's interview include reminiscences of the island in 1927; roads; transportation. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording consists of oral history interviews of Doreen (Huck) Thompson and Wilfed Freeman by Oonagh O'Connor. Topics covered in Thompson's interview include Huck family history on Cortes; medical emergencies; gardening; fishing; hunting; logging. Topics covered in Freeman's interview include reminiscences of the island in 1927; roads; transportation. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor at his home in Whaletown (Part 1 of 2). Topics covered include some family history; people and customs of the early days on the island; logging; fishing; hunting; cougars; Cortes in the 1950s and 1960s. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor at his home in Whaletown (Part 1 of 2). Topics covered include some family history; people and customs of the early days on the island; logging; fishing; hunting; cougars; Cortes in the 1950s and 1960s. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
This series contains early film works of George Sirk, shot on 16mm and Super 8 film and digitized by Doug McCaffry, of ScanLab, in 2022. Films include Cortes Island short films, two feature documentaries, and two longer films shot in Australia. They were shown at a film festival presented by Cortes Cinema and the Cortes Island Museum on July 17, 2022: "Out of the Archives: The Early Film works of George Sirk".
From the program notes: "George's films showcase a snapshot - in moving pictures - of some madcap antics, dramatization, and documentaries of life on Cortes during that period [1975-1981] and were inspired by the great humourists of silent film; Chaplin, Keaton and Jacques Tati (Monsieur Hulot), and likewise delight in stitching reality. Mostly shot in sequentially edited (in the camera, like the great film makers mentioned), rehearsals were key to smooth transitions and conserved valuable film stock."
This series contains early film works of George Sirk, shot on 16mm and Super 8 film and digitized by Doug McCaffry, of ScanLab, in 2022. Films include Cortes Island short films, two feature documentaries, and two longer films shot in Australia. They were shown at a film festival presented by Cortes Cinema and the Cortes Island Museum on July 17, 2022: "Out of the Archives: The Early Film works of George Sirk".
From the program notes: "George's films showcase a snapshot - in moving pictures - of some madcap antics, dramatization, and documentaries of life on Cortes during that period [1975-1981] and were inspired by the great humourists of silent film; Chaplin, Keaton and Jacques Tati (Monsieur Hulot), and likewise delight in stitching reality. Mostly shot in sequentially edited (in the camera, like the great film makers mentioned), rehearsals were key to smooth transitions and conserved valuable film stock."
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