The log barn at Big Meadow on Hernando Island. The barn is built of logs and hand-split cedar shakes. While the railroad logging was still operating, Victor Berg and his partner lived at the Meadow and logged poles using horses.
The log barn at Big Meadow on Hernando Island. The barn is built of logs and hand-split cedar shakes. While the railroad logging was still operating, Victor Berg and his partner lived at the Meadow and logged poles using horses.
Fonds consists of sixteen photographs depicting people and scenes, primarily of the Manson's Landing area. Identification was provided by Fred Brooks Jr. in an interview with Cathy Jenks.
Alethea and Frederick (Fred) James Brooks Sr. and their two sons, Frederick (Fred) Earl, Jr. and Bob, lived on Cortes Island from ca. 1941 to 1944, near Manson's Landing. Fred Sr. logged in Cortes Bay and employed two of the Hawkins boys, Bill and George.
Fred Jr. attended grades three to six at Cortes Island school before the family moved to Pender Harbour. Some of the names he recalls are: the Christiansen kids (Robert, Jim, and a sister), the Tibers on the west side of Cortes Island, and the Jefferys of Smelt Bay.
Custodial History
Fred Brooks Jr. gave the photographs to Cathy Brooks of Pender Harbour Living Heritage Society, who facilitated the donation by collecting the photographs, donation form and information from Brooks and sending the materials to CIMAS.
Scope and Content
Fonds consists of sixteen photographs depicting people and scenes, primarily of the Manson's Landing area. Identification was provided by Fred Brooks Jr. in an interview with Cathy Jenks.
Pender Harbour Living Heritage holds related material from the Brooks family: https://penderharbourheritage.pastperfectonline.com/bysearchterm?keyword=Brooks+family
The photograph shows a boatload of visitors going to Stag Bay, transport provided by the small gasboat in the background. During George Freeman's years at Stag Bay, he used this '"little green boat" for necessary commuting between Stag Bay and Lund, not only for personal needs but also for logging camp needs for repairs, medical emergencies, etc.
Wilfred Manson is standing on the gasboat in the back.
In the rowboat, L to R: Colin Campbell, Fraser Campbell (brothers), Jean Manson and Dorothy, Florence McKay with oar, Gwen Campbell and Thelma, Mrs. Colin Campbell behind Hazel McKay, Etta McKay.
The photograph shows a boatload of visitors going to Stag Bay, transport provided by the small gasboat in the background. During George Freeman's years at Stag Bay, he used this '"little green boat" for necessary commuting between Stag Bay and Lund, not only for personal needs but also for logging camp needs for repairs, medical emergencies, etc.
Wilfred Manson is standing on the gasboat in the back.
In the rowboat, L to R: Colin Campbell, Fraser Campbell (brothers), Jean Manson and Dorothy, Florence McKay with oar, Gwen Campbell and Thelma, Mrs. Colin Campbell behind Hazel McKay, Etta McKay.
Cow and chickens among the vacant logging camp buildings left after Campbell River Lumber Company logging ended at Stag Bay. Part of the pier can be seen in the background. The building on the right had been part of Japanese family quarters.
Cow and chickens among the vacant logging camp buildings left after Campbell River Lumber Company logging ended at Stag Bay. Part of the pier can be seen in the background. The building on the right had been part of Japanese family quarters.
Fonds consists of material that was gathered by Thompson as she researched island history for museum exhibits and local history albums. It includes land title information about Cortes Island properties going back to the original Crown Grants, correspondence and notes about Cortes Island history, photographs, maps and ephemera.
Fonds is arranged in five series: Land Titles Research; Historical Information; Maps; Photographs; and Ephemera.
30 cm of textual records
40 photographs
12 maps
2 CDs
History / Biographical
Doreen (Huck) Thompson, 1944-2006:
Doreen’s grandparents, William Edward Huck and Mabel Wells Huck, arrived on Cortes Island in 1915. Widowed in WWI, Mabel and her four children left Cortes for Vancouver in 1923. Her son Harry, Doreen’s father, returned to Cortes in the 1930s. He married Edith Launchbury in 1937 and had two children, Doreen (b.1944) and Ed (b.1945, d.1993). Doreen and Ed were raised in Whaletown and attended school there and at Manson’s Landing.
Doreen graduated from Vic High in Victoria before marrying Bob Thompson in 1962. From 1961 to 1963, Doreen lived in Teakerne Arm in a floathouse Bob had built on the shore of the Whaletown Lagoon and then moved to the shores of Heriot Bay on Quadra Island. Her children were born in 1964 (Janny) and 1965 (Debby). In 1970 the family and the house moved to Cortes Island where both daughters attended school to Grade 10.
Doreen spent a few years living in Alberta and Victoria in the early 1980s and then returned to Cortes Island. Doreen developed a deep knowledge of the history of the island and she devoted considerable time to preserving, gathering and sharing her own and others knowledge of the island through her volunteer work at the Cortes Island Museum and Archives.
Doreen was one of the founders of the Cortes Island Museum. She curated four exhibits at the Museum, including “Windows on Whaletown” in 1999, “Von Donop Inlet”, the commercial fishing portion of “Celebrating Wild Salmon”, and “Memories of Manson’s Landing”. She researched and created albums which combine photographs, reminiscences and clippings to document the history of various island areas, such as Green Valley and Whaletown. The Doreen Thompson Exhibit Gallery at the Museum commemorates her contributions.
Doreen was making a fourth cross-Canada road trip from Cortes to Newfoundland when she was killed in a car accident near Fort McLeod, Alberta on August 1, 2006.
Custodial History
Material was stored at the museum or collected from Doreen Thomas' house.
Scope and Content
Fonds consists of material that was gathered by Thompson as she researched island history for museum exhibits and local history albums. It includes land title information about Cortes Island properties going back to the original Crown Grants, correspondence and notes about Cortes Island history, photographs, maps and ephemera.
Fonds is arranged in five series: Land Titles Research; Historical Information; Maps; Photographs; and Ephemera.
Dorothy Manson, daughter of Wilfred and Jean Manson, with her dog 'Brindle' at Stag Bay, Hernando Island. Where the bulk of logging camp buildings had been, has been cleared and seeded to clover for hay. The house with a ladder had been one of the camp family houses. Note the beached "little green boat" at the end of her career.
Dorothy Manson, daughter of Wilfred and Jean Manson, with her dog 'Brindle' at Stag Bay, Hernando Island. Where the bulk of logging camp buildings had been, has been cleared and seeded to clover for hay. The house with a ladder had been one of the camp family houses. Note the beached "little green boat" at the end of her career.
Dorothy Manson standing behind 'Ruff' the new sheepdog, 'Brindle' lying beside them. In the background, beyond the rail fence, is (left to right) a steam donkey, a storage shed, the main camp manager's house (now the home of Mike Manson), a garage for the car and a barn.
Dorothy Manson standing behind 'Ruff' the new sheepdog, 'Brindle' lying beside them. In the background, beyond the rail fence, is (left to right) a steam donkey, a storage shed, the main camp manager's house (now the home of Mike Manson), a garage for the car and a barn.
Families of Hernando Island men who worked together in a very small logging enterprise.
L to R: Mrs. Gwen (Fraser) Campbell holding Thelma's hand, Mrs. C. Owen (friend) behind Etta and Hazel McKay, Mrs. Jean (Wilfred) Manson behind Dorothy, Mrs. Florence (Ervin) McKay holding Minerva Campbell.
Families of Hernando Island men who worked together in a very small logging enterprise.
L to R: Mrs. Gwen (Fraser) Campbell holding Thelma's hand, Mrs. C. Owen (friend) behind Etta and Hazel McKay, Mrs. Jean (Wilfred) Manson behind Dorothy, Mrs. Florence (Ervin) McKay holding Minerva Campbell.
Florence (L) and Flossie (R) Manson, twin daughters of Michael and Jane Manson, standing in front of the porch of the Mike Manson home at Manson's Landing. They went to Vancouver in 1915 to take up dressmaking and millinery lessons along with younger sister Gwen (not pictured).
Florence (L) and Flossie (R) Manson, twin daughters of Michael and Jane Manson, standing in front of the porch of the Mike Manson home at Manson's Landing. They went to Vancouver in 1915 to take up dressmaking and millinery lessons along with younger sister Gwen (not pictured).
Florence (Manson) McKay, ready to cut her 90th birthday cake at a party held at the Manson's Landing Community Hall. A news clipping accompanying the photograph provides details of Florence's life and family.
Florence was born to Michael and Jane Manson at home in Union Bay, January 21, 1900. Florence married Ervin McKay, a fireman with the Vancouver Fire Department. In 1929, Michael Manson turned his farm at Hague Lake over to Florence. Florence and Ervin lived there until they retired in 1950 and moved to Courtenay. The farm was turned over to their daughter Hazel and her husband Ken Hansen. Florence was widowed in 1978 and returned to Cortes to live with Hazel, who had sold the farm (subsequently renamed Linnaea Farm) but kept sixteen acres to retire on.
Florence (Manson) McKay, ready to cut her 90th birthday cake at a party held at the Manson's Landing Community Hall. A news clipping accompanying the photograph provides details of Florence's life and family.
Florence was born to Michael and Jane Manson at home in Union Bay, January 21, 1900. Florence married Ervin McKay, a fireman with the Vancouver Fire Department. In 1929, Michael Manson turned his farm at Hague Lake over to Florence. Florence and Ervin lived there until they retired in 1950 and moved to Courtenay. The farm was turned over to their daughter Hazel and her husband Ken Hansen. Florence was widowed in 1978 and returned to Cortes to live with Hazel, who had sold the farm (subsequently renamed Linnaea Farm) but kept sixteen acres to retire on.
Manson's sheep grazing in the field on Hernando Island which was created by removing the old logging camp buildings. On the left is a one-time camp family house and on the right is the former cookhouse, now a barn.
Manson's sheep grazing in the field on Hernando Island which was created by removing the old logging camp buildings. On the left is a one-time camp family house and on the right is the former cookhouse, now a barn.
Harry Sundick, one of the logging crew who worked at Stag Bay, Hernando Island. Note the railroad track in the foreground. Shortly after this picture was taken, he had an accident and was hospitalized.
Harry Sundick, one of the logging crew who worked at Stag Bay, Hernando Island. Note the railroad track in the foreground. Shortly after this picture was taken, he had an accident and was hospitalized.
This shows the Campbell River Lumber Co. logging camp buildings and long pier for dumping logs at Stag Bay, Hernando Island. In the foreground are buildings for family men, in the mid-distance are the homes of the Japanese families, and farthest, the cookhouse and camp buildings.
This shows the Campbell River Lumber Co. logging camp buildings and long pier for dumping logs at Stag Bay, Hernando Island. In the foreground are buildings for family men, in the mid-distance are the homes of the Japanese families, and farthest, the cookhouse and camp buildings.
Logging crew in front of the cookhouse at Stag Bay, Hernando Island. Of the men up on other's shoulders are: far left, Dick Thompson, next, Cliff Palmer. Far right, in the white shirt is Eric Erickson, blacksmith.
Logging crew in front of the cookhouse at Stag Bay, Hernando Island. Of the men up on other's shoulders are: far left, Dick Thompson, next, Cliff Palmer. Far right, in the white shirt is Eric Erickson, blacksmith.
Fonds consists of the personal, business and research records of May and Elmer Ellingsen. Textual records include personal and business correspondence; financial and legal records; information about local history; records and newsletters of various community organizations; records created by John Manson and by the St. James Ladies' Guild; maps; ephemera; and clippings about Cortes Island people and events. Fonds also includes photographs of the Manson family and other island people and places, and cassette tapes of oral history and music.
Fonds is arranged in 14 series: Correspondence; Financial records; Elmer Ellingsen records (business and personal); May Ellingsen personal records; Local history subject files; John Manson records; St. James Ladies' Guild records; Community organizations and services records; Cortes Island Museum & Archives Society records; Maps; Ephemera; Clippings; Photographs and Audio tapes.
Records from Accessions 2017.003 and 2019.002, which were processed after the other material had been arranged, have been interfiled.
3 meters of textual records
726 photographs
21 audio cassette tapes
Extent
252 cm
History / Biographical
Elmer Ellingsen (1913-2002) was born in North Vancouver to Sigurd and Gladys Ellingsen. After graduating from high school, he took a short course in business at Sprott Shaw College. In the early 1930s Elmer worked in logging and became a strong supporter of the trade union movement. He also had classical piano training in school, later turning to popular music; he played for many dances and parties until well into his eighties.
May Ellingsen (1914-2012) was born in Vancouver to George and Robina Freeman. Her maternal grandfather, Michael Manson, was the first person to pre-empt land on Cortes Island, in 1886. May grew up on Cortes and Hernando Islands until grade six, then moved to Vancouver with her family to finish her schooling.
May and Elmer met on Cortes in 1935 and were married on August 1, 1936. They built a float house and spent the next ten years in the Loughborough Inlet/Phillips Arm area where Elmer worked in his father's logging operations. While there, their children Shirley (1939), Bruce (1940) and Andy (1941) were born. In 1946 they moved to Von Donop Creek, where Elmer formed a logging partnership with Mike Herrewig and Scotty McKenzie. In 1950, he formed a new partnership with Erne Anderson for logging in the Whaletown area, and moved the floathouse to Manson's Landing lagoon. Two years later their floathouse was moved to its present location on Hague Lake.
After travelling from home to various logging operations, Elmer retired from logging. He bought a D8 Caterpillar tractor, backhoe and gravel truck and worked for the next forty years excavating, delivering gravel and moving things. He often worked with BC Hydro and BC Tel on pole installation, repair and maintenance.
Both Elmer and May were very active in community life. They sponsored weekly movie nights through the 1950s and square dancing in the sixties. May's many involvements included the Ladies' Guild, Women's Institute, Ratepayers Association, Post Office, Vancouver Regional Library development and Cortes Island Days. Elmer was a leading promoter of bringing ferry and hydro service to the island; he helped renovate Manson's Hall in the late 1970s, lobbied for road paving and helped initiate the Cortes Island Firefighters Assoc. in the 1980s. Both were founding members of the Cortes Island Museum and Archives Society.
Custodial History
Records were collected from the home of May and Elmer Ellingsen by Andy and Susan Ellingsen and by Bruce Ellingsen and donated to CIMAS. There are eight accessions in this fonds: 2007.001, 2007.002, 2007.003, 2007.005, 2008.002 and 2010.001, 2018.002 and 2019.002.
Scope and Content
Fonds consists of the personal, business and research records of May and Elmer Ellingsen. Textual records include personal and business correspondence; financial and legal records; information about local history; records and newsletters of various community organizations; records created by John Manson and by the St. James Ladies' Guild; maps; ephemera; and clippings about Cortes Island people and events. Fonds also includes photographs of the Manson family and other island people and places, and cassette tapes of oral history and music.
Fonds is arranged in 14 series: Correspondence; Financial records; Elmer Ellingsen records (business and personal); May Ellingsen personal records; Local history subject files; John Manson records; St. James Ladies' Guild records; Community organizations and services records; Cortes Island Museum & Archives Society records; Maps; Ephemera; Clippings; Photographs and Audio tapes.
Records from Accessions 2017.003 and 2019.002, which were processed after the other material had been arranged, have been interfiled.
This collection consists of ten photograph albums (binders) compiled and annotated by May Ellingsen. The albums contain both original and reproduced photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island. They are accompanied by captions and additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. Fonds consists of two series: Series 1 (The May Ellingsen Historic Photograph Collection, Vol. 1-9, Accession 2004.003) and Series 2 (The Manson Family Album, Accession 2004.002).
Ten photograph albums (binders) containing 152 original photographs and 482 reproductions.
History / Biographical
May Ellingsen was born on March 13, 1914 to George and Robina Freeman. Her maternal grandfather, Michael Manson, was the first person to pre-empt land on Cortes Island, claiming a quarter section on Gunflint Lake in 1886. May spent her childhood on Hernando Island, where her family homesteaded and logged, and on Cortes Island, where she attended the log school at Manson's Landing.
In 1936 May married Elmer Ellingsen. They spent the next ten years in the Loughborough Inlet/Phillips Arm area while Elmer worked for his father's logging operations. During those years their children, Shirley, Bruce and Andy, were born. In 1946 the family moved to Von Donop Creek, where Elmer was logging. In 1950 they moved their float house, built at the time of their marriage, to Manson's Landing Lagoon and two years later, to its present permanent location on Hague Lake.
May and Elmer devoted much time and energy to building their community. Amongst her many community activities, May ran the library at Manson's Hall. She had a strong interest in local history, researching the history of land pre-emptions on the island, collecting and annotating photographs from pioneer families and recording interviews with old timers. She was a founder of the Cortes Island Museum and Archives Society; the archives reading room is named in her honor. Historical materials and artifacts gathered by May formed the kernel of the museum's collections and archives.
Custodial History
May Ellingsen created the albums in the 1980s, and kept adding to them throughout the 1990s. She kept them at the Manson's Landing library and then at the museum from 1999. She officially donated them to CIMAS in 2004.
Scope and Content
This collection consists of ten photograph albums (binders) compiled and annotated by May Ellingsen. The albums contain both original and reproduced photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island. They are accompanied by captions and additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. Fonds consists of two series: Series 1 (The May Ellingsen Historic Photograph Collection, Vol. 1-9, Accession 2004.003) and Series 2 (The Manson Family Album, Accession 2004.002).
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Nine photograph albums (binders) holding 554 photographs with accompanying descriptions.
Custodial History
May Ellingsen put this collection together in the mid 1980s. She collected hundreds of old photographs from 30 donor families which were then copied and catalogued by the Campbell River Museum in 1985, with funding from the Canada Council and Canada Works. (see "Musings", a publication of the CR Museum & Archives Society, Vol. IV #1, March 1985) The Campbell River Museum made negatives and two copies of the photographs; the originals were then returned to the donor families. One copy of each photo was given to May, who arranged them in albums and added her commentary. She continued to add to the albums through the 1990s, adding 72 original photographs and more descriptions. She kept the albums in the library in the Manson's Hall and then in the Cortes Museum when it opened in 1999. The albums were officially donated to CIMAS in 2004.
Scope and Content
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Item level finding aid is available for the 72 original photographs.
Copyright
The Campbell River Archives has negatives for the copied photographs in the Collection and makes prints on request for a charge according to their policy and according to the wishes of the donors. Donor/source cards were filled out by each family donating photographs and include restrictions on use in some cases. They are on file at the Campbell River Archives.
CIMAS holds the copyright on the 72 original photographs in these albums.
