File consists of three pages of textual records pertaining to a January 1953 agreement between the Whaletown Women's Institute and the Whaletown Community Club regarding use of the Church Hall
File consists of three pages of textual records pertaining to a January 1953 agreement between the Whaletown Women's Institute and the Whaletown Community Club regarding use of the Church Hall
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
1 moving image : 13 minutes ; with background music
Scope and Content
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
Sous-fonds consists of records of the Island Women's Club. It is arranged in six series: Financial, Administrative, Correspondence, Projects, Ephemera and Artifact.
he Island Women's Club was founded 2000, when the members of the Cortes Island Women's Institute withdrew from the British Columbia Women's Institute; it disbanded in 2016.
Custodial History
Records of the Island Women's Club were donated to CIMAS in 2018 by the last secretary of the organization, Callie Waddell.
Scope and Content
Sous-fonds consists of records of the Island Women's Club. It is arranged in six series: Financial, Administrative, Correspondence, Projects, Ephemera and Artifact.
This fonds comprises records of four Cortes Island women's service organizations, including minutes, financial records, administrative records, correspondence, photographs, ephemera and artifacts. It is arranged in four sous-fonds according to the creator of the records: Whaletown Women's Institute (2009.001.1); Whaletown Women's Auxiliary of the Anglican Church (2009.001.2); Cortes Island Women's Institute (2009.001.3); and Island Women's Club (2009.001.3). Related material in CIMAS archives may be found in the Whaletown Women's Institute fonds (1999.002), the Gilean Douglas fonds (1999.001), and the May and Elmer Ellingsen fonds (2007.001).
The Island Women's Club was formed in 2000, when the members of the Cortes Island Women's Institute withdrew from the British Columbia Women's Institute in order to focus their efforts locally. It was the successor to previous women's service organizations on Cortes, local branches of the Women's Institute and the Anglican Church Women's Auxiliary. Activities included awarding bursaries to graduating high school students, contributing to school projects such as printing yearbooks, sponsoring sports teams and building playground equipment, supporting the community halls and organizing memorial teas on behalf of bereaved families. They disbanded in 2016.
Custodial History
After they disbanded, records of the Whaletown Women's Institute and the Whaletown Women's Auxiliary passed into the hands of the Cortes Island Women's Institute and its successor, Island Women's Club, who donated them to CIMAS in 2009. The organizational records created by the Island Women's Club were donated to CIMAS in 2018.
Scope and Content
This fonds comprises records of four Cortes Island women's service organizations, including minutes, financial records, administrative records, correspondence, photographs, ephemera and artifacts. It is arranged in four sous-fonds according to the creator of the records: Whaletown Women's Institute (2009.001.1); Whaletown Women's Auxiliary of the Anglican Church (2009.001.2); Cortes Island Women's Institute (2009.001.3); and Island Women's Club (2009.001.3). Related material in CIMAS archives may be found in the Whaletown Women's Institute fonds (1999.002), the Gilean Douglas fonds (1999.001), and the May and Elmer Ellingsen fonds (2007.001).
Back row: Jack Summers, Ken Hansen, Ernie Keene, Dianne Hansen, Jimmy Hansen, Irv Reedel, Doreen Reedel, Shirley Beaulieu, Eva Freeman, Nesta Stackhouse, Lottie McDevitt, Mary and Bob Martineau
Middle row: Eva Summers, Rev. Rollo Boas, May Ellingsen, Elmer Ellingsen, Otto Ellingsen, Meg Shaw, Peggy Talbot, Jenny Morton, Mike Talbot, Doug Morton, Velma Bergman
Front row: Ann Dewar, Kathleen (Kay) Boas, Robbie Graham, Wilf Freeman, Gunnar Hansen, Emilie Hansen
Back row: Jack Summers, Ken Hansen, Ernie Keene, Dianne Hansen, Jimmy Hansen, Irv Reedel, Doreen Reedel, Shirley Beaulieu, Eva Freeman, Nesta Stackhouse, Lottie McDevitt, Mary and Bob Martineau
Middle row: Eva Summers, Rev. Rollo Boas, May Ellingsen, Elmer Ellingsen, Otto Ellingsen, Meg Shaw, Peggy Talbot, Jenny Morton, Mike Talbot, Doug Morton, Velma Bergman
Front row: Ann Dewar, Kathleen (Kay) Boas, Robbie Graham, Wilf Freeman, Gunnar Hansen, Emilie Hansen