Photograph of the booming ground at the mouth of the river in Knight Inlet. Captioned by Douglas: "Grizzlies and loggers like this country of lush meadows and evergreen woods, tall trees and swift rivers."
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
3 photograph prints: b&w ; 15 x 10 cm, 21.5 x 16.5 cm & 25 x 20 cm
Scope and Content
Photograph of the booming ground at the mouth of the river in Knight Inlet. Captioned by Douglas: "Grizzlies and loggers like this country of lush meadows and evergreen woods, tall trees and swift rivers."
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
Photograph of a log booming ground at the mouth of the river in Knight Inlet. Captioned by Douglas: "Booming on the Klina Klini River (Dot houses in the background) in country that loggers and grizzlies love." Another print is captioned "Mountain meadows and a log boom at the Dot Logging Camp on the Klinaklini River"
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
2 photograph prints: b&w ; 15 x 10 cm & 21.5 x 16.5 cm
Scope and Content
Photograph of a log booming ground at the mouth of the river in Knight Inlet. Captioned by Douglas: "Booming on the Klina Klini River (Dot houses in the background) in country that loggers and grizzlies love." Another print is captioned "Mountain meadows and a log boom at the Dot Logging Camp on the Klinaklini River"
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
File contains minutes, agendas and other material relating to meetings of the Klahoose Table, attended by members of CILAC, Klahoose First Nations and government negotiators. It includes material relating to a proposed park at Carrington Bay.
File contains minutes, agendas and other material relating to meetings of the Klahoose Table, attended by members of CILAC, Klahoose First Nations and government negotiators. It includes material relating to a proposed park at Carrington Bay.
This is the continuation (Part 3) of an interview of Etta and Clarence Byers by Oonagh O'Connor. Clarence talks about his family history; moving to Cortes Island, logging on Cortes in the Von Donop/Blue Jay Lake/Carrington Bay area; road-building; and the arrival of Japanese oysters to Cortes beaches in ca. 1938. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
This is the continuation (Part 3) of an interview of Etta and Clarence Byers by Oonagh O'Connor. Clarence talks about his family history; moving to Cortes Island, logging on Cortes in the Von Donop/Blue Jay Lake/Carrington Bay area; road-building; and the arrival of Japanese oysters to Cortes beaches in ca. 1938. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
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