Photograph of an injured logger on a stretcher, being loaded off of a logging camp launch onto the "Columbia". Photo c is in the oversize photo box and has Alan Greene's notations on the back. See #1999.001.958. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
3 photograph prints: b&w; a & b are 13 x 10 cm; c is 25.5 x 20.5 cm
Scope and Content
Photograph of an injured logger on a stretcher, being loaded off of a logging camp launch onto the "Columbia". Photo c is in the oversize photo box and has Alan Greene's notations on the back. See #1999.001.958. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
Photograph of two men on floats made of logs chained together, with the buildings, tanks and other paraphernalia of a logging camp on the floats. Location is Seymour Inlet.
Photograph of two men on floats made of logs chained together, with the buildings, tanks and other paraphernalia of a logging camp on the floats. Location is Seymour Inlet.
Photograph of a row of floathouses in a coastal floating logging camp, probably in or near Seymour Inlet. There is a boat tied to the walkway that fronts the buildings. There is a pile of large fir rounds for firewood in front of one house; the house on the end has a container garden with flowers on the float in front.
Photograph of a row of floathouses in a coastal floating logging camp, probably in or near Seymour Inlet. There is a boat tied to the walkway that fronts the buildings. There is a pile of large fir rounds for firewood in front of one house; the house on the end has a container garden with flowers on the float in front.
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph of Dick Flanders and his grandchild Louise at Mamalillaculla, Village Island. They are standing beside a carved totem pole which is supporting cross beams.
Photograph of Dick Flanders and his grandchild Louise at Mamalillaculla, Village Island. They are standing beside a carved totem pole which is supporting cross beams.
Photograph of Dick Flanders and his grandchild Louise at Mamalilliculla on Village Island. The paw of a carved bear on the totem is almost touching his head; there is another totem to the right, and a house in the bacground. See also #1999.001.0976.
Photograph of Dick Flanders and his grandchild Louise at Mamalilliculla on Village Island. The paw of a carved bear on the totem is almost touching his head; there is another totem to the right, and a house in the bacground. See also #1999.001.0976.
Photograph of Dick Flanders, his grandchild Louise and four boys at Mamalilliculla on Village Island. Thy are standing at the base of a carved totem pole; the village houses may be seen in the background.
Photograph of Dick Flanders, his grandchild Louise and four boys at Mamalilliculla on Village Island. Thy are standing at the base of a carved totem pole; the village houses may be seen in the background.
Photograph of Don Maclean in his garden at Cedar Hill Cross Roads. Maclean acted as a Lay Reader for the Columbia Coast Mission in Whaletown in the 1960s when no clergymen were available.
Photograph of Don Maclean in his garden at Cedar Hill Cross Roads. Maclean acted as a Lay Reader for the Columbia Coast Mission in Whaletown in the 1960s when no clergymen were available.