Photograph taken at the wedding of Dorothy Hayes and Bill Illman.
Back, left to right, Jack Hayes, Bill Illman, Dorothy (Hayes) Illman and Alice Hayes.
Front, flowergirls Nerine Hayes (Art and Mary Haye's daughter, left) and June Griffin (George and Marjorie Griffin's daughter, right).
The picture was taken outside the Manson's Landing church. Manson's Hall can be seen on the left and Manson's Landing school is on the right. (Photograph from the Hayes family.)
Photograph taken at the wedding of Dorothy Hayes and Bill Illman.
Back, left to right, Jack Hayes, Bill Illman, Dorothy (Hayes) Illman and Alice Hayes.
Front, flowergirls Nerine Hayes (Art and Mary Haye's daughter, left) and June Griffin (George and Marjorie Griffin's daughter, right).
The picture was taken outside the Manson's Landing church. Manson's Hall can be seen on the left and Manson's Landing school is on the right. (Photograph from the Hayes family.)
Series consists of 80 photographs with typed explanatory captions, depicting scenes and activities relating to the Manson's Landing school, general scenes of Cortes Island, and James Nixon family of Twin Islands. Many of the the photographs have information written on their backs.
May Ellingsen compiled this album from photographs in the possession of the Manson family and wrote the explanatory captions. The photographs of Manson's school were taken by Katherine Lettice, the teacher at the time; photographs of Twin Islands were taken by the Nixon family, who lived there and were friends of the Manson family. Photographs were turned over to May by Rose or John Manson. Some photographs were in May's possession as her mother, Robina (Manson) Freeman, was a daughter of Michael Manson.
Scope and Content
Series consists of 80 photographs with typed explanatory captions, depicting scenes and activities relating to the Manson's Landing school, general scenes of Cortes Island, and James Nixon family of Twin Islands. Many of the the photographs have information written on their backs.
Photograph of Marjorie Pickles at her wedding, taken outside near St. James Church and the school. Photograph is described by May Ellingsen on a separate piece of paper. (From an envelope "May Ellingsen photos Manson's Landing")
Photograph of Marjorie Pickles at her wedding, taken outside near St. James Church and the school. Photograph is described by May Ellingsen on a separate piece of paper. (From an envelope "May Ellingsen photos Manson's Landing")
"Young Hopefuls" in front of the Manson's Landing school (then known as the Cortez Island School).
Front row: Ethel Tiber, George Marquette, Wilena Smith (later Mrs. Dick Thompson, Quadra), Nicol Manson.
Mid-row: Katherine Marquette, Mrs. Mary Marquette, Rose and Anna Manson (Middleton).
Back row: Alice Marquette & her grandmother, Mrs. Anna (August) Tiber.
"Young Hopefuls" in front of the Manson's Landing school (then known as the Cortez Island School).
Front row: Ethel Tiber, George Marquette, Wilena Smith (later Mrs. Dick Thompson, Quadra), Nicol Manson.
Mid-row: Katherine Marquette, Mrs. Mary Marquette, Rose and Anna Manson (Middleton).
Back row: Alice Marquette & her grandmother, Mrs. Anna (August) Tiber.
Binder contains interviews, stories and photographs relating to Michael and John Manson and their families. It was created as part of the Memories of Manson's Landing Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories and photographs relating to Michael and John Manson and their families. It was created as part of the Memories of Manson's Landing Exhibit, curated and mounted by Doreen Thompson.
A group posing beside a picket fence on Twin Islands.
Back, left to right, Jack Manson, his mother Mrs. John (Margaret) Manson, Mr. and Mrs. James A. Nixon, and Bert Froud.
Front, left to right, Anna, Nicol, and Rose Manson.
A group posing beside a picket fence on Twin Islands.
Back, left to right, Jack Manson, his mother Mrs. John (Margaret) Manson, Mr. and Mrs. James A. Nixon, and Bert Froud.
Front, left to right, Anna, Nicol, and Rose Manson.
Fonds consists of sixteen photographs depicting people and scenes, primarily of the Manson's Landing area. Identification was provided by Fred Brooks Jr. in an interview with Cathy Jenks.
Alethea and Frederick (Fred) James Brooks Sr. and their two sons, Frederick (Fred) Earl, Jr. and Bob, lived on Cortes Island from ca. 1941 to 1944, near Manson's Landing. Fred Sr. logged in Cortes Bay and employed two of the Hawkins boys, Bill and George.
Fred Jr. attended grades three to six at Cortes Island school before the family moved to Pender Harbour. Some of the names he recalls are: the Christiansen kids (Robert, Jim, and a sister), the Tibers on the west side of Cortes Island, and the Jefferys of Smelt Bay.
Custodial History
Fred Brooks Jr. gave the photographs to Cathy Brooks of Pender Harbour Living Heritage Society, who facilitated the donation by collecting the photographs, donation form and information from Brooks and sending the materials to CIMAS.
Scope and Content
Fonds consists of sixteen photographs depicting people and scenes, primarily of the Manson's Landing area. Identification was provided by Fred Brooks Jr. in an interview with Cathy Jenks.
Pender Harbour Living Heritage holds related material from the Brooks family: https://penderharbourheritage.pastperfectonline.com/bysearchterm?keyword=Brooks+family
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Nine photograph albums (binders) holding 554 photographs with accompanying descriptions.
Custodial History
May Ellingsen put this collection together in the mid 1980s. She collected hundreds of old photographs from 30 donor families which were then copied and catalogued by the Campbell River Museum in 1985, with funding from the Canada Council and Canada Works. (see "Musings", a publication of the CR Museum & Archives Society, Vol. IV #1, March 1985) The Campbell River Museum made negatives and two copies of the photographs; the originals were then returned to the donor families. One copy of each photo was given to May, who arranged them in albums and added her commentary. She continued to add to the albums through the 1990s, adding 72 original photographs and more descriptions. She kept the albums in the library in the Manson's Hall and then in the Cortes Museum when it opened in 1999. The albums were officially donated to CIMAS in 2004.
Scope and Content
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Item level finding aid is available for the 72 original photographs.
Copyright
The Campbell River Archives has negatives for the copied photographs in the Collection and makes prints on request for a charge according to their policy and according to the wishes of the donors. Donor/source cards were filled out by each family donating photographs and include restrictions on use in some cases. They are on file at the Campbell River Archives.
CIMAS holds the copyright on the 72 original photographs in these albums.
Identity key to group photograph taken at Manson's Landing in 1911.
1. Eugene Paulson 2. Mrs. E. Paulson 3. Rose Manson 4. Lennard Hawkins 5. William (Bill) Hawkins 6.Hazel Manson 7. Mrs. Margaret (John) Manson 8. John Manson 9. George Freeman 10. Robina Manson 11. Florence Manson 12. Herbert Hawkins 13. Beatrice Hawkins 14. unknown 15. Mrs. George Quimby 16. George Quimby 17. George Quimby Jr. 18. Veronica Tiber 19. August Tiber 20. Mrs. August Tiber 21. Frederick Froud 22. Alice Marquette 23. Miss Kathleen Richards (teacher) 24. Frank Petznick 25. Anna Manson 26. Mabel Hawkins 27. Flossie Manson 28. Mrs. Fred Hawkins 29. Mrs. Gertie (Tom) Lambert 30. Tom Lambert 31. Bob Smith 32. Andy Hemorach 33. Nicol Manson
Identity key to group photograph taken at Manson's Landing in 1911.
1. Eugene Paulson 2. Mrs. E. Paulson 3. Rose Manson 4. Lennard Hawkins 5. William (Bill) Hawkins 6.Hazel Manson 7. Mrs. Margaret (John) Manson 8. John Manson 9. George Freeman 10. Robina Manson 11. Florence Manson 12. Herbert Hawkins 13. Beatrice Hawkins 14. unknown 15. Mrs. George Quimby 16. George Quimby 17. George Quimby Jr. 18. Veronica Tiber 19. August Tiber 20. Mrs. August Tiber 21. Frederick Froud 22. Alice Marquette 23. Miss Kathleen Richards (teacher) 24. Frank Petznick 25. Anna Manson 26. Mabel Hawkins 27. Flossie Manson 28. Mrs. Fred Hawkins 29. Mrs. Gertie (Tom) Lambert 30. Tom Lambert 31. Bob Smith 32. Andy Hemorach 33. Nicol Manson
Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of Manson's Landing wharf, with Cat and Kitten Islands in the bacckground. Their are two sheds at the end of the dock above the ramp, and an old car is parked beside them. (date?)
Photograph of Manson's Landing wharf, with Cat and Kitten Islands in the bacckground. Their are two sheds at the end of the dock above the ramp, and an old car is parked beside them. (date?)
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