File contains 3 receipts from the Cortez Lodge Store (Note the telephone number, "Cortez 1X"), and 2 Island Air receipts, one for a flight from Campbell River to Cortes for $12. Receipts are from Hector Graham.
Donated by Ann Dewar and Robbie Graham on Jan. 20,2017, along with items for the Artifacts Committee. Material donated is from Robbie Graham's father Hector Graham.
Scope and Content
File contains 3 receipts from the Cortez Lodge Store (Note the telephone number, "Cortez 1X"), and 2 Island Air receipts, one for a flight from Campbell River to Cortes for $12. Receipts are from Hector Graham.
Recording is an oral history interview of Robbie Graham and Ann (Robertson) Dewar by Oonagh O'Connor. Robbie talks about how his father, Hector Graham, moved to Cortes Island in the 1920s; early days on Cortes; schools and teachers; fishing. Ann talks about schools; her aunt Meg Shaw; her experiences logging, starting at age twelve. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Robbie Graham and Ann (Robertson) Dewar by Oonagh O'Connor. Robbie talks about how his father, Hector Graham, moved to Cortes Island in the 1920s; early days on Cortes; schools and teachers; fishing. Ann talks about schools; her aunt Meg Shaw; her experiences logging, starting at age twelve. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor at his home in Whaletown (Part 1 of 2). Topics covered include some family history; people and customs of the early days on the island; logging; fishing; hunting; cougars; Cortes in the 1950s and 1960s. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor at his home in Whaletown (Part 1 of 2). Topics covered include some family history; people and customs of the early days on the island; logging; fishing; hunting; cougars; Cortes in the 1950s and 1960s. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor (Part 2 of 2). Topics covered include Dunc's children Ann (Dewar) and Lynn (Summers); oysters; the Whaletown store; early telephone system; mining; the Robertson family; the ferry; changes in wildlife population he has observe over the years; and logging practices. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor (Part 2 of 2). Topics covered include Dunc's children Ann (Dewar) and Lynn (Summers); oysters; the Whaletown store; early telephone system; mining; the Robertson family; the ferry; changes in wildlife population he has observe over the years; and logging practices. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Photograph of an injured logger on a stretcher, being loaded off of a logging camp launch onto the "Columbia". Photo c is in the oversize photo box and has Alan Greene's notations on the back. See #1999.001.958. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
3 photograph prints: b&w; a & b are 13 x 10 cm; c is 25.5 x 20.5 cm
Scope and Content
Photograph of an injured logger on a stretcher, being loaded off of a logging camp launch onto the "Columbia". Photo c is in the oversize photo box and has Alan Greene's notations on the back. See #1999.001.958. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph of two men on floats made of logs chained together, with the buildings, tanks and other paraphernalia of a logging camp on the floats. Location is Seymour Inlet.
Photograph of two men on floats made of logs chained together, with the buildings, tanks and other paraphernalia of a logging camp on the floats. Location is Seymour Inlet.
Photograph of a ship's wake taken from a boat stern, with the mountains of Knight Inlet in the background. Titled by Douglas: "Salmon fishing is tops in Knight Inlet."
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
3 photograph prints: b&w ; 15 x 10 cm, 21.5 x 16.5 cm & 25 x 20 cm
Scope and Content
Photograph of a ship's wake taken from a boat stern, with the mountains of Knight Inlet in the background. Titled by Douglas: "Salmon fishing is tops in Knight Inlet."
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
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