An interview of Kathleen (Kay) Boas by Oonagh O'Connor. Subjects covered include Rollo and Kathleen (Kay) Boas' missionary work, including work for the Columbia Coast Mission. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
An interview of Kathleen (Kay) Boas by Oonagh O'Connor. Subjects covered include Rollo and Kathleen (Kay) Boas' missionary work, including work for the Columbia Coast Mission. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Mary McMillan by Oonagh O'Connor. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Mary McMillan by Oonagh O'Connor. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Photograph of Mary Weiler walking onto the ferry after a surprise farewell party on the day she moved away from the island. Mary Weiler is facing the camera; John Ashby is center, with pipe; Brigid Weiler in the long skirt.
Photograph of Mary Weiler walking onto the ferry after a surprise farewell party on the day she moved away from the island. Mary Weiler is facing the camera; John Ashby is center, with pipe; Brigid Weiler in the long skirt.
Note the log bulwark in the background designed to stop erosion of the bank.
This is one of five photographs with an accompanying letter brought to the Museum from the Manson's Landing fire hall. The photos were used in a display and have been removed from a paper backing. The letter is in the Small Fonds box.
Note the log bulwark in the background designed to stop erosion of the bank.
This is one of five photographs with an accompanying letter brought to the Museum from the Manson's Landing fire hall. The photos were used in a display and have been removed from a paper backing. The letter is in the Small Fonds box.