File contains records relating to the Whiting's egg business: feed orders and price lists, bills, receipts for eggs sold and Union Steamship bills of lading.
File contains records relating to the Whiting's egg business: feed orders and price lists, bills, receipts for eggs sold and Union Steamship bills of lading.
Fonds consists of records created by Muriel and William Whiting and includes correspondence, official documents, business records, recipes, notes and ephemera. It is arranged in three series: Correspondence; Documents; and Subject files.
Muriel Horner Whiting (1882-1977) and William Henry Evans Whiting (1853-1927) settled on Cortes in about 1918, having purchased 58 acres of land in Whaletown (present-day 1474 and 1416 Robertson Rd.) from Charles Allen. Their son Basil Evans Whiting was born in 1923.
William Whiting was considerably older than Muriel; he died in 1927 and is buried in the old Whaletown cemetery. After his death, Muriel supported herself by raising poultry and eggs for sale and by taking in boarders. Her only son, Basil, joined the Royal Canadian Navy just before the outbreak of World War II. He lost his life at the age of 19, when the destroyer HMCS "Ottawa" was torpedoed and sunk on Sept. 13,1942. His war medals are in the Cortes Island Museum Artifacts Collection.
Muriel remained on Cortes until the late 1960s; she died in Whiterock in 1977. Although the Whiting house burned down in 1982, remnants of the homestead remain: a tumble-down barn built of hand-split cedar boards, a few old apple trees and some hardy garden survivors such as japonica, mock orange, and St. Johnswort. The yellow primroses in the Museum garden are descendents of her flowers.
Custodial History
This material was found stored in the barn on the former Whiting property in 1971. It was passed down through several owners of the property before being donated to the museum by Sabina Leader-Mense in 2018.
Scope and Content
Fonds consists of records created by Muriel and William Whiting and includes correspondence, official documents, business records, recipes, notes and ephemera. It is arranged in three series: Correspondence; Documents; and Subject files.
Photo is from a group given to CIMAS by Hilary Stewart, author of nine books on Northwest Coast First Nations art and culture. Photograph attributed to Anthony Pomoroy.
Photo is from a group given to CIMAS by Hilary Stewart, author of nine books on Northwest Coast First Nations art and culture. Photograph attributed to Anthony Pomoroy.
Photo is from a group given to CIMAS by Hilary Stewart, author of nine books on Northwest Coast First Nations art and culture. Prints are mounted together and show the following: bladder float and sinew line, nettle fibre fish line, bag net of sinew, long halibut line of cedar bark. Photographs may be by Hillary Stewart.
Photo is from a group given to CIMAS by Hilary Stewart, author of nine books on Northwest Coast First Nations art and culture. Prints are mounted together and show the following: bladder float and sinew line, nettle fibre fish line, bag net of sinew, long halibut line of cedar bark. Photographs may be by Hillary Stewart.
Photo is from a group given to CIMAS by Hilary Stewart, author of nine books on Northwest Coast First Nations art and culture. Prints are mounted together on a board and show the following: nettle fibre dip net, detail of dip net, braided harpoon line, long fish line of lengths of kelp. Photographs may be by Hillary Stewart.
Photo is from a group given to CIMAS by Hilary Stewart, author of nine books on Northwest Coast First Nations art and culture. Prints are mounted together on a board and show the following: nettle fibre dip net, detail of dip net, braided harpoon line, long fish line of lengths of kelp. Photographs may be by Hillary Stewart.
Photograph taken at a blockade to protest clear-cut logging by MacMillan Bloedel Ltd. near Squirrel Cove. The photo is taken from behind, and people are not identified.
Photograph taken at a blockade to protest clear-cut logging by MacMillan Bloedel Ltd. near Squirrel Cove. The photo is taken from behind, and people are not identified.
