File consists of a Cortes Ecoforestry Society calendar which was a fund-raiser for a community forest project. The calendar features nude photographs of community members. There are two options for each month, "Grit" or "Grace" photos.
File consists of a Cortes Ecoforestry Society calendar which was a fund-raiser for a community forest project. The calendar features nude photographs of community members. There are two options for each month, "Grit" or "Grace" photos.
Item consists of the continuation of an interview with Etta and Clarence Byers by Oonagh O'Connor. On Side A, Etta Byers talks about her childhood on Cortes, how she met Clarence and her married life in Seaford, Von Donop, Powell River and Courtenay. On Side B, Clarence talks about when his family moved to Cortes Island, and his experiences logging, starting at age thirteen. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Item consists of the continuation of an interview with Etta and Clarence Byers by Oonagh O'Connor. On Side A, Etta Byers talks about her childhood on Cortes, how she met Clarence and her married life in Seaford, Von Donop, Powell River and Courtenay. On Side B, Clarence talks about when his family moved to Cortes Island, and his experiences logging, starting at age thirteen. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor (Part 2 of 2). Topics covered include Dunc's children Ann (Dewar) and Lynn (Summers); oysters; the Whaletown store; early telephone system; mining; the Robertson family; the ferry; changes in wildlife population he has observe over the years; and logging practices. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Duncan Robertson by Oonagh O'Connor (Part 2 of 2). Topics covered include Dunc's children Ann (Dewar) and Lynn (Summers); oysters; the Whaletown store; early telephone system; mining; the Robertson family; the ferry; changes in wildlife population he has observe over the years; and logging practices. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording consists of an interview with Frank Tooker, done to gather information for the "Windows on Whaletown" exhibit. (see also 1999.004.033, for Part 1)
Recording consists of an interview with Frank Tooker, done to gather information for the "Windows on Whaletown" exhibit. (see also 1999.004.033, for Part 1)
Recording consists of a round-table discussion, held to gather information for the "The Von Donop Creek Story" exhibit. Participants were [CHECK] (See 1999.004.048 for Part 3)
Recording consists of a round-table discussion, held to gather information for the "The Von Donop Creek Story" exhibit. Participants were [CHECK] (See 1999.004.048 for Part 3)
This is a copy of a recording made by Imbert Orchard as part of a "People in Landscape" series for the Canadian Broadcasting Corporation. In this program, some of the people who grew up on Cortes Island recall how the settlement began, and discuss the quality of life there -- as it is today, and as it used to be. Voices heard include: Otto and Mary Weiler, Elmer and May Ellingsen, Rose (Manson) MacKay, Allen Robertson, and Duncan Robertson.
Tape was found at the Cortes Island Recycling Center and donated to the museum by Gail Ringwood on Oct. 3, 2004. Original owner is unknown.
Scope and Content
This is a copy of a recording made by Imbert Orchard as part of a "People in Landscape" series for the Canadian Broadcasting Corporation. In this program, some of the people who grew up on Cortes Island recall how the settlement began, and discuss the quality of life there -- as it is today, and as it used to be. Voices heard include: Otto and Mary Weiler, Elmer and May Ellingsen, Rose (Manson) MacKay, Allen Robertson, and Duncan Robertson.
Excerpt from Seven-Knot Summers by Beth Hills about Channel Rock, 1994; email from Bonnie MacDonald re Pamela Millar's proposed documentary about Channel Rock, 1999; Channel Rock listing on tideline, 2015; email about property listing, 2015; Channel Rock Village map, undated ; letter from Pinchot & Company, new owner of Gilean Douglas property
Excerpt from Seven-Knot Summers by Beth Hills about Channel Rock, 1994; email from Bonnie MacDonald re Pamela Millar's proposed documentary about Channel Rock, 1999; Channel Rock listing on tideline, 2015; email about property listing, 2015; Channel Rock Village map, undated ; letter from Pinchot & Company, new owner of Gilean Douglas property
DVD of footage shot by George Sirk of Jim Guthrie and his skidder (198-), and building a boat (1990).
Copyright George Sirk; to be used for display and research purposes only.
Copied from George Sirk's VHS tapes with his permission to use the contents for display and research purposes.
Scope and Content
DVD of footage shot by George Sirk of Jim Guthrie and his skidder (198-), and building a boat (1990).
Copyright George Sirk; to be used for display and research purposes only.
Family trees of Cortes residents throughout history. Filing note: if a file exists for the person, put their family tree there rather than the general file
Family trees of Cortes residents throughout history. Filing note: if a file exists for the person, put their family tree there rather than the general file
Two folders containing obituaries of Cortes residents. Filing note: if a file exists for the person, put their obituary post there rather than the general file
Two folders containing obituaries of Cortes residents. Filing note: if a file exists for the person, put their obituary post there rather than the general file
File contains six pencil drawings and one watercolour of Channel Rock by Marge Des Marais, a friend of Douglas who lived at Seaford, and one pen and watercolour picture of the cabin by Margery Greene.
File contains six pencil drawings and one watercolour of Channel Rock by Marge Des Marais, a friend of Douglas who lived at Seaford, and one pen and watercolour picture of the cabin by Margery Greene.
.pdf?width=280&404=no-doc.jpg)
.pdf?width=280&404=no-doc.jpg)
.pdf?width=180&404=no-doc.jpg)
