Excerpt from Transactions of the Edinburgh Geological Society, 1868; A Trapper's Journal, Charlie Rasmussen, 1929; excerpt from The Last Great Sea mentioning Bute Wax, 2000; Bute Inlet history and the Glacier Museum Project, Judith Williams, 2010; BC Arts Capacity and Sustainability Grant draft application, 2011; emails and webpage printouts, 2010, 2011, 2015. Newspaper clippings and magazine articles relating to Bute Inlet, 2010-2019, subjects mentioned include: George Vancouver, Cougar Companions, Disposition of Crown Land and Allocation of Water, Plutonic Power, fishing, Homalco history and culture, Tsilqot'in, Glen Macklin, National Geographic. CIMAS promotional material for the Bute Inlet boat trip and exhibit; photographs and post cards
Excerpt from Transactions of the Edinburgh Geological Society, 1868; A Trapper's Journal, Charlie Rasmussen, 1929; excerpt from The Last Great Sea mentioning Bute Wax, 2000; Bute Inlet history and the Glacier Museum Project, Judith Williams, 2010; BC Arts Capacity and Sustainability Grant draft application, 2011; emails and webpage printouts, 2010, 2011, 2015. Newspaper clippings and magazine articles relating to Bute Inlet, 2010-2019, subjects mentioned include: George Vancouver, Cougar Companions, Disposition of Crown Land and Allocation of Water, Plutonic Power, fishing, Homalco history and culture, Tsilqot'in, Glen Macklin, National Geographic. CIMAS promotional material for the Bute Inlet boat trip and exhibit; photographs and post cards
Article about the Inlet, date unknown; trip advertisement in Cortes Marketer; promotional posters; hand written notes working out cost of trip, invoices, fees paid, cost per person, and profit; emails regarding taxi and charter quote, tour guide, estimated cost per person, dates, coordinations, advertisements, and invoices; write up for press release; handwritten note noting how much they enjoyed the trip
Article about the Inlet, date unknown; trip advertisement in Cortes Marketer; promotional posters; hand written notes working out cost of trip, invoices, fees paid, cost per person, and profit; emails regarding taxi and charter quote, tour guide, estimated cost per person, dates, coordinations, advertisements, and invoices; write up for press release; handwritten note noting how much they enjoyed the trip
Newspaper clippings and articles re: Bute Inlet hydro project; Plutonic Power; run-of-river projects; Friends of Bute; Bute history; exhibition; But Inlet boat tour. Emails re: art; grants; curation of exhibit; critique of Rob Wood and CIMAS by Klahoose member Ken Hanuse; request for Open Meadows Project song performance by Klahoose member Brenda Hansen; display cabinets; exhibit fees. Review of exhibit by Marcel Creurer; project proposal sent to the Vancouver Foundation; handwritten notes by Lynne Jordan and Judy WIlliams; invoices; records of financial contributions; promotional material; photographs
Newspaper clippings and articles re: Bute Inlet hydro project; Plutonic Power; run-of-river projects; Friends of Bute; Bute history; exhibition; But Inlet boat tour. Emails re: art; grants; curation of exhibit; critique of Rob Wood and CIMAS by Klahoose member Ken Hanuse; request for Open Meadows Project song performance by Klahoose member Brenda Hansen; display cabinets; exhibit fees. Review of exhibit by Marcel Creurer; project proposal sent to the Vancouver Foundation; handwritten notes by Lynne Jordan and Judy WIlliams; invoices; records of financial contributions; promotional material; photographs
Copies of Mink Gets the Tides from "A Tlawitsis Story" in Kwakiutl Texts by Franz Boas and George Hunt, Volume 10 of The Jesup North Pacific Expedition, 1908
Copies of Mink Gets the Tides from "A Tlawitsis Story" in Kwakiutl Texts by Franz Boas and George Hunt, Volume 10 of The Jesup North Pacific Expedition, 1908
Clippings with info on floathouses, the hermit of Von Donop Channel, the landslide at Spences Bridge, Von Donop Marine Park, Klahoose First Nation, and Doreen Thompson, 1920-2017, and clippings from WNE, 1987-1989. Transcript with info on the Ellingsens in Von Donop Creek, 1946-1950, from interview with May, Elmer, Andy, and Bruce Ellginsen, 2001. Info on logging in Von Donop Creek, 1920s-1960, from a logging meeting in 2001. Info from Von Donop Creek Research and Display for CIMAS, 2001. An envelope with info from Bev Mathews, donated in 2013.
Clippings with info on floathouses, the hermit of Von Donop Channel, the landslide at Spences Bridge, Von Donop Marine Park, Klahoose First Nation, and Doreen Thompson, 1920-2017, and clippings from WNE, 1987-1989. Transcript with info on the Ellingsens in Von Donop Creek, 1946-1950, from interview with May, Elmer, Andy, and Bruce Ellginsen, 2001. Info on logging in Von Donop Creek, 1920s-1960, from a logging meeting in 2001. Info from Von Donop Creek Research and Display for CIMAS, 2001. An envelope with info from Bev Mathews, donated in 2013.
Photograph of what Gilean Douglas called the Indian tree. It was a large cedar tree which grew close to a rock face on the trail between the house and garden at Channel Rock. The bottom facing the rock face was burnt out and formed a natural hearth, where a fire could be built; the rocks would reflect the heat and the cedar branches would give protection from the rain, thus creating a space for people to keep warm and dry.
Photograph of what Gilean Douglas called the Indian tree. It was a large cedar tree which grew close to a rock face on the trail between the house and garden at Channel Rock. The bottom facing the rock face was burnt out and formed a natural hearth, where a fire could be built; the rocks would reflect the heat and the cedar branches would give protection from the rain, thus creating a space for people to keep warm and dry.
Photograph of the interior of the church at Kingcome Inlet, showing the center aisle leading to the altar, with a window behind. The front of the altar is carved, and there is a carved wooden eagle with wings outstretched on a post in front of the altar.
Photograph of the interior of the church at Kingcome Inlet, showing the center aisle leading to the altar, with a window behind. The front of the altar is carved, and there is a carved wooden eagle with wings outstretched on a post in front of the altar.
Photograph labelled "Jimmy Crow of Mama-lilla-culla in dance regalia with mask, whistle and loon staff for the cannibal dance." Negative is labelled "Medicine man at Kingcome Inlet."
Photograph labelled "Jimmy Crow of Mama-lilla-culla in dance regalia with mask, whistle and loon staff for the cannibal dance." Negative is labelled "Medicine man at Kingcome Inlet."
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