Mrs. Jean Manson. After her marriage to Wilfred Manson in 1920, they lived for a time in the George Freeman home on Hernando Island. The sheep is an ewe named 'Sitkum Seeakwis' after she lost one eye and became something of a pet and a character. Their black dog 'Pip' is looking on. Note the rain barrel with trough at the side of the house.
Mrs. Jean Manson. After her marriage to Wilfred Manson in 1920, they lived for a time in the George Freeman home on Hernando Island. The sheep is an ewe named 'Sitkum Seeakwis' after she lost one eye and became something of a pet and a character. Their black dog 'Pip' is looking on. Note the rain barrel with trough at the side of the house.
This is the former Wilfred and Jean Manson home at Stag Bay, Hernando Island. The photograph was taken by Buster and Mabel Christensen when Buster was working for the new owners after Hernando Island passed from the ownership of the Manson family.
This photograph was donated to May Ellingsen by Buster and Mabel Christensen.
Scope and Content
This is the former Wilfred and Jean Manson home at Stag Bay, Hernando Island. The photograph was taken by Buster and Mabel Christensen when Buster was working for the new owners after Hernando Island passed from the ownership of the Manson family.
Fonds consists of the personal, business and research records of May and Elmer Ellingsen. Textual records include personal and business correspondence; financial and legal records; information about local history; records and newsletters of various community organizations; records created by John Manson and by the St. James Ladies' Guild; maps; ephemera; and clippings about Cortes Island people and events. Fonds also includes photographs of the Manson family and other island people and places, and cassette tapes of oral history and music.
Fonds is arranged in 14 series: Correspondence; Financial records; Elmer Ellingsen records (business and personal); May Ellingsen personal records; Local history subject files; John Manson records; St. James Ladies' Guild records; Community organizations and services records; Cortes Island Museum & Archives Society records; Maps; Ephemera; Clippings; Photographs and Audio tapes.
Records from Accessions 2017.003 and 2019.002, which were processed after the other material had been arranged, have been interfiled.
3 meters of textual records
726 photographs
21 audio cassette tapes
Extent
252 cm
History / Biographical
Elmer Ellingsen (1913-2002) was born in North Vancouver to Sigurd and Gladys Ellingsen. After graduating from high school, he took a short course in business at Sprott Shaw College. In the early 1930s Elmer worked in logging and became a strong supporter of the trade union movement. He also had classical piano training in school, later turning to popular music; he played for many dances and parties until well into his eighties.
May Ellingsen (1914-2012) was born in Vancouver to George and Robina Freeman. Her maternal grandfather, Michael Manson, was the first person to pre-empt land on Cortes Island, in 1886. May grew up on Cortes and Hernando Islands until grade six, then moved to Vancouver with her family to finish her schooling.
May and Elmer met on Cortes in 1935 and were married on August 1, 1936. They built a float house and spent the next ten years in the Loughborough Inlet/Phillips Arm area where Elmer worked in his father's logging operations. While there, their children Shirley (1939), Bruce (1940) and Andy (1941) were born. In 1946 they moved to Von Donop Creek, where Elmer formed a logging partnership with Mike Herrewig and Scotty McKenzie. In 1950, he formed a new partnership with Erne Anderson for logging in the Whaletown area, and moved the floathouse to Manson's Landing lagoon. Two years later their floathouse was moved to its present location on Hague Lake.
After travelling from home to various logging operations, Elmer retired from logging. He bought a D8 Caterpillar tractor, backhoe and gravel truck and worked for the next forty years excavating, delivering gravel and moving things. He often worked with BC Hydro and BC Tel on pole installation, repair and maintenance.
Both Elmer and May were very active in community life. They sponsored weekly movie nights through the 1950s and square dancing in the sixties. May's many involvements included the Ladies' Guild, Women's Institute, Ratepayers Association, Post Office, Vancouver Regional Library development and Cortes Island Days. Elmer was a leading promoter of bringing ferry and hydro service to the island; he helped renovate Manson's Hall in the late 1970s, lobbied for road paving and helped initiate the Cortes Island Firefighters Assoc. in the 1980s. Both were founding members of the Cortes Island Museum and Archives Society.
Custodial History
Records were collected from the home of May and Elmer Ellingsen by Andy and Susan Ellingsen and by Bruce Ellingsen and donated to CIMAS. There are eight accessions in this fonds: 2007.001, 2007.002, 2007.003, 2007.005, 2008.002 and 2010.001, 2018.002 and 2019.002.
Scope and Content
Fonds consists of the personal, business and research records of May and Elmer Ellingsen. Textual records include personal and business correspondence; financial and legal records; information about local history; records and newsletters of various community organizations; records created by John Manson and by the St. James Ladies' Guild; maps; ephemera; and clippings about Cortes Island people and events. Fonds also includes photographs of the Manson family and other island people and places, and cassette tapes of oral history and music.
Fonds is arranged in 14 series: Correspondence; Financial records; Elmer Ellingsen records (business and personal); May Ellingsen personal records; Local history subject files; John Manson records; St. James Ladies' Guild records; Community organizations and services records; Cortes Island Museum & Archives Society records; Maps; Ephemera; Clippings; Photographs and Audio tapes.
Records from Accessions 2017.003 and 2019.002, which were processed after the other material had been arranged, have been interfiled.
Photograph of Emmeline Pickles and two others, labelled on the back "Mrs. Pickles, Dad and I". From an envelope "May Ellingsen photos Manson's Landing")
Photograph of Emmeline Pickles and two others, labelled on the back "Mrs. Pickles, Dad and I". From an envelope "May Ellingsen photos Manson's Landing")
Photograph of Emmeline Pickles and her children at Smelt Bay, with the O'Donnell's boat house in the background. (From an envelope "May Ellingsen photos Manson's Landing")
Photograph of Emmeline Pickles and her children at Smelt Bay, with the O'Donnell's boat house in the background. (From an envelope "May Ellingsen photos Manson's Landing")
Photograph of members of the Manson's Landing Women's Institute outside the home of Rose Tiber in Tiber Bay. Jack ??, who provided transportation, is also in the photo.
L to R: Eva Freeman, Mary Jeffery, Isla (Cowan) Forrest, Flo McKay, Anna Middleton, Mary Cowan
L to R kneeling: Betty Jeffery holding Joan Jeffery (daughter of Nellie Jeffery), Julia Smith, Rose Tiber
Photograph of members of the Manson's Landing Women's Institute outside the home of Rose Tiber in Tiber Bay. Jack ??, who provided transportation, is also in the photo.
L to R: Eva Freeman, Mary Jeffery, Isla (Cowan) Forrest, Flo McKay, Anna Middleton, Mary Cowan
L to R kneeling: Betty Jeffery holding Joan Jeffery (daughter of Nellie Jeffery), Julia Smith, Rose Tiber
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Green Valley/Bluejay Lake area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Green Valley/Bluejay Lake area. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
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