Fonds consists of materials created or collected by Directors of Cortes Electoral Area during their terms of office. Because outgoing Directors may turn their current files over to their successors, the papers of one Director may contain materials generated during a previous term.
Fonds includes minutes of Cortes Advisory Planning Commission meetings; minutes of Regional Board and committee meetings with related background material; records of public hearings; correspondence; community plans and by-laws with associated planning material; licenses for the use of foreshore and crown land; and materials relating to island issues such as parks, aquaculture, forestry, garbage disposal, recycling and water quality.
Fonds is arranged into sous-fonds based on accession of records and contains four sous-fonds: Linda Gagnon, Regional Director; Ralph Nursall, Regional Director; George Sirk, Regional Director; and Jeanette Hiebert, Regional Director.
The Regional Director of Electoral Area I (Cortes Island) was the elected representative to the Regional District of Comox-Strathcona (RDCS), one of 28 regional districts in British Columbia. The RDCS covered an area of North Vancouver Island and surrounding islands which included the municipalities of Campbell River, Comox, Courtenay, Cumberland, Gold River, Sayward, Tahsis and Zeballos, and 10 rural Electoral Areas. Initially enabled by the Municipal Act of 1965, Regional Districts act as a regional government over issues affecting their entire region. In the absence of incorporated municipalities, they function as the "local" government for rural areas by providing planning and land use regulations, and facilitating the delivery of services such as garbage disposal, fire protection and house numbering. Cortes Island was designated Electoral Area I when the RDCS was formed in 1968, and was the smallest electoral area in both population and size. In 2008 the RDCS was split, and Cortes Island became Area B in the newly-formed Strathcona Regional District.
Cortes was represented on the RDCS by one Director, elected for a three year term, who appointed an Alternate Director and an Advisory Planning Commission (APC). From 1968 until 1984, the Cortes Island APC was formed by the elected executive of the Cortes Island Ratepayers Association. The first Director of Area I was George Griffin (1968-1973), followed by Gilean Douglas (1973-1978), Irv Reedel (1978-1981), David Hansen (1981-1984), Bruce Ellingsen (1984-1987), Linda Gagnon (1987-1990), Ralph Nursall (1990-1996), George Sirk (1996-2005) and Jeanette (Jenny) Hiebert (2005-2008).
Custodial History
Material in the Linda Gagnon, Regional Director sous-fonds (Accession 2002.001) was passed on to her successor, Ralph Nursall, at the end of her term. It was donated to CIMAS in 2002 by Ralph Nursall. Material in the Ralph Nursall, Regional Director sous-fonds (Accession 2003.001) was donated to CIMAS by Nursall in 2003 and in 2008 (Accession 2008.001). Material in the George Sirk, Regional Director sous-fonds (Accession 2004.004) was donated to CIMAS by Sirk in 2004. Material in the Jeanette Hiebert Regional Director sous-fonds (Accession 2019.015) was donated to CIMAS by Hiebert in 2019.
Scope and Content
Fonds consists of materials created or collected by Directors of Cortes Electoral Area during their terms of office. Because outgoing Directors may turn their current files over to their successors, the papers of one Director may contain materials generated during a previous term.
Fonds includes minutes of Cortes Advisory Planning Commission meetings; minutes of Regional Board and committee meetings with related background material; records of public hearings; correspondence; community plans and by-laws with associated planning material; licenses for the use of foreshore and crown land; and materials relating to island issues such as parks, aquaculture, forestry, garbage disposal, recycling and water quality.
Fonds is arranged into sous-fonds based on accession of records and contains four sous-fonds: Linda Gagnon, Regional Director; Ralph Nursall, Regional Director; George Sirk, Regional Director; and Jeanette Hiebert, Regional Director.
The Gilean Douglas fonds contains records from Douglas's term as Regional Director (1973 to 1978). The Cortes Island Ratepayers Association fonds contains material relating to Cortes' incorporation into the Regional District, and minutes, correspondence and other materials from the APC (1968-1984).
Photograph of Mary Weiler walking onto the ferry after a surprise farewell party on the day she moved away from the island. Mary Weiler is facing the camera; John Ashby is center, with pipe; Brigid Weiler in the long skirt.
Photograph of Mary Weiler walking onto the ferry after a surprise farewell party on the day she moved away from the island. Mary Weiler is facing the camera; John Ashby is center, with pipe; Brigid Weiler in the long skirt.
"This shows the main road between Hague Lake and the Hague home property. Walking along the road are Mabel Lowe (L) and grandmother Mrs. Hague. The road had just been put in where there was only a trail before." (from May Ellingsen Historic Photographs: Album 2, p. 17) (Also in collection as 2007.001.723; digitized.)
"This shows the main road between Hague Lake and the Hague home property. Walking along the road are Mabel Lowe (L) and grandmother Mrs. Hague. The road had just been put in where there was only a trail before." (from May Ellingsen Historic Photographs: Album 2, p. 17) (Also in collection as 2007.001.723; digitized.)
File contains genealogical information, photocopies of pictures, notes, and a CD labelled "Logan Family Photos" (2006.001.040 - stored in CD/DVD Album). Includes a photocopy of a World War I Diary of Dennis Walker.
File contains genealogical information, photocopies of pictures, notes, and a CD labelled "Logan Family Photos" (2006.001.040 - stored in CD/DVD Album). Includes a photocopy of a World War I Diary of Dennis Walker.
Part of a series of photographs taken by Don Maclean at a logging camp at the Quatam River in Ramsey Arm, BC. The camp was likely one of the stops on his patrol for the Columbia Coast Mission.
Slides were taken by Don Maclean and donated by Janice Kerr Maclean, Sept. 9, 2021.
Scope and Content
Part of a series of photographs taken by Don Maclean at a logging camp at the Quatam River in Ramsey Arm, BC. The camp was likely one of the stops on his patrol for the Columbia Coast Mission.
Part of a series of photographs taken by Don Maclean at a logging camp at the Quatam River in Ramsey Arm, BC. The camp was likely one of the stops on his patrol for the Columbia Coast Mission.
Slides were taken by Don Maclean and donated by Janice Kerr Maclean, Sept. 9, 2021.
Scope and Content
Part of a series of photographs taken by Don Maclean at a logging camp at the Quatam River in Ramsey Arm, BC. The camp was likely one of the stops on his patrol for the Columbia Coast Mission.
Part of a series of photographs taken by Don Maclean at a logging camp at the Quatam River in Ramsey Arm, BC. The camp was likely one of the stops on his patrol for the Columbia Coast Mission.
Slides were taken by Don Maclean and donated by Janice Kerr Maclean, Sept. 9, 2021.
Scope and Content
Part of a series of photographs taken by Don Maclean at a logging camp at the Quatam River in Ramsey Arm, BC. The camp was likely one of the stops on his patrol for the Columbia Coast Mission.
File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
This series contains material donated to the Library. It includes memoirs, and research and writings on aspects of Cortes Island social and natural history.
This series contains material donated to the Library. It includes memoirs, and research and writings on aspects of Cortes Island social and natural history.
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "When Linnaea was established, Robert Cabot commissioned Cortes Cinema to produce a film abot the Turtle Island Land Steward Society. The day-to-day life of the farm is documented as is the Hansen's move across the road to their new property. Ken, Hazel and Flo (Hazel's mom) are all in the film helping to clear land on yet another farm! Using Bear Air (Barry Miles), aerial footage of the farm and the island is also in the film. A gliimpse into the past. With sound and narration. On 16mm.
Music: Glen Dias / Narration: Peter Gibson
Cast: Thousands of cows!"
From the "Out of the Archives" program: "The diverse history of life on yet another island, Papua New Guinea, is revealed in this 40 minute feature documentary. Often wrongly portrayed as "primitive," George attempts to show that the Papuans are indeed modern in their culture and innovation as successfully brought them to the present. This documentary was shot in Mount Hagen, Papua New Guinea, in 1981. A hunting expedition is followed by rare candid footage of a celebratory "Sing-Sing". Permission to film these timeless momnts was acquired and gratefully acknowledged. Shot on Super 8 film with the assistance and perseverance of Isolde Rutheberg."
From the "Out of the Archives" program: "The diverse history of life on yet another island, Papua New Guinea, is revealed in this 40 minute feature documentary. Often wrongly portrayed as "primitive," George attempts to show that the Papuans are indeed modern in their culture and innovation as successfully brought them to the present. This documentary was shot in Mount Hagen, Papua New Guinea, in 1981. A hunting expedition is followed by rare candid footage of a celebratory "Sing-Sing". Permission to film these timeless momnts was acquired and gratefully acknowledged. Shot on Super 8 film with the assistance and perseverance of Isolde Rutheberg."
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
1 moving image : 13 minutes ; with background music
Scope and Content
From the "Out of the Archives" program: "The Cortes Hippy Gen of the 70s were, amongst many odd things, frugulous. Homes were never done on credit, one just built with whatever one could find or demolish. "Scoring" was a good thing, the term "recycling" was not yet in the mainstream vernacular. Adaptability, innovation and just plain dumb luck helped to preserve this culture from going extinct. Named after a famed hallucinogen, the film was a victim of accidental deterioration; dyes melted and images appear distorted; a vitreous detachment from reality. The Hippy Gen in a nutshell. Shot on Super 8 / Cast of Hippies"
Scenes and people include: Jim Palmer (in boat), Alex Nichol (with windmill), Alex, George, Jim Palmer, Izzy ?? moving building materials across the Gorge and up to the building site, ??? constructing George & Izzy's cabin, George Sirk in boat, ?? throwing a fish which an eagle swoops down on, Jean Fontaine wrangling logs in the water.
