Articles, newspaper clippings, and brochures relating to fish farming and wild fish stocks from 1978-2018. Full issue of Salmonid containing bundle of newspaper clippings on fish farming, 1984-1985; Full issue of Fish Farming International Magazine, 1988; Fish Farms in Area B Regional Directors Report, 2009; Poster entitled The Get Out Migration by Salmon Are Sacred, undated. Some notable keywords: Wilderness Committee; David Suzuki Foundation; Farmed and Dangerous; Salmon Are Sacred organization; sea lice; Sea Shepherd Society
Articles, newspaper clippings, and brochures relating to fish farming and wild fish stocks from 1978-2018. Full issue of Salmonid containing bundle of newspaper clippings on fish farming, 1984-1985; Full issue of Fish Farming International Magazine, 1988; Fish Farms in Area B Regional Directors Report, 2009; Poster entitled The Get Out Migration by Salmon Are Sacred, undated. Some notable keywords: Wilderness Committee; David Suzuki Foundation; Farmed and Dangerous; Salmon Are Sacred organization; sea lice; Sea Shepherd Society
Emails, posts in tideline, brainstorming ideas and notes for the Big Tree exhibit; posts about the medicinal and endangered agarikon mushroom and Paul Stamets; receipts and donations related to the exhibit; Big Tree postcards; contest tickets; exhibit activity book. Historical context for oldgrowth, Douglas Fir, and logging: scans from Whaletown album, 1922-1930; article on tree diseases in Forest and Mill, 1948; article about Douglas Fir in Maclean's Magazine, 1958
Emails, posts in tideline, brainstorming ideas and notes for the Big Tree exhibit; posts about the medicinal and endangered agarikon mushroom and Paul Stamets; receipts and donations related to the exhibit; Big Tree postcards; contest tickets; exhibit activity book. Historical context for oldgrowth, Douglas Fir, and logging: scans from Whaletown album, 1922-1930; article on tree diseases in Forest and Mill, 1948; article about Douglas Fir in Maclean's Magazine, 1958
Newspaper clippings and articles re: Bute Inlet hydro project; Plutonic Power; run-of-river projects; Friends of Bute; Bute history; exhibition; But Inlet boat tour. Emails re: art; grants; curation of exhibit; critique of Rob Wood and CIMAS by Klahoose member Ken Hanuse; request for Open Meadows Project song performance by Klahoose member Brenda Hansen; display cabinets; exhibit fees. Review of exhibit by Marcel Creurer; project proposal sent to the Vancouver Foundation; handwritten notes by Lynne Jordan and Judy WIlliams; invoices; records of financial contributions; promotional material; photographs
Newspaper clippings and articles re: Bute Inlet hydro project; Plutonic Power; run-of-river projects; Friends of Bute; Bute history; exhibition; But Inlet boat tour. Emails re: art; grants; curation of exhibit; critique of Rob Wood and CIMAS by Klahoose member Ken Hanuse; request for Open Meadows Project song performance by Klahoose member Brenda Hansen; display cabinets; exhibit fees. Review of exhibit by Marcel Creurer; project proposal sent to the Vancouver Foundation; handwritten notes by Lynne Jordan and Judy WIlliams; invoices; records of financial contributions; promotional material; photographs
Info on Don and Nesta Stackhouse, Cortes Bay 1950s onward. Transcript of Gary and Velma Bergman with Dianne Hentschel and Doreen Thompson, 2003; transcript of Bobby (Elizabeth Corneille) Ballantyne with Dianne Hentschel and Doreen Thompson, 2003. Clippings, 2007-2010. Story from Rod Hayes to June Cameron "The Scuttlebutt on Halibut," 2011.
Info on Don and Nesta Stackhouse, Cortes Bay 1950s onward. Transcript of Gary and Velma Bergman with Dianne Hentschel and Doreen Thompson, 2003; transcript of Bobby (Elizabeth Corneille) Ballantyne with Dianne Hentschel and Doreen Thompson, 2003. Clippings, 2007-2010. Story from Rod Hayes to June Cameron "The Scuttlebutt on Halibut," 2011.
Transcript of Gary and Velma Bergman, fish buyers and storekeepers at Whaletown, in conversation with Dianne Hentscel and Doreen Thompson, 2003; song written by Aileen Douglas in tribute to Gary and Velma Bergman leaving Cortes Island, undated
Transcript of Gary and Velma Bergman, fish buyers and storekeepers at Whaletown, in conversation with Dianne Hentscel and Doreen Thompson, 2003; song written by Aileen Douglas in tribute to Gary and Velma Bergman leaving Cortes Island, undated
Three greeting cards designed by artist Mary Weiler, who lived in Whaletown, and a series of four pen and ink drawings illustrating life aboard a fish boat. The latter were probably used as illustrations for an article written by Douglas (see Box 1 folder 29).
Three greeting cards designed by artist Mary Weiler, who lived in Whaletown, and a series of four pen and ink drawings illustrating life aboard a fish boat. The latter were probably used as illustrations for an article written by Douglas (see Box 1 folder 29).
Album 8, "Harbours and Marinas on Cortes Island", contains photographs of wharves and their surroundings in Whaletown, Manson's Landing, Cortes Bay, Marina Island, Camp/Subtle Island, and other nearby coastal areas.
Album 8, "Harbours and Marinas on Cortes Island", contains photographs of wharves and their surroundings in Whaletown, Manson's Landing, Cortes Bay, Marina Island, Camp/Subtle Island, and other nearby coastal areas.
CD (2006.001.041) contains transcripts of interviews with Bert Summers, Beth (Martin) Slater, Betty Jeffery, Bill and Mary Block, Bill Guthrie, Bob Martineau, Don Levey, Frank Hayes, Fred Tomlinson, George Gardner, Heay family, Ken Summers, Otis Coulter, Pat (Fuller) Haines and Violet Herrewig. A Directory List for the CD is in folder 1-41. The transcripts may be viewed on the Archives computer, in the folder "2006.001.041 - Doreen Thompson, interview transcripts".
CD (2006.001.041) contains transcripts of interviews with Bert Summers, Beth (Martin) Slater, Betty Jeffery, Bill and Mary Block, Bill Guthrie, Bob Martineau, Don Levey, Frank Hayes, Fred Tomlinson, George Gardner, Heay family, Ken Summers, Otis Coulter, Pat (Fuller) Haines and Violet Herrewig. A Directory List for the CD is in folder 1-41. The transcripts may be viewed on the Archives computer, in the folder "2006.001.041 - Doreen Thompson, interview transcripts".
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 Haines.pdf?width=280&404=no-doc.jpg)
