CD (2006.001.041) contains transcripts of interviews with Bert Summers, Beth (Martin) Slater, Betty Jeffery, Bill and Mary Block, Bill Guthrie, Bob Martineau, Don Levey, Frank Hayes, Fred Tomlinson, George Gardner, Heay family, Ken Summers, Otis Coulter, Pat (Fuller) Haines and Violet Herrewig. A Directory List for the CD is in folder 1-41. The transcripts may be viewed on the Archives computer, in the folder "2006.001.041 - Doreen Thompson, interview transcripts".
CD (2006.001.041) contains transcripts of interviews with Bert Summers, Beth (Martin) Slater, Betty Jeffery, Bill and Mary Block, Bill Guthrie, Bob Martineau, Don Levey, Frank Hayes, Fred Tomlinson, George Gardner, Heay family, Ken Summers, Otis Coulter, Pat (Fuller) Haines and Violet Herrewig. A Directory List for the CD is in folder 1-41. The transcripts may be viewed on the Archives computer, in the folder "2006.001.041 - Doreen Thompson, interview transcripts".
Donated to CIMAS by Lorena Teames in 2009. The cards were given to her as a gift from Bobby Ballantyne when Lorena Teames moved to Cortes Island in 1969.
Scope and Content
File contains six enclosure cards with pressed flowers, made by Elizabeth (Bobby) Ballantyne.
File consists of a diary with green covers, "Collins Pocket Diary", published in London & Glasgow. The entry for each day contains a description of the weather and the day's activities, which typically include logging, fishing, harvesting clams and oysters, gardening and visiting.
File consists of a diary with green covers, "Collins Pocket Diary", published in London & Glasgow. The entry for each day contains a description of the weather and the day's activities, which typically include logging, fishing, harvesting clams and oysters, gardening and visiting.
Three greeting cards designed by artist Mary Weiler, who lived in Whaletown, and a series of four pen and ink drawings illustrating life aboard a fish boat. The latter were probably used as illustrations for an article written by Douglas (see Box 1 folder 29).
Three greeting cards designed by artist Mary Weiler, who lived in Whaletown, and a series of four pen and ink drawings illustrating life aboard a fish boat. The latter were probably used as illustrations for an article written by Douglas (see Box 1 folder 29).
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts Velma in the store, and the inside depicts a scene on the fish scow on the Whaletown wharf. Signed "Ness and Ken".
File consists of a coloured cartoon on folded drawing cardboard, given as a Christmas card to Gary and Velma Bergman. The front depicts Velma in the store, and the inside depicts a scene on the fish scow on the Whaletown wharf. Signed "Ness and Ken".
File consists of two ink sketches of a man fishing by Jay Nixon; a recipe for "Married Woman's Cake"; two pages about the Cortes Island Day Barbeque (1972) with lists of expenses, income from concessions, items purchased and notes for next year; and a 13 verse poem by Mabel Christensen, "Picnic", about the Cortes Island Day picnic listing many of the island attendees (1960).
Donated by Dennis Newsham and Frances Guthrie after Peggy Newsham's death.
Scope and Content
File consists of two ink sketches of a man fishing by Jay Nixon; a recipe for "Married Woman's Cake"; two pages about the Cortes Island Day Barbeque (1972) with lists of expenses, income from concessions, items purchased and notes for next year; and a 13 verse poem by Mabel Christensen, "Picnic", about the Cortes Island Day picnic listing many of the island attendees (1960).
File contains one diary, 6 x 4 x 1 inches, bound in red leather with a locking hasp. The diary covers the years 1953 and 1955-1958; no entries for 1954. Each entry contains a brief record of the day's weather and activities. Typical activities include fishing, gardening, logging, visiting.
File contains one diary, 6 x 4 x 1 inches, bound in red leather with a locking hasp. The diary covers the years 1953 and 1955-1958; no entries for 1954. Each entry contains a brief record of the day's weather and activities. Typical activities include fishing, gardening, logging, visiting.
File consists of a green leather-bound locking diary, 4.5 x 6 x 1 inches in size. The entry for each day contains a brief description of the weather and the day's activities, which typically include logging, fishing, harvesting clams and oysters, gardening and visiting.
File consists of a green leather-bound locking diary, 4.5 x 6 x 1 inches in size. The entry for each day contains a brief description of the weather and the day's activities, which typically include logging, fishing, harvesting clams and oysters, gardening and visiting.
Album 8, "Harbours and Marinas on Cortes Island", contains photographs of wharves and their surroundings in Whaletown, Manson's Landing, Cortes Bay, Marina Island, Camp/Subtle Island, and other nearby coastal areas.
Album 8, "Harbours and Marinas on Cortes Island", contains photographs of wharves and their surroundings in Whaletown, Manson's Landing, Cortes Bay, Marina Island, Camp/Subtle Island, and other nearby coastal areas.
File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
File contains two catalogs of the "Curiouser & Curiouser" exhibit in the Cortes Island Museum, 2019/2020, curated by Christian Gronau.
Modelled loosely on the fabled cabinets, boxes, rooms and chambers of the Renaissance, this exhibition was an invitation to reawaken the unreserved and almost childlike interest and curiosity of age when Europeans shook off the shadows of the Dark Ages and awoke to the fascination of the external world. When people of intellect and time to spare went (for better and for worse) in search of adventure, discovery and illumination, to all the corners of the Earth. They came back with stories full of wonder and brought back specimens full of mystery and promise. Their curiosity changed forever the ways in which humans look upon the world.
Articles, newspaper clippings, and brochures relating to fish farming and wild fish stocks from 1978-2018. Full issue of Salmonid containing bundle of newspaper clippings on fish farming, 1984-1985; Full issue of Fish Farming International Magazine, 1988; Fish Farms in Area B Regional Directors Report, 2009; Poster entitled The Get Out Migration by Salmon Are Sacred, undated. Some notable keywords: Wilderness Committee; David Suzuki Foundation; Farmed and Dangerous; Salmon Are Sacred organization; sea lice; Sea Shepherd Society
Articles, newspaper clippings, and brochures relating to fish farming and wild fish stocks from 1978-2018. Full issue of Salmonid containing bundle of newspaper clippings on fish farming, 1984-1985; Full issue of Fish Farming International Magazine, 1988; Fish Farms in Area B Regional Directors Report, 2009; Poster entitled The Get Out Migration by Salmon Are Sacred, undated. Some notable keywords: Wilderness Committee; David Suzuki Foundation; Farmed and Dangerous; Salmon Are Sacred organization; sea lice; Sea Shepherd Society
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