Photograph of a man (John) standing beside a team of eight horses, harnessed to an agricultural machine which can be glimpsed behind them. Probably in Woodrow, Saskatchewan.
Photograph of a man (John) standing beside a team of eight horses, harnessed to an agricultural machine which can be glimpsed behind them. Probably in Woodrow, Saskatchewan.
The Cortez Bay Women's Auxiliary (of the Anglican Church) was founded in November, 1951, around the same time that chapters were formed in Whaletown and Manson's Landing.
Custodial History
Donated in 1990 by Sheila Stoppa, the daughter of Ellen Musclow, who was the secretary/treasurer of the organization.
Scope and Content
Fonds consists of one minute book containing minutes of meetings of the Cortez Bay Womens' Auxiliary.
An interview of Kathleen (Kay) Boas by Oonagh O'Connor. Subjects covered include Rollo and Kathleen (Kay) Boas' missionary work, including work for the Columbia Coast Mission. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
An interview of Kathleen (Kay) Boas by Oonagh O'Connor. Subjects covered include Rollo and Kathleen (Kay) Boas' missionary work, including work for the Columbia Coast Mission. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Nesta Stackhouse by Oonagh O'Connor. Topics covered include Nesta moving to Cortes to help the Boas at the Columbia Coast Mission post in Whaletown; the clinic in Whaletown; names of people living in the Carrington Bay/Coulter Bay area; involvement in local politics. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
