Florence and Rose Manson, cousins, posing in the limbs of a blossoming cherry tree at Sunny Brae farm. John Manson's first house and a picket fence are in the background. Florence was the daughter of Michael and Jane Manson; Rose was the daughter of John and Margaret Manson.
Florence and Rose Manson, cousins, posing in the limbs of a blossoming cherry tree at Sunny Brae farm. John Manson's first house and a picket fence are in the background. Florence was the daughter of Michael and Jane Manson; Rose was the daughter of John and Margaret Manson.
Ruth Clark and Jean Robinson (nieces of Margaret Trenanan) and Wilfred Manson seated in an old car, with Jean Manson sitting on the running board. The former cookhouse of the Stag Bay, Hernando Island logging camp is in the right background. To the left are the storage shed, former camp manager's home and commissary building, part of which has been made into a garage for the car.
Jean Robinson was born in the Yukon in the house that Robert Service lived in when he wrote "The Trail of '98".
Ruth Clark and Jean Robinson (nieces of Margaret Trenanan) and Wilfred Manson seated in an old car, with Jean Manson sitting on the running board. The former cookhouse of the Stag Bay, Hernando Island logging camp is in the right background. To the left are the storage shed, former camp manager's home and commissary building, part of which has been made into a garage for the car.
Jean Robinson was born in the Yukon in the house that Robert Service lived in when he wrote "The Trail of '98".
A group photograph taken in front of the white canvas house built by Walter Robertson on Hernando Island. The house was a bare framework covered by heavy Powell River canvas.
L to R, back row: Flossie (Manson) Kenny, Gwen (Manson) Campbell, Ralph Kenny
L to R, row 2: Mrs. Niven, Mrs. Jane Manson, Muriel Hurren
L to R, row 3: Audrey Kenny, Eileen Kenny, and Calvin, Minerva and Lorne Campbell
L to R, seated: Thelma Campbell, Dorothy Manson, Bill Niven and Ralph Kenny Jr.
A group photograph taken in front of the white canvas house built by Walter Robertson on Hernando Island. The house was a bare framework covered by heavy Powell River canvas.
L to R, back row: Flossie (Manson) Kenny, Gwen (Manson) Campbell, Ralph Kenny
L to R, row 2: Mrs. Niven, Mrs. Jane Manson, Muriel Hurren
L to R, row 3: Audrey Kenny, Eileen Kenny, and Calvin, Minerva and Lorne Campbell
L to R, seated: Thelma Campbell, Dorothy Manson, Bill Niven and Ralph Kenny Jr.
Photograph of the opening of St. Mary's Hospital. Standing on the verandah are Bishop Heathcote, giving the opening address; behind and to his right is Rev. Dr. John Antle.
Photograph of the opening of St. Mary's Hospital. Standing on the verandah are Bishop Heathcote, giving the opening address; behind and to his right is Rev. Dr. John Antle.
Photograph is a print taken from the same negative as photograph 2004.001.043 (Florence McKay fonds). The legend of "Seal Boy" is handwritten in Salish (? check language) on the back, with a typed English translation taped on.
Photograph is a print taken from the same negative as photograph 2004.001.043 (Florence McKay fonds). The legend of "Seal Boy" is handwritten in Salish (? check language) on the back, with a typed English translation taped on.
John Manson in front of black seal shape on surface of rock. The back of the photograph has a typed explanation of the legend of the Seal Boy, as follows:
"According to Indian legend, an Indian boy who persisted in going in swimming in spite of his mother's repeated warnings, was turned into a seal visible here as the black rock formation I am looking at. Summer, 1946."
"Ankity tillicum wawa, Ikt wake kloosh Sliamin tenasman quansum tickie klatawa cupa chuck. Yaka mama wawa, 'Klush halo!' Tenasman delate sahalie tumtum, halo iskum okok wawa. Wight wawa yaka mama, 'Spose halo kopate kloness elkie mica clap hias cull.' Pe nawitka yaka chaco delate klahowyum, chako kohkwa Siwash cusho mitlite cupa okok klale tone. Nika nanitch alta. Waum Illahee, 1946."
John Manson in front of black seal shape on surface of rock. The back of the photograph has a typed explanation of the legend of the Seal Boy, as follows:
"According to Indian legend, an Indian boy who persisted in going in swimming in spite of his mother's repeated warnings, was turned into a seal visible here as the black rock formation I am looking at. Summer, 1946."
"Ankity tillicum wawa, Ikt wake kloosh Sliamin tenasman quansum tickie klatawa cupa chuck. Yaka mama wawa, 'Klush halo!' Tenasman delate sahalie tumtum, halo iskum okok wawa. Wight wawa yaka mama, 'Spose halo kopate kloness elkie mica clap hias cull.' Pe nawitka yaka chaco delate klahowyum, chako kohkwa Siwash cusho mitlite cupa okok klale tone. Nika nanitch alta. Waum Illahee, 1946."
Photograph of a woman beside the fish scow at the Whaletown dock, holding a large salmon. (ID - Nesta Slater?). With the series of Slater photographs is a paper typed by Gilean Douglas offering other fishing pictures of the "Dorr's" (the name she used for the Slaters in her magazine articles).
Photograph of a woman beside the fish scow at the Whaletown dock, holding a large salmon. (ID - Nesta Slater?). With the series of Slater photographs is a paper typed by Gilean Douglas offering other fishing pictures of the "Dorr's" (the name she used for the Slaters in her magazine articles).
Photograph of a group of women, possibly a Women's Institute group, in front of the house at Channel Rock.
Front, L to R: Louisa Tooker, Meg Shaw, Mrs. Ella (John) McLean
Back, L to R: (Needs ID), Nesta (Ackerman) Slater, Edith Huck, (Needs ID)
Photograph of a group of women, possibly a Women's Institute group, in front of the house at Channel Rock.
Front, L to R: Louisa Tooker, Meg Shaw, Mrs. Ella (John) McLean
Back, L to R: (Needs ID), Nesta (Ackerman) Slater, Edith Huck, (Needs ID)
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