The base map is a zoning map produced by the Regional District of Comox-
Strathcona for the Cortes Island Land Use Project (Aug 1969). Edwards used
coloured pencil to show land and foreshore zones, and transferred information
about early preemptions and old roads and trails from an earlier map (see
Donald Palmer fonds, 2020.002.011, map of Cortes Island, Sayward District, ca.
1915).
The base map is a zoning map produced by the Regional District of Comox-
Strathcona for the Cortes Island Land Use Project (Aug 1969). Edwards used
coloured pencil to show land and foreshore zones, and transferred information
about early preemptions and old roads and trails from an earlier map (see
Donald Palmer fonds, 2020.002.011, map of Cortes Island, Sayward District, ca.
1915).
File contains zoning maps for Bylaw 41, Electoral Area I, Schedules A1-A7 with revisions to 1999. There is a map of the whole island and larger scale maps of island areas.
File contains Plan Map Schedule A-1, Development Proposal Referral forms about changing the zoning bylaw designations to reflect the Official Community Plan of 1995, the agenda for an APC meeting and photocopies of FOCI/CIFC maps of Cortes Island land tenure.
File contains Plan Map Schedule A-1, Development Proposal Referral forms about changing the zoning bylaw designations to reflect the Official Community Plan of 1995, the agenda for an APC meeting and photocopies of FOCI/CIFC maps of Cortes Island land tenure.
File contains a photocopied section map of the northern part of Cortes Island (from just south of Gorge Harbour), coloured to indicate areas for which a Crown Grant was located and areas of ungranted Crown land which still appear to be owned by the government. Scale is 1 mile to 1 inch.
File contains a photocopied section map of the northern part of Cortes Island (from just south of Gorge Harbour), coloured to indicate areas for which a Crown Grant was located and areas of ungranted Crown land which still appear to be owned by the government. Scale is 1 mile to 1 inch.
File contains a photocopied part of a map showing the locations of researched property in the Whaletown Lagoon and Whaletown Harbour area. The map is glued to an envelope which has a list of Crown grants and other conveyances on the back.
It contains photocopies of original land grants and other conveyances for the following:
Moses Ireland: 1893, Crown Grant for the W 1/2 of SW 1/4 of Sec 35 and W 1/2 of the SW 1/4 of Section 34
Joseph Youart: 1900, Crown Grant for Fractional NE 1/4 of Sec 35 (sold to Alice Robertson in 1908; "Burnside" is still in the Robertson family).
Nicholas Thompson: 1920, Crown Grant for the Fractional SW 1/4 of Sec 35
Charles Strange: 1914, Crown Grant for the NW 1/4 of Sec 35
File contains a photocopied part of a map showing the locations of researched property in the Whaletown Lagoon and Whaletown Harbour area. The map is glued to an envelope which has a list of Crown grants and other conveyances on the back.
It contains photocopies of original land grants and other conveyances for the following:
Moses Ireland: 1893, Crown Grant for the W 1/2 of SW 1/4 of Sec 35 and W 1/2 of the SW 1/4 of Section 34
Joseph Youart: 1900, Crown Grant for Fractional NE 1/4 of Sec 35 (sold to Alice Robertson in 1908; "Burnside" is still in the Robertson family).
Nicholas Thompson: 1920, Crown Grant for the Fractional SW 1/4 of Sec 35
Charles Strange: 1914, Crown Grant for the NW 1/4 of Sec 35
File contains a map key to the areas of Sections 17, 18, 19, 22 and 34 (south of Gorge Harbour) which were researched (Information in Files 3-7).
It contains photocopies of original land grants and subsequent conveyances for the following:
Reginald James Smith: 1946, Crown Grant 165414I for fractional SE 1/4 of Sec 23, 1946 (the Thunder Road subdivision at the eastern end of Gorge Harbour).
(Files 3 through 7 are from the same envelope.)
File contains a map key to the areas of Sections 17, 18, 19, 22 and 34 (south of Gorge Harbour) which were researched (Information in Files 3-7).
It contains photocopies of original land grants and subsequent conveyances for the following:
Reginald James Smith: 1946, Crown Grant 165414I for fractional SE 1/4 of Sec 23, 1946 (the Thunder Road subdivision at the eastern end of Gorge Harbour).
(Files 3 through 7 are from the same envelope.)
File contains title information and photocopies of land grants and subsequent conveyances for the following:
John Williams: 1914, Crown Grant for the fractional SW 1/4 of Sec 22 and fractional NW 1/4 of Sec 22 (east of Gorge Harbour entrance)
John Williams: 1914, Crown Grant for the fractional SW 1/4 of Sec 22 and frac. NW 1/4 of Sec 18 (west of the Gorge Harbour entrance)
File contains three oversize maps which are stored in the map cabinet: Map of Section 22, Plan VIP52378, Lots A,B,C (blueprint map; 85 cm x 54 cm, 1985); map of Plan 27966 (blueprint map; 55 cm x 43 cm, 1974); photocopy of map of fractional NW 1/4 Sec 17 (55 cm x 43 cm, 1973)
(Files 3 through 7 are from the same envelope.)
File contains title information and photocopies of land grants and subsequent conveyances for the following:
John Williams: 1914, Crown Grant for the fractional SW 1/4 of Sec 22 and fractional NW 1/4 of Sec 22 (east of Gorge Harbour entrance)
John Williams: 1914, Crown Grant for the fractional SW 1/4 of Sec 22 and frac. NW 1/4 of Sec 18 (west of the Gorge Harbour entrance)
File contains three oversize maps which are stored in the map cabinet: Map of Section 22, Plan VIP52378, Lots A,B,C (blueprint map; 85 cm x 54 cm, 1985); map of Plan 27966 (blueprint map; 55 cm x 43 cm, 1974); photocopy of map of fractional NW 1/4 Sec 17 (55 cm x 43 cm, 1973)
(Files 3 through 7 are from the same envelope.)
File contains a coloured map with researched properties coloured in, and title information and photocopies of land grants and subsequent conveyances for the following:
Edward James Breeze: 1931, Crown Grant for District Lot 1373 (parts of Section 23 and Section 17, at the southeast end of Gorge Harbour by Anvil Lake)
Frank Harper: 1913, Crown Grant for the NE 96 acres of Section 23 (at the northeast end of Gorge Harbour)
(Files 3 through 7 are from the same envelope.)
File contains a coloured map with researched properties coloured in, and title information and photocopies of land grants and subsequent conveyances for the following:
Edward James Breeze: 1931, Crown Grant for District Lot 1373 (parts of Section 23 and Section 17, at the southeast end of Gorge Harbour by Anvil Lake)
Frank Harper: 1913, Crown Grant for the NE 96 acres of Section 23 (at the northeast end of Gorge Harbour)
(Files 3 through 7 are from the same envelope.)
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
From the "Out of the Archives" program: "Chickens are a large source of entertainment, remakable pets with personalities, and they give us eggs. But when it came to dinner time, they were sadly the main guest of honour. George wanted to immortalize, and thus keep his chickens alive forever. This film does just that. On 16mm, shot at George and Lauren Hay's homestead on Seascape Rd."
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
In the realm of "home movies", the film contains vignettes of Cortes island life including Aislinn Sirk and Mayan Wooley bathing a remarkably patient cat and Jim Palmer using an Alaska mill.
Digitized by Doug McCaffry, ScanLab, 2022
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "In the 70s many bathtubs were outside and heated by wood fires. This amusing (and smoky!), satisfying way of having a nice long bath, in the great outdoors, inspired making this short on 16mm film. There was a twist to the scenario of course. Why not make soup while having a bath? Shot at John and Anna Gregg's home on Beasley Road. Cast: George /Cinematography : Anna Sirk ??"
From the "Out of the Archives" program: "This extravaganza marked the peak of Cortes Cinema's (CC) exploits in madness. Inspired by Saturday being the day that Cortes's gravel roads were littered in paper garbage (it flew off the dump truck). The script was a collaboration of some of the most unstable minds at CC's arsenal. The plot is, like the scriptwriters' minds, simple, but the late Al Murray's acting as the Lone Ranger left eceryone in the dust. The film is a tribute to Al, the funniest man that stepped in front of the CC's lens. Shot on Super 8 on location at the Cortes Island Dump."
Cast: Al Murray, Pierre & Wendy deTrey, Jean Fontaine, Jim Palmer, Isolde Ruthenberg
Cameos: Gary Bergman, the Reverand Rollo Boas, Wlmer Ellingsen, Jo-Ann Green, Peggy (the Queen of Cortes) Newsham, George Sirk
From the "Out of the Archives" program: "This extravaganza marked the peak of Cortes Cinema's (CC) exploits in madness. Inspired by Saturday being the day that Cortes's gravel roads were littered in paper garbage (it flew off the dump truck). The script was a collaboration of some of the most unstable minds at CC's arsenal. The plot is, like the scriptwriters' minds, simple, but the late Al Murray's acting as the Lone Ranger left eceryone in the dust. The film is a tribute to Al, the funniest man that stepped in front of the CC's lens. Shot on Super 8 on location at the Cortes Island Dump."
Cast: Al Murray, Pierre & Wendy deTrey, Jean Fontaine, Jim Palmer, Isolde Ruthenberg
Cameos: Gary Bergman, the Reverand Rollo Boas, Wlmer Ellingsen, Jo-Ann Green, Peggy (the Queen of Cortes) Newsham, George Sirk
From the "Out of the Archives" program: "In this documentary a rag-tag team of Cortes wreckers demolish a giant warehouse in James Bay, Victoria. The remove 100-year old maple flooring, which is bound for Cortes, while the building falls down around them. They have to get the flooring out before the bulldozers arrive! Shot on 16 mm film."
Cast: Pierre deTrey, Stephen Foster, Al Murray, John Wasyliw
From the "Out of the Archives" program: "In this documentary a rag-tag team of Cortes wreckers demolish a giant warehouse in James Bay, Victoria. The remove 100-year old maple flooring, which is bound for Cortes, while the building falls down around them. They have to get the flooring out before the bulldozers arrive! Shot on 16 mm film."
Cast: Pierre deTrey, Stephen Foster, Al Murray, John Wasyliw
From the "Out of the Archives" program: "A play on the work "divot" - "a piece of turf cut out of the ground by a golf club in making a stroke." The golfer who does this, according to George, is a "divotee" and this silly game needed a large dose of extra silliness doused on it. The attempt to just shoot one hole takes George and his caddy more on a cross-country steeplechase that a casual day on the course. Puns abound and the Voice of Doom, played by John Gregg, gets it in the end Watch for it! Shot at Gorge Harbour on 16mm."
Cast: Jon Gregg, Leon, George and a horse
Stagehand/Props: Jim Palmer
Cinematography: John Gregg
From the "Out of the Archives" program: "A play on the work "divot" - "a piece of turf cut out of the ground by a golf club in making a stroke." The golfer who does this, according to George, is a "divotee" and this silly game needed a large dose of extra silliness doused on it. The attempt to just shoot one hole takes George and his caddy more on a cross-country steeplechase that a casual day on the course. Puns abound and the Voice of Doom, played by John Gregg, gets it in the end Watch for it! Shot at Gorge Harbour on 16mm."
Cast: Jon Gregg, Leon, George and a horse
Stagehand/Props: Jim Palmer
Cinematography: John Gregg
