Photograph of a woman beside the fish scow at the Whaletown dock, holding a large salmon. (ID - Nesta Slater?). With the series of Slater photographs is a paper typed by Gilean Douglas offering other fishing pictures of the "Dorr's" (the name she used for the Slaters in her magazine articles).
Photograph of a woman beside the fish scow at the Whaletown dock, holding a large salmon. (ID - Nesta Slater?). With the series of Slater photographs is a paper typed by Gilean Douglas offering other fishing pictures of the "Dorr's" (the name she used for the Slaters in her magazine articles).
Photograph of men and fish boats at a dock piled with fishing nets and gear; houses and a clearing may be seen in ghe background. Same as #1999.001.963.
Photograph of men and fish boats at a dock piled with fishing nets and gear; houses and a clearing may be seen in ghe background. Same as #1999.001.963.
Photograph of the wharf at Port Neville, showing fishermen, piles of nets and fish boats tied to the wharf. Greene's label is "The "Columbia" watches fishermen mending their gear." Same as #1999.001.951.
Photograph of the wharf at Port Neville, showing fishermen, piles of nets and fish boats tied to the wharf. Greene's label is "The "Columbia" watches fishermen mending their gear." Same as #1999.001.951.
Photograph of a First Nations coastal village, with houses and outbuildings along the shore. There are fish boats and canoes in the water and pulled up on shore. A long house is in the middle, and a school building is back of the village on a hill, (ID)
Photograph of a First Nations coastal village, with houses and outbuildings along the shore. There are fish boats and canoes in the water and pulled up on shore. A long house is in the middle, and a school building is back of the village on a hill, (ID)
Photograph of Gilean Douglas, dressed in jodhpurs, holding a fishing rod and some fish she has caught. Photo is from a motoring trip across the United States she took in 1920.
Photograph of Gilean Douglas, dressed in jodhpurs, holding a fishing rod and some fish she has caught. Photo is from a motoring trip across the United States she took in 1920.
Fonds consists of records of the Gorge Harbour Community Hall Society, including minutes of meetings, financial statements and administrative records and correspondence. It is arranged into five series: Minutes, Financial, Administrative Records, Correspondence and Programs.
The Gorge Harbour Community Hall Society was formed in 1930, when residents decided to build a community hall. The young people of the area formed the Gorge Harbour Dramatic Society and put on plays and dances to raise funds. The Hall was built on land donated by George Beattie. Volunteers split shakes for the roof and did all the building, with Charlie Allen as supervisor and Bill Ballantyne as work boss. The Hall opened on Nov. 11, 1933, with an Armistice dance.
The Gorge Harbour Hall Society disbanded in 1952 and handed responsibility for the Gorge Hall over to the Whaletown Community Club. From this time, the Gorge Hall replaced the Church Hall as the main venue for weddings, dances, meetings and parties for both the Whaletown and Gorge Harbour communities.
Custodial History
Records of the Gorge Harbour Community Hall Society were turned over to CIMAS by Gillian Milton, who collected them from the home of Gilean Douglas in 1993. Douglas' husband, Philip Major Douglas, was president of the Whaletown Community Club when it took over the Gorge Harbour Community Hall and presumably had the records in his possession at that time.
Scope and Content
Fonds consists of records of the Gorge Harbour Community Hall Society, including minutes of meetings, financial statements and administrative records and correspondence. It is arranged into five series: Minutes, Financial, Administrative Records, Correspondence and Programs.
Series consists of publicity articles written by Douglas for the Women's Institute during her term as Publicity Convener, and reports, speeches and notes from her activities on the provincial and national boards.
Series consists of publicity articles written by Douglas for the Women's Institute during her term as Publicity Convener, and reports, speeches and notes from her activities on the provincial and national boards.
Series consists of material generated and collected by Douglas during the course of her involvement with the Whaletown Women's Auxiliary, a group which provided support for the activities of the Columbia Coast Mission. From 1949 to 1961, the CCM maintained a station at Whaletown comprising a mission house, clinic building and church. Series includes correspondence, typed manuscripts of Douglas's annual World Day of Prayer talks, records of the Cortes Island Clinic Society and clippings.
Series consists of material generated and collected by Douglas during the course of her involvement with the Whaletown Women's Auxiliary, a group which provided support for the activities of the Columbia Coast Mission. From 1949 to 1961, the CCM maintained a station at Whaletown comprising a mission house, clinic building and church. Series includes correspondence, typed manuscripts of Douglas's annual World Day of Prayer talks, records of the Cortes Island Clinic Society and clippings.
Series consists of records of the Whaletown Community Club from the 1950s, and club newsletters from the late 1980s. Both Gilean Douglas and Philip Major Douglas held office in the club during the 1950s. Series includes correspondence, financial reports, lists of members and other administrative documents, and newsletters.
Series consists of records of the Whaletown Community Club from the 1950s, and club newsletters from the late 1980s. Both Gilean Douglas and Philip Major Douglas held office in the club during the 1950s. Series includes correspondence, financial reports, lists of members and other administrative documents, and newsletters.
Three greeting cards designed by artist Mary Weiler, who lived in Whaletown, and a series of four pen and ink drawings illustrating life aboard a fish boat. The latter were probably used as illustrations for an article written by Douglas (see Box 1 folder 29).
Three greeting cards designed by artist Mary Weiler, who lived in Whaletown, and a series of four pen and ink drawings illustrating life aboard a fish boat. The latter were probably used as illustrations for an article written by Douglas (see Box 1 folder 29).
