Fonds consists of the personal records of Gilean Douglas which were produced and received during her personal and literary activities. There is some material dating from Douglas's early life, but the bulk of it dates from 1948 to 1993 and directly concerns her life on Cortes Island. Because of Douglas's involvement in the public life of the island, and her interest in local history, her papers contain a great deal of information about the political, community and social life of Cortes Island, particularly the Whaletown area. Fonds is composed of eighteen series: Manuscripts; Correspondence; Literary Records; Regional Director for Area I (Cortes Island); Women's Institute; Women's Auxiliary of the Anglican Church; School District #72; Whaletown Community Club; Channel Rock; Research; "The Log" of the Columbia Coast Mission; Journals and Notebooks; Illustrations and Sketches; Ephemera; Clippings; Maps; Albums; Photographs.
1.9 m of textual records; ca. 2,352 photographic records (1147 prints : b&w and col. - ca. 560 negatives : b&w and col. negatives ; 35 mm and 14 x 11 cm or smaller - 645 slides : col. slides ; 35 mm); 1 cm of graphic material; 8 maps.
Extent
1.9
History / Biographical
Gilean Douglas was born in Toronto, Ont. In 1900. Orphaned at the age of 16, she began to work as a free-lance writer and photographer. Over her lifetime her work appeared in more than 200 publications, often published under pseudonyms (Grant Madison, Armoral Kent and Jill MacLean). Douglas published eight books of poetry and three books of non-fiction, and, from 1961 to 1992, wrote a regular column, “Nature Rambles”, for the Victoria Times-Colonist.
In 1939, following the collapse of her third marriage, Douglas moved from Ontario to an isolated cabin in the mountains near Hope, B.C. Her first two books of nature writing (one published under the name Grant Madison) document her life there. Her cabin was destroyed by fire in 1947 and two years later she moved to a 138-acre waterfront homestead on Cortes Island with her fourth husband, Philip Douglas, (née Major). Her marriage ended in 1953, but she remained there until her death in 1993. Her home at Channel Rock was isolated, with no road access and no electricity. Douglas had a large garden, and supplemented her writing income by selling produce and plants. She was a volunteer Weather Observer for Environment Canada for 33 years, receiving several awards for her service. Starting in the 1960s, her writing centered increasingly on her life at Channel Rock. Her "Nature Rambles" columns and book "The Protected Place" reflect her life on the island.
During her years on Cortes Island, Douglas took a leading role in community affairs and local politics. She held office in several community organizations and acted as a school trustee. As a member of the Women's Institute, she held local, district, provincial and national office, edited a book on its history, and was awarded a Life Membership in 1989. Douglas was a member of the first Cortes Island Advisory Planning Commission and represented Cortes on the Regional Board of Comox-Strathcona as Alternate Director from 1968 to 1973 and as Director from 1973 until 1977.
List of Book Publications:
1952 Now the Green Word (Wings Press, Mill Valley, Ca.)
1953 Poetic Plush (The Story Book Press, Dallas, Texas)
1953 River For My Sidewalk (by “Grant Madison”; J. M. Dent & Sons, Toronto, Ont.)
1954 The Pattern Set (Quality Press, Montreal, Quebec)
1959 Modern Pioneers (a history of the Women's Institute, ed. by Douglas; Evergreen Press)
1967 Seascape With Figures (Prairie Press, Iowa City, Iowa)
1973 Now In This Night (Harlo Press, Detroit, Mi.)
1978 Silence Is My Homeland (Stackpole Books, Harrisburg, Pa.)
1979 The Protected Place (Gray’s Publishing, Sidney, B.C.)
1982 Prodigal (Harbour Publishing, Madeira Park, B.C.)
1984 River For My Sidewalk (by Gilean Douglas; Sono Nis Press)
1985 Kodachromes at Midday (Sono Nis Press)
1992 Seascape With Figures - Poems Selected and New (Sono Nis Press)
Custodial History
Upon Douglas’ death in 1993 her papers were gathered from her house by her literary executor, Gillian Milton. Douglas’ will directed that her papers and photographs be turned over to the University of British Columbia (Douglas’ primary beneficiary), after being examined and used for literary purposes including publication or biography. Accordingly, Milton inventoried the records, and with Andrea Lebowitz made use of them for a biography and anthology of the writings of Douglas, "Gilean Douglas: Writing Nature, Finding Home" (Lebowitz and Milton, Sono Nis Press, 1999). The textual records were turned over to University of British Columbia Library Rare Books and Special Collections in December 1999; the photographic records in 2002. By agreement with UBC, the records and photographs which have to do primarily with Cortes Island were turned over to the Cortes Island Museum and Archives Society (Manson's Landing, B.C.) in 1999.
Scope and Content
Fonds consists of the personal records of Gilean Douglas which were produced and received during her personal and literary activities. There is some material dating from Douglas's early life, but the bulk of it dates from 1948 to 1993 and directly concerns her life on Cortes Island. Because of Douglas's involvement in the public life of the island, and her interest in local history, her papers contain a great deal of information about the political, community and social life of Cortes Island, particularly the Whaletown area. Fonds is composed of eighteen series: Manuscripts; Correspondence; Literary Records; Regional Director for Area I (Cortes Island); Women's Institute; Women's Auxiliary of the Anglican Church; School District #72; Whaletown Community Club; Channel Rock; Research; "The Log" of the Columbia Coast Mission; Journals and Notebooks; Illustrations and Sketches; Ephemera; Clippings; Maps; Albums; Photographs.
Gilean Douglas fonds at the University of British Columbia Library (Special Collections)
Cortes Island Ratepayers Association fonds
Gorge Harbour Community Hall fonds
Whaletown Community Club fonds
Whaletown Women's Institute fonds
Regional Director of Electoral Area I (Cortes Island) fonds
Copyright
Copyright for Douglas's published writings is held by the University of British Columbia. Permission to use Douglas's manuscripts for publication purposes must be obtained from the University of British Columbia or from Gillian Milton, literary executor for the estate of Gilean Douglas.
Arrangement
Wherever possible, Douglas’ system of arrangement has been retained, and original groupings of material have been maintained. Other material has been arranged according to type.
Series consists of prints, slides and negatives of photographs taken by Douglas or collected by her. There are 1,145 photograph prints, 358 slides and ca. 560 negatives. Photographs dated before 1948 are duplicates of photos in the Gilean Douglas Fonds at University of British Columbia Library Rare Books and Special Collections; photographs of Cortes Island and Channel Rock are held by the Cortes Island Archives.
ca. 2,352 photographic records (1147 prints : b&w and col. - ca. 560 negatives : b&w and col. negatives ; 35 mm and 14 x 11 cm or smaller - 645 slides : col. slides ; 35 mm)
Scope and Content
Series consists of prints, slides and negatives of photographs taken by Douglas or collected by her. There are 1,145 photograph prints, 358 slides and ca. 560 negatives. Photographs dated before 1948 are duplicates of photos in the Gilean Douglas Fonds at University of British Columbia Library Rare Books and Special Collections; photographs of Cortes Island and Channel Rock are held by the Cortes Island Archives.
Series consists of typescripts and carbon typescripts of Douglas's poetry, articles and fiction and includes manuscripts of four books, one of which was never published. It also includes manuscripts of Douglas's annual Christmas letter and of a column "Whaletown Roundup" she wrote for the Campbell River Courier newspaper in the 1950s. With the exception of the "Whaletown Roundup" manuscripts, all of the manuscripts, while original copies, are duplicates of manuscripts in the Gilean Douglas Fonds at the University of British Columbia Library. They are retained in the Cortes Island Archives to make Douglas's writings more easily accessible to local researchers.
Series consists of typescripts and carbon typescripts of Douglas's poetry, articles and fiction and includes manuscripts of four books, one of which was never published. It also includes manuscripts of Douglas's annual Christmas letter and of a column "Whaletown Roundup" she wrote for the Campbell River Courier newspaper in the 1950s. With the exception of the "Whaletown Roundup" manuscripts, all of the manuscripts, while original copies, are duplicates of manuscripts in the Gilean Douglas Fonds at the University of British Columbia Library. They are retained in the Cortes Island Archives to make Douglas's writings more easily accessible to local researchers.
Permission to use Douglas's manuscripts for publication purposes must be obtained from the University of British Columbia or from Gillian Milton, literary executor for the estate of Gilean Douglas.
Series consists of incoming and outgoing correspondence generated during Douglas's residence on Cortes (1949-1993) and covering subjects of primarily local interest. Before the advent of telephone service in 1968, island residents communicated extensively through the Post Office, and much of this correspondence consists of notes and letters from Douglas's neighbours. Subjects covered include daily life, community activities, B.C. and Cortes Island history and Douglas's health concerns.
Series consists of incoming and outgoing correspondence generated during Douglas's residence on Cortes (1949-1993) and covering subjects of primarily local interest. Before the advent of telephone service in 1968, island residents communicated extensively through the Post Office, and much of this correspondence consists of notes and letters from Douglas's neighbours. Subjects covered include daily life, community activities, B.C. and Cortes Island history and Douglas's health concerns.
Photograph of a group of people seated outside the first schoolhouse in Whaletown, which was at the corner of present-day Harbour and Carrington Bay Rds. The same photograph, copied from the collection of Meg Robertson Shaw, is found in the "Whaletown to 1930" album compiled by Doreen Huck Thompson.
The date is given as May 1920, and the people are identified by Doreen Thompson as:
(Back row, L to R) Bert Middleton, Elsie Allen, Alice Strange, Mrs. Barrett (Ina's mom), Meg Robertson, Ina Munro, Mr. Neale
(Front row, L to R) Verna, Melva & Jack Munro, Bernie Allen, Jim Allen, Pete (Margaret) Middleton, Violet Stoney, Miss James, Dolly Borden, Mr. & Mrs. Robertson, Roy Borden in hat
Mrs. Stoney in window
Photograph of a group of people seated outside the first schoolhouse in Whaletown, which was at the corner of present-day Harbour and Carrington Bay Rds. The same photograph, copied from the collection of Meg Robertson Shaw, is found in the "Whaletown to 1930" album compiled by Doreen Huck Thompson.
The date is given as May 1920, and the people are identified by Doreen Thompson as:
(Back row, L to R) Bert Middleton, Elsie Allen, Alice Strange, Mrs. Barrett (Ina's mom), Meg Robertson, Ina Munro, Mr. Neale
(Front row, L to R) Verna, Melva & Jack Munro, Bernie Allen, Jim Allen, Pete (Margaret) Middleton, Violet Stoney, Miss James, Dolly Borden, Mr. & Mrs. Robertson, Roy Borden in hat
Mrs. Stoney in window
Fonds consists of two photograph albums containing 479 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict family, friends and scenes from Cortes Island, especially the area known as Green Valley; some photographs show school friends and family from Vancouver and Saskatchewan. Titles in quotation marks are Dorothy Huck's photograph captions. Other information used in photograph descriptions comes from the "Green Valley", "Carrington Bay/Coulter Bay" and "Whaletown to 1930" albums created for CIMAS in 1999 by Doreen Huck Thompson, a grand-niece of Dorothy Huck. Unless otherwise noted, the location of all photos is Cortes Island.
Dorothy Mary Huck Whalley (June 30, 1904 - Nov. 17, 1983) was the oldest of five children born to Mabel Wells Huck and William Edward Huck. Her siblings were Wilfred Harold (Harry), John Edward (Jack), Margaret Ethel and William Frances (Billie). Shortly after the Huck family arrived on Cortes in 1915, William E. Huck enlisted in the Army. He was killed in France in 1916, leaving Mabel with five children to bring up on her own. Her brother, Harold John (Jack) Wells was invalided home from World War I in 1917 and moved to Cortes, where he boarded with Mabel.
The Huck homestead, referred to as Hell's Half Acre or Billy Goat Hill, was in the NE 1/4 of Section 40, in Green Valley, the area around what is now known as Blue Jay Lake. Neighbours included the Barrett, Middleton, Tait and Tiber families. Dorothy was sent to Vancouver for schooling, and then returned to Cortes to attend the new Squirrel Cove school in 1916. In 1920 the Huck family moved to the Robertson property, Burnside, in Whaletown. Dorothy, having outgrown the local school system, went to Moose Jaw, Sk. where she finished high school and then attended a secretarial school run by her aunt and uncle. She married Joe Whalley and lived in Saskatchewan for many years before returning to live in Vancouver and White Rock. Dorothy died in White Rock on Nov. 17, 1983.
Custodial History
The albums were created by Dorothy Huck Whalley and given to her daughter Dorothy Whalley Livingstone. Dorothy Livingstone passed the albums on to her cousin, Karen Lee (daughter of Margaret Huck Mann), who donated them to the Cortes Island Museum & Archives Society.
Scope and Content
Fonds consists of two photograph albums containing 479 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict family, friends and scenes from Cortes Island, especially the area known as Green Valley; some photographs show school friends and family from Vancouver and Saskatchewan. Titles in quotation marks are Dorothy Huck's photograph captions. Other information used in photograph descriptions comes from the "Green Valley", "Carrington Bay/Coulter Bay" and "Whaletown to 1930" albums created for CIMAS in 1999 by Doreen Huck Thompson, a grand-niece of Dorothy Huck. Unless otherwise noted, the location of all photos is Cortes Island.
Geographic Access
Cortes Island
Squirrel Cove
Carrington Bay
Saskatchewan
Related Material
"Green Valley", "Carrington Bay/Coulter Bay" and "Whaletown to 1930" albums created by Doreen Huck Thompson.
Series consists of one photograph album containing 150 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict Dorothy Huck, her family and friends, and scenes from Cortes Island, especially the Green Valley area. There are also some photographs from Vancouver and Moose Jaw, Sk. where Dorothy attended school.
1 photograph album, 18.5 x 14 x 4.5 cm, containing 150 black and white photographs.
Physical Condition
Cover is worn; spine is damaged and has been repaired with orange tape and cellophane tape. Photographs are glued onto the black paper pages and show signs of wear such as dirt or wrinkling but are generally very clear. Some photographs are missing and a few have been cut.
Scope and Content
Series consists of one photograph album containing 150 black and white photographs with captions, dating from 1916 to 1927. Most of the photographs depict Dorothy Huck, her family and friends, and scenes from Cortes Island, especially the Green Valley area. There are also some photographs from Vancouver and Moose Jaw, Sk. where Dorothy attended school.
Collection consists of photographs of Cortes Island people, places and events. Photographs not belonging to another fonds or collection in the Archives have been described as part of this collection.
Photographs have been donated to or collected by Cortes Island Museum & Archives. Where it is known, provenance is described at the item level.
Scope and Content
Collection consists of photographs of Cortes Island people, places and events. Photographs not belonging to another fonds or collection in the Archives have been described as part of this collection.
Photographs depict the pupils at the second Whaletown school standing beside the school. The photograph was taken by Evelyn Dow, who taught there from February 1928 to June 1929. This school was built in 1918 near the corner of Coulter Bay Road and Carrington Bay Road, and was used (with improvements) until 1950. The front, side and surroundings of the school are clearly shown.
Front row third from left is Marion Borden; Vernon Borden next to her fourth from left.
Top row, far right: Lorna Borden
(IDs by Terrill Marlow, Marion’s daughter, and Rob Borden, Vernon’s son).
Photographs are from an album created by Evelyn Dow and were donated to CIMAS by her niece, Sharon Thomas.
Scope and Content
Photographs depict the pupils at the second Whaletown school standing beside the school. The photograph was taken by Evelyn Dow, who taught there from February 1928 to June 1929. This school was built in 1918 near the corner of Coulter Bay Road and Carrington Bay Road, and was used (with improvements) until 1950. The front, side and surroundings of the school are clearly shown.
Front row third from left is Marion Borden; Vernon Borden next to her fourth from left.
Top row, far right: Lorna Borden
(IDs by Terrill Marlow, Marion’s daughter, and Rob Borden, Vernon’s son).
Photograph depicts the pupils at the second Whaletown school beside the corner of the school. The photograph was taken by Evelyn Dow, who taught there from February 1928 to June 1929. This school was built in 1918 near the corner of Coulter Bay Road and Carrington Bay Road, and was used (with improvements) until 1950.
Top Row: third from left, Lorna Borden; second from right, Doris Houghton-Brown
Middle row: second from left, Ken Houghton-Brown, third from left, Vernon Borden; far right, Marion Borden
Front row: far right, Claude Borden
(IDs by Terrill Marlow, Marion’s daughter, Rob Borden, Vernon’s son, and Joan Bevington, Ken Houghton-Brown's daughter).
Photograph is from an album created by Evelyn Dow and was donated to CIMAS by her niece, Sharon Thomas.
Scope and Content
Photograph depicts the pupils at the second Whaletown school beside the corner of the school. The photograph was taken by Evelyn Dow, who taught there from February 1928 to June 1929. This school was built in 1918 near the corner of Coulter Bay Road and Carrington Bay Road, and was used (with improvements) until 1950.
Top Row: third from left, Lorna Borden; second from right, Doris Houghton-Brown
Middle row: second from left, Ken Houghton-Brown, third from left, Vernon Borden; far right, Marion Borden
Front row: far right, Claude Borden
(IDs by Terrill Marlow, Marion’s daughter, Rob Borden, Vernon’s son, and Joan Bevington, Ken Houghton-Brown's daughter).
This floathouse was built at John and Anna Gregg's property in Manson's Landing, moved to Carrington Bay beside the entrance to Carrington Lagoon (ca. 1978), and then towed into Gorge Harbour by Bob Thompson with the "Sutil Chief" in 1985.
Transferred from Information Files August 20, 2020
Scope and Content
This floathouse was built at John and Anna Gregg's property in Manson's Landing, moved to Carrington Bay beside the entrance to Carrington Lagoon (ca. 1978), and then towed into Gorge Harbour by Bob Thompson with the "Sutil Chief" in 1985.
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: Cedar DeTrey, Mike ?, John Shook
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: Cedar DeTrey, Mike ?, John Shook
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: John Shook, Justin Stirn, Pierre DeTrey, Kiyoshi Kosky, Cedar DeTrey.
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: John Shook, Justin Stirn, Pierre DeTrey, Kiyoshi Kosky, Cedar DeTrey.
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: Kiyoshi Kosky, Pierre DeTrey, Cedar DeTrey
One of a series of photographs of volunteers removing the remains of shacks at Carrington Bay when Carrington Bay Marine Park was established.
L to R: Kiyoshi Kosky, Pierre DeTrey, Cedar DeTrey
