This fonds comprises records of four Cortes Island women's service organizations, including minutes, financial records, administrative records, correspondence, photographs, ephemera and artifacts. It is arranged in four sous-fonds according to the creator of the records: Whaletown Women's Institute (2009.001.1); Whaletown Women's Auxiliary of the Anglican Church (2009.001.2); Cortes Island Women's Institute (2009.001.3); and Island Women's Club (2009.001.3). Related material in CIMAS archives may be found in the Whaletown Women's Institute fonds (1999.002), the Gilean Douglas fonds (1999.001), and the May and Elmer Ellingsen fonds (2007.001).
The Island Women's Club was formed in 2000, when the members of the Cortes Island Women's Institute withdrew from the British Columbia Women's Institute in order to focus their efforts locally. It was the successor to previous women's service organizations on Cortes, local branches of the Women's Institute and the Anglican Church Women's Auxiliary. Activities included awarding bursaries to graduating high school students, contributing to school projects such as printing yearbooks, sponsoring sports teams and building playground equipment, supporting the community halls and organizing memorial teas on behalf of bereaved families. They disbanded in 2016.
Custodial History
After they disbanded, records of the Whaletown Women's Institute and the Whaletown Women's Auxiliary passed into the hands of the Cortes Island Women's Institute and its successor, Island Women's Club, who donated them to CIMAS in 2009. The organizational records created by the Island Women's Club were donated to CIMAS in 2018.
Scope and Content
This fonds comprises records of four Cortes Island women's service organizations, including minutes, financial records, administrative records, correspondence, photographs, ephemera and artifacts. It is arranged in four sous-fonds according to the creator of the records: Whaletown Women's Institute (2009.001.1); Whaletown Women's Auxiliary of the Anglican Church (2009.001.2); Cortes Island Women's Institute (2009.001.3); and Island Women's Club (2009.001.3). Related material in CIMAS archives may be found in the Whaletown Women's Institute fonds (1999.002), the Gilean Douglas fonds (1999.001), and the May and Elmer Ellingsen fonds (2007.001).
File contains a summary of expenses and income printed out by Callie Waddell, the last treasurer of Island Women. The records of income from fund-raising activities and donations to various island causes provides a snapshot of the activities of the organization.
Donated to CIMAS by Callie Waddel on Apr. 15, 2019
Scope and Content
File contains a summary of expenses and income printed out by Callie Waddell, the last treasurer of Island Women. The records of income from fund-raising activities and donations to various island causes provides a snapshot of the activities of the organization.
Phoograph of Jeannie Dominick sitting beside a cedar basket at the surprise going away party for Mary Weiler held in the field at the Whaletown. The large lidded basket, woven by Jeannie Dominick, was a farewell gift to Mary Weiler from the women of Klahoose.
Phoograph of Jeannie Dominick sitting beside a cedar basket at the surprise going away party for Mary Weiler held in the field at the Whaletown. The large lidded basket, woven by Jeannie Dominick, was a farewell gift to Mary Weiler from the women of Klahoose.
Photograph of Mary Weiler walking onto the ferry after a surprise farewell party on the day she moved away from the island. Mary Weiler is facing the camera; John Ashby is center, with pipe; Brigid Weiler in the long skirt.
Photograph of Mary Weiler walking onto the ferry after a surprise farewell party on the day she moved away from the island. Mary Weiler is facing the camera; John Ashby is center, with pipe; Brigid Weiler in the long skirt.
Series contains two books : "The Whale People", written by Roderick Haig-Brown and illustrated by Mary Weiler, and an annotated guide book to birds which belonged to Brigid Weiler as a child.
Series contains two books : "The Whale People", written by Roderick Haig-Brown and illustrated by Mary Weiler, and an annotated guide book to birds which belonged to Brigid Weiler as a child.
"The Whale People", written by Roderick Haig-Brown and illustrated by Mary Weiler, with dust cover and inscription on title page: "For Mary, most gratefully, Rod Haig-Brown". Brigid Weiler posed for some of the drawings.
Published by Collins, St. James's Place, London: 1962
Physical Description
1 book, 184 pages
Custodial History
Donated by Brigid Weiler, Feb. 2022
Scope and Content
"The Whale People", written by Roderick Haig-Brown and illustrated by Mary Weiler, with dust cover and inscription on title page: "For Mary, most gratefully, Rod Haig-Brown". Brigid Weiler posed for some of the drawings.
File consists of a paperback book "Birds: A Guide to the Most Familiar American Birds", with notes on dates and locations of bird sightings on Cortes Island made by Otto Weiler and Brigid Weiler. The cover is missing.
File consists of a paperback book "Birds: A Guide to the Most Familiar American Birds", with notes on dates and locations of bird sightings on Cortes Island made by Otto Weiler and Brigid Weiler. The cover is missing.
File consists of the agreement between the Whaletown Women's Institute and the Columbia Coast Mission regarding the use and upkeep of the Church Hall and cemetery at the corner of present-day Carrington Bay and Harbour Rd. in Whaletown.
File consists of the agreement between the Whaletown Women's Institute and the Columbia Coast Mission regarding the use and upkeep of the Church Hall and cemetery at the corner of present-day Carrington Bay and Harbour Rd. in Whaletown.
File consists of correspondence regarding the contentious sale of the piano in 1960 along with correspondence documenting the purchase of the piano in 1921 and subsequent correspondence regarding its ownership. The material was gathered together by Gilean Douglas in 1960. The original file also contained insurance records; they are in File 6-5.
File consists of correspondence regarding the contentious sale of the piano in 1960 along with correspondence documenting the purchase of the piano in 1921 and subsequent correspondence regarding its ownership. The material was gathered together by Gilean Douglas in 1960. The original file also contained insurance records; they are in File 6-5.
