Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of the "Rendezvous" with caption: "Rendezvous Patrol. The good ship is taking a heavy southeast'r; heading into it, off Viner Point, Read Island. This is the had of the Gulf of Georgia."
Photograph of the "Rendezvous" with caption: "Rendezvous Patrol. The good ship is taking a heavy southeast'r; heading into it, off Viner Point, Read Island. This is the had of the Gulf of Georgia."
Photograph of Tipton's store at Surge Narrows, Read Island, from the water. A house is above it and to the right, the wharf, walkway and sheds may be seen.
Photograph of Tipton's store at Surge Narrows, Read Island, from the water. A house is above it and to the right, the wharf, walkway and sheds may be seen.
Photograph of Rev. Rollo Boas leading a church service just outside the school building at Surge Narrows on Read Island. Five women and a girl are seated in chairs or on the grass.
Photograph of Rev. Rollo Boas leading a church service just outside the school building at Surge Narrows on Read Island. Five women and a girl are seated in chairs or on the grass.
Photograph of Rev. Rollo Boas (middle), Mr. and Mrs. J. Maunsell and four children, including a boy on a bicycle, standing in a field. St. James Church is in its clearing in the background; the road in front.
Photograph of Rev. Rollo Boas (middle), Mr. and Mrs. J. Maunsell and four children, including a boy on a bicycle, standing in a field. St. James Church is in its clearing in the background; the road in front.
Photograph of Manson's Landing wharf, with Cat and Kitten Islands in the bacckground. Their are two sheds at the end of the dock above the ramp, and an old car is parked beside them. (date?)
Photograph of Manson's Landing wharf, with Cat and Kitten Islands in the bacckground. Their are two sheds at the end of the dock above the ramp, and an old car is parked beside them. (date?)
Photograph of forest with large fir trees. Photo was likely taken in Knight Inlet, as another print of the same photo was in an envelope with other photographs taken there.
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
3 photograph prints: b&w ; 10 x 15 cm, 16 x 21 cm & 20 x 25 cm
Scope and Content
Photograph of forest with large fir trees. Photo was likely taken in Knight Inlet, as another print of the same photo was in an envelope with other photographs taken there.
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
Photograph of a couple standing in a garden. The man is holding a scythe, and behind them is a rail fence, a field, and a logged hillside. Possibly Folgams at Manson's Landing? (Needs ID)
Photograph of a couple standing in a garden. The man is holding a scythe, and behind them is a rail fence, a field, and a logged hillside. Possibly Folgams at Manson's Landing? (Needs ID)
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".