Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of Rev. Rollo Boas (middle), Mr. and Mrs. J. Maunsell and four children, including a boy on a bicycle, standing in a field. St. James Church is in its clearing in the background; the road in front.
Photograph of Rev. Rollo Boas (middle), Mr. and Mrs. J. Maunsell and four children, including a boy on a bicycle, standing in a field. St. James Church is in its clearing in the background; the road in front.
Photograph of Manson's Landing wharf, with Cat and Kitten Islands in the bacckground. Their are two sheds at the end of the dock above the ramp, and an old car is parked beside them. (date?)
Photograph of Manson's Landing wharf, with Cat and Kitten Islands in the bacckground. Their are two sheds at the end of the dock above the ramp, and an old car is parked beside them. (date?)
Photograph of a couple standing in a garden. The man is holding a scythe, and behind them is a rail fence, a field, and a logged hillside. Possibly Folgams at Manson's Landing? (Needs ID)
Photograph of a couple standing in a garden. The man is holding a scythe, and behind them is a rail fence, a field, and a logged hillside. Possibly Folgams at Manson's Landing? (Needs ID)
Series consists of original drawings, watercolours and pastels created by residents of Cortes or Read Island, and a series of pen and ink drawings meant to illustrate Douglas' book, "Silence Is My Homeland".
Series consists of original drawings, watercolours and pastels created by residents of Cortes or Read Island, and a series of pen and ink drawings meant to illustrate Douglas' book, "Silence Is My Homeland".
Series consists of prints, slides and negatives of photographs taken by Douglas or collected by her. There are 1,145 photograph prints, 358 slides and ca. 560 negatives. Photographs dated before 1948 are duplicates of photos in the Gilean Douglas Fonds at University of British Columbia Library Rare Books and Special Collections; photographs of Cortes Island and Channel Rock are held by the Cortes Island Archives.
ca. 2,352 photographic records (1147 prints : b&w and col. - ca. 560 negatives : b&w and col. negatives ; 35 mm and 14 x 11 cm or smaller - 645 slides : col. slides ; 35 mm)
Scope and Content
Series consists of prints, slides and negatives of photographs taken by Douglas or collected by her. There are 1,145 photograph prints, 358 slides and ca. 560 negatives. Photographs dated before 1948 are duplicates of photos in the Gilean Douglas Fonds at University of British Columbia Library Rare Books and Special Collections; photographs of Cortes Island and Channel Rock are held by the Cortes Island Archives.
Fonds consists of sixteen photographs depicting people and scenes, primarily of the Manson's Landing area. Identification was provided by Fred Brooks Jr. in an interview with Cathy Jenks.
Alethea and Frederick (Fred) James Brooks Sr. and their two sons, Frederick (Fred) Earl, Jr. and Bob, lived on Cortes Island from ca. 1941 to 1944, near Manson's Landing. Fred Sr. logged in Cortes Bay and employed two of the Hawkins boys, Bill and George.
Fred Jr. attended grades three to six at Cortes Island school before the family moved to Pender Harbour. Some of the names he recalls are: the Christiansen kids (Robert, Jim, and a sister), the Tibers on the west side of Cortes Island, and the Jefferys of Smelt Bay.
Custodial History
Fred Brooks Jr. gave the photographs to Cathy Brooks of Pender Harbour Living Heritage Society, who facilitated the donation by collecting the photographs, donation form and information from Brooks and sending the materials to CIMAS.
Scope and Content
Fonds consists of sixteen photographs depicting people and scenes, primarily of the Manson's Landing area. Identification was provided by Fred Brooks Jr. in an interview with Cathy Jenks.
Pender Harbour Living Heritage holds related material from the Brooks family: https://penderharbourheritage.pastperfectonline.com/bysearchterm?keyword=Brooks+family
Back row L-R: unknown except Cal Campbell on R
Middle row L-R: Eleanor Christiansen; ?; ?; Fred Brooks Jr, age 8; ?; Bob Hawkins, Bill Illman?, Frank Hayes
Front Row: Bob Christiansen on R
Back row L-R: unknown except Cal Campbell on R
Middle row L-R: Eleanor Christiansen; ?; ?; Fred Brooks Jr, age 8; ?; Bob Hawkins, Bill Illman?, Frank Hayes
Front Row: Bob Christiansen on R
