Recording is an oral history interview of Lottie McDevitt by Oonagh O'Connor. Topics covered include moving to Cortes in 1945 with her husband Don, the Manson's Landing school teacher (later teaching at Squirrel Cove, Whaletown and Ramsay Arm); life on the island; and island friends. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Recording is an oral history interview of Lottie McDevitt by Oonagh O'Connor. Topics covered include moving to Cortes in 1945 with her husband Don, the Manson's Landing school teacher (later teaching at Squirrel Cove, Whaletown and Ramsay Arm); life on the island; and island friends. There is a short summary of the interview, written by May Ellingsen, in the cassette case.
Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of Rev. Rollo Boas (middle), Mr. and Mrs. J. Maunsell and four children, including a boy on a bicycle, standing in a field. St. James Church is in its clearing in the background; the road in front.
Photograph of Rev. Rollo Boas (middle), Mr. and Mrs. J. Maunsell and four children, including a boy on a bicycle, standing in a field. St. James Church is in its clearing in the background; the road in front.
Photograph of six women with logging equipment, beside a house; behind them is water and another island. The women are standing beside a log; holding crosscut saws, a maul and an axe.
Photograph of six women with logging equipment, beside a house; behind them is water and another island. The women are standing beside a log; holding crosscut saws, a maul and an axe.
Photograph of a wood shingled house with attached sheds. A child is standing on the porch, next to a washing machine. Coulours on the print are yellowed.
Photograph of a wood shingled house with attached sheds. A child is standing on the porch, next to a washing machine. Coulours on the print are yellowed.
Photograph of two houses. George and Marjorie Griffin's house is in front; pilings for an addition can be seen on the right. Marjorie Griffin is painting the window frames. The house was completed in about 1955/1956 and demolished ca. 2012. To its right and slightly above it is a cottage built by Griffin for his son George and wife Joyce.
2 photograph prints: b&w;16.5 x 11.5 cm (A) and 9 x 6.5 cm (B)
Scope and Content
Photograph of two houses. George and Marjorie Griffin's house is in front; pilings for an addition can be seen on the right. Marjorie Griffin is painting the window frames. The house was completed in about 1955/1956 and demolished ca. 2012. To its right and slightly above it is a cottage built by Griffin for his son George and wife Joyce.
Photograph of a small shingled house in its yard with Gilean Douglas' caption: "Herbert Emerson Wilson lived here when writing and running a sawmill in Blind Creek".
2 photograph prints: b&w; 16.5 x 11.5 cm (A) and 9 x 6 cm (B)
Scope and Content
Photograph of a small shingled house in its yard with Gilean Douglas' caption: "Herbert Emerson Wilson lived here when writing and running a sawmill in Blind Creek".
