Photograph labelled on the back: "Rendezvous Patrol. Dr. B. Hall and Dr. R. Rose, the dentist, with their black bags, getting ready to go aboard the "Rendezvous". They are being taken to Whaletown for their monthly visit to the Mission clinic."
Photograph labelled on the back: "Rendezvous Patrol. Dr. B. Hall and Dr. R. Rose, the dentist, with their black bags, getting ready to go aboard the "Rendezvous". They are being taken to Whaletown for their monthly visit to the Mission clinic."
Photograph of the "John Antle" leaving port. An appended caption of the back of A says "The mission ship "Rendezvous" (skipper Rollo Boas) leaving Whaletown her home port." However, the back of B identifies the location as Heriot Bay, and the boat is the "John Antle".
2 photograph prints: b&w; 15.5 x 10.5 (A) and 9 x 6.5 (B)
Scope and Content
Photograph of the "John Antle" leaving port. An appended caption of the back of A says "The mission ship "Rendezvous" (skipper Rollo Boas) leaving Whaletown her home port." However, the back of B identifies the location as Heriot Bay, and the boat is the "John Antle".
Photograph of "George Parsons in his home bay on Quadra. Behind him is the house which is now at Campbell River." (Gilean Douglas' typed caption, taped to photo)
2 photograph prints: b&w; 9 x 6.5 cm and 17 x 12 cm
Scope and Content
Photograph of "George Parsons in his home bay on Quadra. Behind him is the house which is now at Campbell River." (Gilean Douglas' typed caption, taped to photo)
Photograph of Marion Cafferata standing in a clearing in front of a spreading tree. Fields, fences and a building can be seen in the background. The Cafferata family had a homestead at the present-day junction of Carrington Bay Rd. and the old road to Carrington Bay.
Photograph of Marion Cafferata standing in a clearing in front of a spreading tree. Fields, fences and a building can be seen in the background. The Cafferata family had a homestead at the present-day junction of Carrington Bay Rd. and the old road to Carrington Bay.
Photograph of the Church Hall in Whaletown, which stood in front of the old cemetery at the corner of Carrington Bay and Harbour roads. It served the community as both church and a venue for social events for almost forty years. The original Whaletown school became its kitchen, and a sleeping place for tired children.
Photograph of the Church Hall in Whaletown, which stood in front of the old cemetery at the corner of Carrington Bay and Harbour roads. It served the community as both church and a venue for social events for almost forty years. The original Whaletown school became its kitchen, and a sleeping place for tired children.
Photograph of a group of people at Raine's Spit on Hernando Island.
L to R standing: Amy and Scotty McKenzie, Calvin Campbell
Back, seated: Henry Byers, Lorne Campbell, Ruth Byers holding Elaine McKenzie, Hazel Hansen holding Lorraine Byers, Ervie McKay, Rod Griffin, Nerine Hayes
Middle seated: Flo McKay holding Judy Hansen, Gwen Cambell, Frank Hayes
Front: Mary Hayes with Bob Hayes, Sharon Herrewig
1 photograph print: b&w; 6.5 x 12 cm and 1 negative
Scope and Content
Photograph of a group of people at Raine's Spit on Hernando Island.
L to R standing: Amy and Scotty McKenzie, Calvin Campbell
Back, seated: Henry Byers, Lorne Campbell, Ruth Byers holding Elaine McKenzie, Hazel Hansen holding Lorraine Byers, Ervie McKay, Rod Griffin, Nerine Hayes
Middle seated: Flo McKay holding Judy Hansen, Gwen Cambell, Frank Hayes
Front: Mary Hayes with Bob Hayes, Sharon Herrewig
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Nine photograph albums (binders) holding 554 photographs with accompanying descriptions.
Custodial History
May Ellingsen put this collection together in the mid 1980s. She collected hundreds of old photographs from 30 donor families which were then copied and catalogued by the Campbell River Museum in 1985, with funding from the Canada Council and Canada Works. (see "Musings", a publication of the CR Museum & Archives Society, Vol. IV #1, March 1985) The Campbell River Museum made negatives and two copies of the photographs; the originals were then returned to the donor families. One copy of each photo was given to May, who arranged them in albums and added her commentary. She continued to add to the albums through the 1990s, adding 72 original photographs and more descriptions. She kept the albums in the library in the Manson's Hall and then in the Cortes Museum when it opened in 1999. The albums were officially donated to CIMAS in 2004.
Scope and Content
Series consists of nine albums (binders) holding 554 photographs of Cortes Island and nearby islands, including Twin Islands and Hernando Island, with accompanying descriptions and with additional textual information such as pre-emption records, reminiscences and newspaper clippings. Most of the photographs date from the early decades of the 20th century, depicting homes and buildings, pioneer families, community activities, schools, wharves, boats, logging and marine activity. The majority of the photographs are copies, as indicated by the numbers assigned to them by the Campbell River Museum & Archives. There are 72 original photographs in the albums.
Item level finding aid is available for the 72 original photographs.
Copyright
The Campbell River Archives has negatives for the copied photographs in the Collection and makes prints on request for a charge according to their policy and according to the wishes of the donors. Donor/source cards were filled out by each family donating photographs and include restrictions on use in some cases. They are on file at the Campbell River Archives.
CIMAS holds the copyright on the 72 original photographs in these albums.