Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of the Manson's Landing wharf, taken from the water at high tide. It includes the oil and wharf sheds on the dock, an unknown scow boat with cabin at the float and the store ashore. Note: telephone poles from the original phone line across the mouth of the lagoon; higher banks along the shoreline.
Photograph of Rev. Rollo Boas (middle), Mr. and Mrs. J. Maunsell and four children, including a boy on a bicycle, standing in a field. St. James Church is in its clearing in the background; the road in front.
Photograph of Rev. Rollo Boas (middle), Mr. and Mrs. J. Maunsell and four children, including a boy on a bicycle, standing in a field. St. James Church is in its clearing in the background; the road in front.
Photograph of Manson's Landing wharf, with Cat and Kitten Islands in the bacckground. Their are two sheds at the end of the dock above the ramp, and an old car is parked beside them. (date?)
Photograph of Manson's Landing wharf, with Cat and Kitten Islands in the bacckground. Their are two sheds at the end of the dock above the ramp, and an old car is parked beside them. (date?)
Photograph of a couple standing in a garden. The man is holding a scythe, and behind them is a rail fence, a field, and a logged hillside. Possibly Folgams at Manson's Landing? (Needs ID)
Photograph of a couple standing in a garden. The man is holding a scythe, and behind them is a rail fence, a field, and a logged hillside. Possibly Folgams at Manson's Landing? (Needs ID)
Series consists of original drawings, watercolours and pastels created by residents of Cortes or Read Island, and a series of pen and ink drawings meant to illustrate Douglas' book, "Silence Is My Homeland".
Series consists of original drawings, watercolours and pastels created by residents of Cortes or Read Island, and a series of pen and ink drawings meant to illustrate Douglas' book, "Silence Is My Homeland".
Fonds consists of the personal records of Gilean Douglas which were produced and received during her personal and literary activities. There is some material dating from Douglas's early life, but the bulk of it dates from 1948 to 1993 and directly concerns her life on Cortes Island. Because of Douglas's involvement in the public life of the island, and her interest in local history, her papers contain a great deal of information about the political, community and social life of Cortes Island, particularly the Whaletown area. Fonds is composed of eighteen series: Manuscripts; Correspondence; Literary Records; Regional Director for Area I (Cortes Island); Women's Institute; Women's Auxiliary of the Anglican Church; School District #72; Whaletown Community Club; Channel Rock; Research; "The Log" of the Columbia Coast Mission; Journals and Notebooks; Illustrations and Sketches; Ephemera; Clippings; Maps; Albums; Photographs.
1.9 m of textual records; ca. 2,352 photographic records (1147 prints : b&w and col. - ca. 560 negatives : b&w and col. negatives ; 35 mm and 14 x 11 cm or smaller - 645 slides : col. slides ; 35 mm); 1 cm of graphic material; 8 maps.
Extent
1.9
History / Biographical
Gilean Douglas was born in Toronto, Ont. In 1900. Orphaned at the age of 16, she began to work as a free-lance writer and photographer. Over her lifetime her work appeared in more than 200 publications, often published under pseudonyms (Grant Madison, Armoral Kent and Jill MacLean). Douglas published eight books of poetry and three books of non-fiction, and, from 1961 to 1992, wrote a regular column, “Nature Rambles”, for the Victoria Times-Colonist.
In 1939, following the collapse of her third marriage, Douglas moved from Ontario to an isolated cabin in the mountains near Hope, B.C. Her first two books of nature writing (one published under the name Grant Madison) document her life there. Her cabin was destroyed by fire in 1947 and two years later she moved to a 138-acre waterfront homestead on Cortes Island with her fourth husband, Philip Douglas, (née Major). Her marriage ended in 1953, but she remained there until her death in 1993. Her home at Channel Rock was isolated, with no road access and no electricity. Douglas had a large garden, and supplemented her writing income by selling produce and plants. She was a volunteer Weather Observer for Environment Canada for 33 years, receiving several awards for her service. Starting in the 1960s, her writing centered increasingly on her life at Channel Rock. Her "Nature Rambles" columns and book "The Protected Place" reflect her life on the island.
During her years on Cortes Island, Douglas took a leading role in community affairs and local politics. She held office in several community organizations and acted as a school trustee. As a member of the Women's Institute, she held local, district, provincial and national office, edited a book on its history, and was awarded a Life Membership in 1989. Douglas was a member of the first Cortes Island Advisory Planning Commission and represented Cortes on the Regional Board of Comox-Strathcona as Alternate Director from 1968 to 1973 and as Director from 1973 until 1977.
List of Book Publications:
1952 Now the Green Word (Wings Press, Mill Valley, Ca.)
1953 Poetic Plush (The Story Book Press, Dallas, Texas)
1953 River For My Sidewalk (by “Grant Madison”; J. M. Dent & Sons, Toronto, Ont.)
1954 The Pattern Set (Quality Press, Montreal, Quebec)
1959 Modern Pioneers (a history of the Women's Institute, ed. by Douglas; Evergreen Press)
1967 Seascape With Figures (Prairie Press, Iowa City, Iowa)
1973 Now In This Night (Harlo Press, Detroit, Mi.)
1978 Silence Is My Homeland (Stackpole Books, Harrisburg, Pa.)
1979 The Protected Place (Gray’s Publishing, Sidney, B.C.)
1982 Prodigal (Harbour Publishing, Madeira Park, B.C.)
1984 River For My Sidewalk (by Gilean Douglas; Sono Nis Press)
1985 Kodachromes at Midday (Sono Nis Press)
1992 Seascape With Figures - Poems Selected and New (Sono Nis Press)
Custodial History
Upon Douglas’ death in 1993 her papers were gathered from her house by her literary executor, Gillian Milton. Douglas’ will directed that her papers and photographs be turned over to the University of British Columbia (Douglas’ primary beneficiary), after being examined and used for literary purposes including publication or biography. Accordingly, Milton inventoried the records, and with Andrea Lebowitz made use of them for a biography and anthology of the writings of Douglas, "Gilean Douglas: Writing Nature, Finding Home" (Lebowitz and Milton, Sono Nis Press, 1999). The textual records were turned over to University of British Columbia Library Rare Books and Special Collections in December 1999; the photographic records in 2002. By agreement with UBC, the records and photographs which have to do primarily with Cortes Island were turned over to the Cortes Island Museum and Archives Society (Manson's Landing, B.C.) in 1999.
Scope and Content
Fonds consists of the personal records of Gilean Douglas which were produced and received during her personal and literary activities. There is some material dating from Douglas's early life, but the bulk of it dates from 1948 to 1993 and directly concerns her life on Cortes Island. Because of Douglas's involvement in the public life of the island, and her interest in local history, her papers contain a great deal of information about the political, community and social life of Cortes Island, particularly the Whaletown area. Fonds is composed of eighteen series: Manuscripts; Correspondence; Literary Records; Regional Director for Area I (Cortes Island); Women's Institute; Women's Auxiliary of the Anglican Church; School District #72; Whaletown Community Club; Channel Rock; Research; "The Log" of the Columbia Coast Mission; Journals and Notebooks; Illustrations and Sketches; Ephemera; Clippings; Maps; Albums; Photographs.
Gilean Douglas fonds at the University of British Columbia Library (Special Collections)
Cortes Island Ratepayers Association fonds
Gorge Harbour Community Hall fonds
Whaletown Community Club fonds
Whaletown Women's Institute fonds
Regional Director of Electoral Area I (Cortes Island) fonds
Copyright
Copyright for Douglas's published writings is held by the University of British Columbia. Permission to use Douglas's manuscripts for publication purposes must be obtained from the University of British Columbia or from Gillian Milton, literary executor for the estate of Gilean Douglas.
Arrangement
Wherever possible, Douglas’ system of arrangement has been retained, and original groupings of material have been maintained. Other material has been arranged according to type.
Series consists of prints, slides and negatives of photographs taken by Douglas or collected by her. There are 1,145 photograph prints, 358 slides and ca. 560 negatives. Photographs dated before 1948 are duplicates of photos in the Gilean Douglas Fonds at University of British Columbia Library Rare Books and Special Collections; photographs of Cortes Island and Channel Rock are held by the Cortes Island Archives.
ca. 2,352 photographic records (1147 prints : b&w and col. - ca. 560 negatives : b&w and col. negatives ; 35 mm and 14 x 11 cm or smaller - 645 slides : col. slides ; 35 mm)
Scope and Content
Series consists of prints, slides and negatives of photographs taken by Douglas or collected by her. There are 1,145 photograph prints, 358 slides and ca. 560 negatives. Photographs dated before 1948 are duplicates of photos in the Gilean Douglas Fonds at University of British Columbia Library Rare Books and Special Collections; photographs of Cortes Island and Channel Rock are held by the Cortes Island Archives.
Florence (L) and Flossie (R) Manson, twin daughters of Michael and Jane Manson, standing in front of the porch of the Mike Manson home at Manson's Landing. They went to Vancouver in 1915 to take up dressmaking and millinery lessons along with younger sister Gwen (not pictured).
Florence (L) and Flossie (R) Manson, twin daughters of Michael and Jane Manson, standing in front of the porch of the Mike Manson home at Manson's Landing. They went to Vancouver in 1915 to take up dressmaking and millinery lessons along with younger sister Gwen (not pictured).
Michael and Jane Manson seated in the centre of a large family group at their Golden Wedding Anniversary in front of the home they had built at Manson's Landing.
Back row, L to R: Percy Renwick holding his son, Fraser Campbell, Flossie Kenny, George Freeman, Hazel Herrewig, Dave Renwick (Jane's brother)
Middle row, L to R: Liz Renwick, Mrs Hurren, Mike Manson, Jane Manson, Mary Anne Renwick, Margaret Manson, Tom Renwick standing (Jane's brother)
Front row, L to R: Harold Smith, Hubert Smith, Gwen Campbell holding Calvin with Thelma just in front, Ethel Hurren, Eileen Kenny in foreground in front of flowers, Robina Freeman, Flo McKay with Hazel just in front
Michael and Jane Manson seated in the centre of a large family group at their Golden Wedding Anniversary in front of the home they had built at Manson's Landing.
Back row, L to R: Percy Renwick holding his son, Fraser Campbell, Flossie Kenny, George Freeman, Hazel Herrewig, Dave Renwick (Jane's brother)
Middle row, L to R: Liz Renwick, Mrs Hurren, Mike Manson, Jane Manson, Mary Anne Renwick, Margaret Manson, Tom Renwick standing (Jane's brother)
Front row, L to R: Harold Smith, Hubert Smith, Gwen Campbell holding Calvin with Thelma just in front, Ethel Hurren, Eileen Kenny in foreground in front of flowers, Robina Freeman, Flo McKay with Hazel just in front
Florence (Manson) McKay, ready to cut her 90th birthday cake at a party held at the Manson's Landing Community Hall. A news clipping accompanying the photograph provides details of Florence's life and family.
Florence was born to Michael and Jane Manson at home in Union Bay, January 21, 1900. Florence married Ervin McKay, a fireman with the Vancouver Fire Department. In 1929, Michael Manson turned his farm at Hague Lake over to Florence. Florence and Ervin lived there until they retired in 1950 and moved to Courtenay. The farm was turned over to their daughter Hazel and her husband Ken Hansen. Florence was widowed in 1978 and returned to Cortes to live with Hazel, who had sold the farm (subsequently renamed Linnaea Farm) but kept sixteen acres to retire on.
Florence (Manson) McKay, ready to cut her 90th birthday cake at a party held at the Manson's Landing Community Hall. A news clipping accompanying the photograph provides details of Florence's life and family.
Florence was born to Michael and Jane Manson at home in Union Bay, January 21, 1900. Florence married Ervin McKay, a fireman with the Vancouver Fire Department. In 1929, Michael Manson turned his farm at Hague Lake over to Florence. Florence and Ervin lived there until they retired in 1950 and moved to Courtenay. The farm was turned over to their daughter Hazel and her husband Ken Hansen. Florence was widowed in 1978 and returned to Cortes to live with Hazel, who had sold the farm (subsequently renamed Linnaea Farm) but kept sixteen acres to retire on.
