This fonds contains textual records, photographs and other archival material relating to the history and functions of the Cortes Island Museum & Archives Society. It includes material created for exhibits and research on Cortes social and natural history.
This fonds contains textual records, photographs and other archival material relating to the history and functions of the Cortes Island Museum & Archives Society. It includes material created for exhibits and research on Cortes social and natural history.
This series contains early film works of George Sirk, shot on 16mm and Super 8 film and digitized by Doug McCaffry, of ScanLab, in 2022. Films include Cortes Island short films, two feature documentaries, and two longer films shot in Australia. They were shown at a film festival presented by Cortes Cinema and the Cortes Island Museum on July 17, 2022: "Out of the Archives: The Early Film works of George Sirk".
From the program notes: "George's films showcase a snapshot - in moving pictures - of some madcap antics, dramatization, and documentaries of life on Cortes during that period [1975-1981] and were inspired by the great humourists of silent film; Chaplin, Keaton and Jacques Tati (Monsieur Hulot), and likewise delight in stitching reality. Mostly shot in sequentially edited (in the camera, like the great film makers mentioned), rehearsals were key to smooth transitions and conserved valuable film stock."
This series contains early film works of George Sirk, shot on 16mm and Super 8 film and digitized by Doug McCaffry, of ScanLab, in 2022. Films include Cortes Island short films, two feature documentaries, and two longer films shot in Australia. They were shown at a film festival presented by Cortes Cinema and the Cortes Island Museum on July 17, 2022: "Out of the Archives: The Early Film works of George Sirk".
From the program notes: "George's films showcase a snapshot - in moving pictures - of some madcap antics, dramatization, and documentaries of life on Cortes during that period [1975-1981] and were inspired by the great humourists of silent film; Chaplin, Keaton and Jacques Tati (Monsieur Hulot), and likewise delight in stitching reality. Mostly shot in sequentially edited (in the camera, like the great film makers mentioned), rehearsals were key to smooth transitions and conserved valuable film stock."
File contains scanned copies of photographs donated by Jim Palmer for the Carrington Bay exhibit in 2009, depicting the community living in Carrington Bay in the 1970s and 1980s.
Jim Palmer and Jan Gemmel lived in a house on the west side of the log jam between Carrington Lagoon and Carrington Bay. Jim built the house at the property of John and Anna Gregg in Manson's Landing and relocated it onto pilings in Carrington Bay. Jim and Jan later fabricated steel pontoons for it. In 1985 the house was moved onto the floats and towed into Gorge Harbour by Bob Thompson with his boat "Sutil Chief".
File contains scanned copies of photographs donated by Jim Palmer for the Carrington Bay exhibit in 2009, depicting the community living in Carrington Bay in the 1970s and 1980s.
Jim Palmer and Jan Gemmel lived in a house on the west side of the log jam between Carrington Lagoon and Carrington Bay. Jim built the house at the property of John and Anna Gregg in Manson's Landing and relocated it onto pilings in Carrington Bay. Jim and Jan later fabricated steel pontoons for it. In 1985 the house was moved onto the floats and towed into Gorge Harbour by Bob Thompson with his boat "Sutil Chief".
Looking out the door of Jim & Jan’s float house; Alan Bent & Gail Johnson’s house (right), Jason & Kathy’s (left) on the east of Carrington Bay in the distance.