Photograph of the "Rendezvous" in Whaletown Bay. This boat was owned by the Columbia Coast Mission from 1924-1955. It was operated by the Rev. Rollo Boas out of Whaletown from 1944 to 1954 and then briefly by Joe Titus, before being sold to Ed Tooker in 1955. Tooker renamed it the "Tari Jacque" after his two daughters, and used the boat for his work as a fisheries patrolman for the DFO. In 2015 Tooker sold the boat to Robert Critchley, who is the present-day owner (2021).
Photograph of the "Rendezvous" in Whaletown Bay. This boat was owned by the Columbia Coast Mission from 1924-1955. It was operated by the Rev. Rollo Boas out of Whaletown from 1944 to 1954 and then briefly by Joe Titus, before being sold to Ed Tooker in 1955. Tooker renamed it the "Tari Jacque" after his two daughters, and used the boat for his work as a fisheries patrolman for the DFO. In 2015 Tooker sold the boat to Robert Critchley, who is the present-day owner (2021).
Photo is from a group given to CIMAS by Hilary Stewart, author of nine books on Northwest Coast First Nations art and culture. Photograph attributed to Anthony Pomoroy.
Photo is from a group given to CIMAS by Hilary Stewart, author of nine books on Northwest Coast First Nations art and culture. Photograph attributed to Anthony Pomoroy.
Photograph of Ken Slater's boat "Wahkana Bay" beside the fish scow at the end of the Whaletown dock. The buildings on the opposite side of Whaletown Bay may be seen in the background.
Photograph of Ken Slater's boat "Wahkana Bay" beside the fish scow at the end of the Whaletown dock. The buildings on the opposite side of Whaletown Bay may be seen in the background.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.
Binder contains interviews, stories, clippings and photographs documenting the social history of the Coulter Bay and Carrington Bay areas. It was created as part of the Windows on Whaletown Exhibit, curated and mounted by Doreen Thompson.