Photograph of the wharf at Port Neville, showing fishermen, piles of nets and fish boats tied to the wharf. Greene's label is "The "Columbia" watches fishermen mending their gear." Same as #1999.001.951.
Photograph of the wharf at Port Neville, showing fishermen, piles of nets and fish boats tied to the wharf. Greene's label is "The "Columbia" watches fishermen mending their gear." Same as #1999.001.951.
Photograph of the Union steamship "Chelohsin" alongside Manson's wharf. The photograph is taken from down on the floats; there is a local fish boat tied in front of the Chelohsin, and the ramp and freight shed are visible to the left.
Photograph of the Union steamship "Chelohsin" alongside Manson's wharf. The photograph is taken from down on the floats; there is a local fish boat tied in front of the Chelohsin, and the ramp and freight shed are visible to the left.
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph titled "The second "Columbia" tied up to a floating logging camp in the beautiful Knight Inlet country. When it's rough enough you can be seasick right in your own livig-room." Note: This photograph appears to be the source of the painting on the cover of "God's Little Ships" by Michael Hadley (Harbour Publishing, 1995). It was probably printed in "The Log".
Photograph of an injured logger on a stretcher, being loaded off of a logging camp launch onto the "Columbia". Photo c is in the oversize photo box and has Alan Greene's notations on the back. See #1999.001.958. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
3 photograph prints: b&w; a & b are 13 x 10 cm; c is 25.5 x 20.5 cm
Scope and Content
Photograph of an injured logger on a stretcher, being loaded off of a logging camp launch onto the "Columbia". Photo c is in the oversize photo box and has Alan Greene's notations on the back. See #1999.001.958. (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
Photograph of two men on floats made of logs chained together, with the buildings, tanks and other paraphernalia of a logging camp on the floats. Location is Seymour Inlet.
Photograph of two men on floats made of logs chained together, with the buildings, tanks and other paraphernalia of a logging camp on the floats. Location is Seymour Inlet.
Photograph of a ship's wake taken from a boat stern, with the mountains of Knight Inlet in the background. Titled by Douglas: "Salmon fishing is tops in Knight Inlet."
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
3 photograph prints: b&w ; 15 x 10 cm, 21.5 x 16.5 cm & 25 x 20 cm
Scope and Content
Photograph of a ship's wake taken from a boat stern, with the mountains of Knight Inlet in the background. Titled by Douglas: "Salmon fishing is tops in Knight Inlet."
One of a series of photographs taken at Clarence and Doug Boardman's Dot Logging Co. camp in Knight Inlet.
Photograph of Rev. Rollo Boas and his wife Kay scraping paint from the Columbia Coast Mission boat "Rendezvous" at the Whaletown wharf. Ken Slater's troller "Wahkana Bay" is in the background, two unindentified gas boats are tied to the floats. Of note: clearing for the Huck family home in background indicates the year the photo was taken. There are two captions on the back, in different handwriting (top is Gilean Douglas'.)
Photograph of Rev. Rollo Boas and his wife Kay scraping paint from the Columbia Coast Mission boat "Rendezvous" at the Whaletown wharf. Ken Slater's troller "Wahkana Bay" is in the background, two unindentified gas boats are tied to the floats. Of note: clearing for the Huck family home in background indicates the year the photo was taken. There are two captions on the back, in different handwriting (top is Gilean Douglas'.)
Photo is from a group given to CIMAS by Hilary Stewart, author of nine books on Northwest Coast First Nations art and culture. Prints are mounted together and show the following: bladder float and sinew line, nettle fibre fish line, bag net of sinew, long halibut line of cedar bark. Photographs may be by Hillary Stewart.
Photo is from a group given to CIMAS by Hilary Stewart, author of nine books on Northwest Coast First Nations art and culture. Prints are mounted together and show the following: bladder float and sinew line, nettle fibre fish line, bag net of sinew, long halibut line of cedar bark. Photographs may be by Hillary Stewart.
Photo is from a group given to CIMAS by Hilary Stewart, author of nine books on Northwest Coast First Nations art and culture. Prints are mounted together on a board and show the following: nettle fibre dip net, detail of dip net, braided harpoon line, long fish line of lengths of kelp. Photographs may be by Hillary Stewart.
Photo is from a group given to CIMAS by Hilary Stewart, author of nine books on Northwest Coast First Nations art and culture. Prints are mounted together on a board and show the following: nettle fibre dip net, detail of dip net, braided harpoon line, long fish line of lengths of kelp. Photographs may be by Hillary Stewart.