Fonds consists of photographs of Cortes Island people and events, and one file of textual records, which includes a 13 verse poem by Mabel Christensen, "Picnic", about Cortes Island Day.
Peggy Newsham (1907-1999) was born in Belfast, Ireland. At the age of 16, she emigrated to Vancouver, Canada. In 1937, Peggy met Doll (Jeffery) Hansen and together they traveled on the Union Steamship to Cortes Island. She worked for Alice Robertson at Burnside in Whaletown, helping with the gardening, livestock and household chores. Peggy moved to Manson's Landing in the late 1960s, where she was active in the Community Club and took part in many social activities. She was crowned "Queen of Cortes" by acclamation at Cortes Day in 1979. There is a memorial to Peggy in the garden of the Cortes Island Museum.
Custodial History
Donated by Dennis Newsham and Frances Guthrie.
Scope and Content
Fonds consists of photographs of Cortes Island people and events, and one file of textual records, which includes a 13 verse poem by Mabel Christensen, "Picnic", about Cortes Island Day.
File consists of three pages of textual records pertaining to a January 1953 agreement between the Whaletown Women's Institute and the Whaletown Community Club regarding use of the Church Hall
File consists of three pages of textual records pertaining to a January 1953 agreement between the Whaletown Women's Institute and the Whaletown Community Club regarding use of the Church Hall
File consists of master pages of a fund-raising cookbook produced by the Whaletown Women's Institute. Typed recipes are pasted onto construction paper sheets; sheets are crumbling.
Complete copies of the cookbook may be found in the Whaletown Women's Institute fonds and the Island Women's Club fonds.
File consists of master pages of a fund-raising cookbook produced by the Whaletown Women's Institute. Typed recipes are pasted onto construction paper sheets; sheets are crumbling.
Complete copies of the cookbook may be found in the Whaletown Women's Institute fonds and the Island Women's Club fonds.
Photograph of the Whaletown Women's Institute and school children at the Whaletown school on the occasion of the presentation of a library to the school. (ID)
Seated women from right: Milly Hill, Barbara Hunt, ?
In truck: Lynn and Ann Robertson
Men: Mr. Philip Douglas, School Rep, Mr. A. Ferguson, teacher, facing the camera
Seated children: Doreen Huck, Andy Robertson behind her
Standing women: Muriel Whiting, third from right; Mrs. Ferguson behind her
Photograph of the Whaletown Women's Institute and school children at the Whaletown school on the occasion of the presentation of a library to the school. (ID)
Seated women from right: Milly Hill, Barbara Hunt, ?
In truck: Lynn and Ann Robertson
Men: Mr. Philip Douglas, School Rep, Mr. A. Ferguson, teacher, facing the camera
Seated children: Doreen Huck, Andy Robertson behind her
Standing women: Muriel Whiting, third from right; Mrs. Ferguson behind her
Sous-fonds consists of records created by the Whaletown Women's Institute. It is arranged in seven series: Minutes Series, Financial Series, Administrative Records Series, Reports Series, Correspondence Series, Projects Series and Ephemera Series.
The Whaletown Women's Institute was formed in 1920 as the Friendship Circle, became a branch of the Women's Institute in 1923, and disbanded in 1963. During its years of activity, the WWI actively worked for local improvement. Projects included initiating a library service, donating books to the school, arranging for regular visits of a doctor and dentist, hosting an annual Christmas party and providing gifts for all the Whaletown children, maintaining the cemetery, fund-raising for a school playground, financing firefighting equipment and installing an emergency telephone network.
Custodial History
Records were donated to CIMAS by the Island Women's Club in 2009.
Scope and Content
Sous-fonds consists of records created by the Whaletown Women's Institute. It is arranged in seven series: Minutes Series, Financial Series, Administrative Records Series, Reports Series, Correspondence Series, Projects Series and Ephemera Series.
File contains an agreement passing the responsibility for the Church Hall (at the corner of Harbour road next to the first Whaletown cemetery) from the Whaletown Community Club to the Whaletown Women's Institute. At that time, the Gorge Harbour Community Hall Society turned the Gorge Hall over to the Whaletown Community Club.
File contains an agreement passing the responsibility for the Church Hall (at the corner of Harbour road next to the first Whaletown cemetery) from the Whaletown Community Club to the Whaletown Women's Institute. At that time, the Gorge Harbour Community Hall Society turned the Gorge Hall over to the Whaletown Community Club.
Fonds consists of textual records generated by the Whaletown Women's Institute organized into seven series: Minutes, Financial Records, Administrative Records, Reports, Projects, Correspondence and Notes.
The Whaletown Women's Institute (WWI) began in 1920 as the Friendship Circle. In 1923 it became a branch of the Women's Institute, a community service organization for women with the goals of fostering the skills of rural women, improving their lives and works, and celebrating their achievements. During its years of activity, the WWI was very active in working for local improvement. Some of their projects included initiating a library service, donating books to the school, arranging for regular visits of a doctor and dentist, hosting an annual Christmas party and providing gifts for all the Whaletown children, maintaining the cemetery, fund-raising for a school playground, financing firefighting equipment and installing an emergency telephone network. The WWI was disbanded in 1963.
Custodial History
These records of the Whaletown Women's Institute were held by Gilean Douglas, a past officer in the WWI and author of a history of the Women's Institutes in Canada. Upon her death, they went into the possession of her literary executer, Gillian Milton, who turned them over to the Cortes Island Women's Institute. They were subsequently returned to her custody, and donated to CIMAS.
Scope and Content
Fonds consists of textual records generated by the Whaletown Women's Institute organized into seven series: Minutes, Financial Records, Administrative Records, Reports, Projects, Correspondence and Notes.
File consists of three copies of the Handbook of BC Women's Institutes; the BCWI News (3 issues 1960; 4 issues 1964); Notice of Meeting cards (blank); two copies of the Institute Ode; the WI prayer; constitution and by-laws. Material was originally in the possession of Gilean Douglas.
File consists of three copies of the Handbook of BC Women's Institutes; the BCWI News (3 issues 1960; 4 issues 1964); Notice of Meeting cards (blank); two copies of the Institute Ode; the WI prayer; constitution and by-laws. Material was originally in the possession of Gilean Douglas.
Photograph of Eddie Huck, Andy Robertson and Dennis Newsham, probably at Channel Rock while working on the Whaletown Women's Institute telephone line (see Gilean Douglas' Christmas letter for 1959).
Photograph of Eddie Huck, Andy Robertson and Dennis Newsham, probably at Channel Rock while working on the Whaletown Women's Institute telephone line (see Gilean Douglas' Christmas letter for 1959).
Group photo of a Women's Institute meeting at the Smith property at Seaford.
Standing, left to right, Betty Jeffery holding Joan Jeffery, Eva Freeman, Mrs. Mary Jeffery, Florence McKay, Isla Forrest, Anna Middleton, Mrs. Cowan, May Easton, Mrs. Ada Easton (cook and partner for Walter Hansen Log), Mrs. Henry (Rose) Tiber, Jack Manson, Harry (Jr.) Middleton.
Kneeling in front, left to right, Nellie Jeffery and Julia Smith.
Group photo of a Women's Institute meeting at the Smith property at Seaford.
Standing, left to right, Betty Jeffery holding Joan Jeffery, Eva Freeman, Mrs. Mary Jeffery, Florence McKay, Isla Forrest, Anna Middleton, Mrs. Cowan, May Easton, Mrs. Ada Easton (cook and partner for Walter Hansen Log), Mrs. Henry (Rose) Tiber, Jack Manson, Harry (Jr.) Middleton.
Kneeling in front, left to right, Nellie Jeffery and Julia Smith.