Photograph of Rev. John Antle (center) and the crew of the first "Columbia". (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
Photograph of Rev. John Antle (center) and the crew of the first "Columbia". (see "Anderson, Doris, "The Columbia Is Coming"; Gray's Publishing, 1982, photo inset)
Photograph of "George Parsons in his home bay on Quadra. Behind him is the house which is now at Campbell River." (Gilean Douglas' typed caption, taped to photo)
2 photograph prints: b&w; 9 x 6.5 cm and 17 x 12 cm
Scope and Content
Photograph of "George Parsons in his home bay on Quadra. Behind him is the house which is now at Campbell River." (Gilean Douglas' typed caption, taped to photo)
Photograph of a Don Maclean sitting at a kitchen table with a large balloon glass in front of him and several bottles of whiskey on the table. The photograph was taken in Mary (McClain Tucker) McMillan's house in Coulter Bay. See also #1999.001.747
Photograph of a Don Maclean sitting at a kitchen table with a large balloon glass in front of him and several bottles of whiskey on the table. The photograph was taken in Mary (McClain Tucker) McMillan's house in Coulter Bay. See also #1999.001.747
Photograph of Dick Flanders, his grandchild Louise and four boys at Mamalilliculla on Village Island. Thy are standing at the base of a carved totem pole; the village houses may be seen in the background.
Photograph of Dick Flanders, his grandchild Louise and four boys at Mamalilliculla on Village Island. Thy are standing at the base of a carved totem pole; the village houses may be seen in the background.
Photograph of Dick Flanders and his grandchild Louise at Mamalilliculla on Village Island. The paw of a carved bear on the totem is almost touching his head; there is another totem to the right, and a house in the bacground. See also #1999.001.0976.
Photograph of Dick Flanders and his grandchild Louise at Mamalilliculla on Village Island. The paw of a carved bear on the totem is almost touching his head; there is another totem to the right, and a house in the bacground. See also #1999.001.0976.
Photograph of a family standing on the deck of their float. Captioned by Douglas: "This is a new float house still unfinished, but one window box is already in place and planted. Boxes for float house flowers are made before the first nail goes into a new house."
Photograph of a family standing on the deck of their float. Captioned by Douglas: "This is a new float house still unfinished, but one window box is already in place and planted. Boxes for float house flowers are made before the first nail goes into a new house."
Photograph of Don Maclean and Rev. Ivan Futter on the stairs of the church of St. John the Baptist in Whaletown. Meg Shaw is on the left (likely) and Ian Maclean is the boy in front.
Photograph of Don Maclean and Rev. Ivan Futter on the stairs of the church of St. John the Baptist in Whaletown. Meg Shaw is on the left (likely) and Ian Maclean is the boy in front.
Photograph of Dick Flanders and his grandchild Louise at Mamalillaculla, Village Island. They are standing beside a carved totem pole which is supporting cross beams.
Photograph of Dick Flanders and his grandchild Louise at Mamalillaculla, Village Island. They are standing beside a carved totem pole which is supporting cross beams.
Photograph of Rev. Rollo Boas and his wife Kay scraping paint from the Columbia Coast Mission boat "Rendezvous" at the Whaletown wharf. Ken Slater's troller "Wahkana Bay" is in the background, two unindentified gas boats are tied to the floats. Of note: clearing for the Huck family home in background indicates the year the photo was taken. There are two captions on the back, in different handwriting (top is Gilean Douglas'.)
Photograph of Rev. Rollo Boas and his wife Kay scraping paint from the Columbia Coast Mission boat "Rendezvous" at the Whaletown wharf. Ken Slater's troller "Wahkana Bay" is in the background, two unindentified gas boats are tied to the floats. Of note: clearing for the Huck family home in background indicates the year the photo was taken. There are two captions on the back, in different handwriting (top is Gilean Douglas'.)