Photograph of two pigs in a pen with picket and rail fencing; a woman is leaning on the far line of fence and a boy is in the right foreground. A shed and fruit trees, and a forested hill, can be seen in the background. Photo is probably at Burnside.
Photograph of two pigs in a pen with picket and rail fencing; a woman is leaning on the far line of fence and a boy is in the right foreground. A shed and fruit trees, and a forested hill, can be seen in the background. Photo is probably at Burnside.
Photograph is an overview of Whaletown and Whaletown Bay, showing the dock and freight shed and the houses across the bay near the current site of the ferry dock.
Photograph is an overview of Whaletown and Whaletown Bay, showing the dock and freight shed and the houses across the bay near the current site of the ferry dock.
Photograph of the Church Hall in Whaletown, which stood in front of the old cemetery at the corner of Carrington Bay and Harbour roads. It served the community as both church and a venue for social events for almost forty years. The original Whaletown school became its kitchen, and a sleeping place for tired children.
Photograph of the Church Hall in Whaletown, which stood in front of the old cemetery at the corner of Carrington Bay and Harbour roads. It served the community as both church and a venue for social events for almost forty years. The original Whaletown school became its kitchen, and a sleeping place for tired children.
Photograph of Billy Tait standing on the dock in Whaletown. The channel marker and houses near the present-day ferry dock can be seen in the background.
Photograph of Billy Tait standing on the dock in Whaletown. The channel marker and houses near the present-day ferry dock can be seen in the background.
Photograph of a group of people in front of the freight shed on the Whaletown wharf. A sticker on the back indicates the photograph was originally from the collection of Gilean Douglas.
Photograph of a group of people in front of the freight shed on the Whaletown wharf. A sticker on the back indicates the photograph was originally from the collection of Gilean Douglas.
